I’ve resumed reading more Children’s fiction since I’ve been listening to audiobooks, as I’ve been working my way through my grandson’s list. And I’m so glad, because it’s brought me some really lovely reads this year. But this one has capped them all and is going to be one of my all-time favourites…
BLURB: It’s natural to feel a little out of place when you’re the new girl, but when Charlotte Makepeace wakes up after her first night at boarding school, she’s baffled: everyone thinks she’s a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months to follow, Charlotte wakes alternately in her own time and in Clare’s. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she’s slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn’t figure out some way to get back to the world she knows before the end of the term, she might never have another chance.
REVIEW: This is time travel with spikes on – Charlotte and Clare find themselves alternately cris-crossing each other, spending one day in their own time zone – and the next in each other’s. There isn’t any real explanation as to why this is happening, but the effect on Charlotte is beautifully described. This is a sophisticated book, written for children with a precocious understanding of how surroundings and loss can impact on someone, so they somehow keep going.
There aren’t any major outbursts in this book. It isn’t a tale of horrendous persecution – though one child is singled out in a distressing manner and nothing much is done about it, reminding me that back in the day, children were expected to cope if they were being victimised. Because this is a book that was first published in 1969, though other than some of the attitudes, the density and pacing – it hasn’t particularly dated, because it is set in the past. It very much reminded me of my own childhood, as I was brought up by my grandparents in a house full of large, dark furniture. Though we had a television, long days were spent amusing myself with toys such as solitaire, spillikins and, of course, books…
I loved this one. Charlotte is in the middle of an ongoing nightmare on one level. And yet she also makes friends and strong connections with other people in the 1918 timeline. The exquisite prose, beautifully narrated by the wonderful Hannah Gordon, produces a wonderful, nuanced portrayal of her experience. It’s simply a recommended read for anyone interested in a child’s view of 1918 – because it’s one of those magical books that might have been written with children in mind, but due to Farmer’s layered writing, it can also be thoroughly enjoyed by adults, too. I particularly recommend the audiobook version and am rather devastated to discover that this is the only story in the series that has been turned into an audiobook.
This sounds familiar, and now I’m wondering if I read it when I was much younger. It sounds worth reading again, lovely review😁
Thank you, Tammy:)). Yes… it’s a classic, so I’m guessing that you probably did read it when you were younger.
This really does sound like a gem of a series and I agree with Tammy that it does sound familiar. Based on those publication dates, I could see this being something I perhaps read when I was younger.
Thank you, Suzanne:). Yes – it is a classic, and I fell in love with it. But I do think it is one to be read by tweens or early teens – it is a sophisticated, bittersweet read.
Sounds lovely and the fact that it can be read by adults too is very tempting.
Thank you, Lynn – this book has haunted me since I read it…