Category Archives: book covers

Friday Faceoff – Where there’s fire there’s…

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring smoke, so I’ve selected Smoke – see my review here – by Dan Vyleta.

 

This edition was produced by Doubleday in May 2016. The impressionistic view of the Houses of Parliament with the Thames in the foreground is beautiful, though feels more like fog than the sooty, unpleasant excretion caused by wicked, impure thoughts of the novel. While it is attractive, with plenty of eye appeal, I’m not sure it adequately portrays the novel.

 

Published in July 2016 by W & N, this cover is extremely effective. The black cover contrasts nicely with the wisping threads of smoke rising off the stylised S and its very simplicity sets it apart. I really like this one.

 

This edition, published by Anchor Books in June 2017, is really disturbing. The person seems to be consumed by the thick, black smoke pouring off him, leaving only his feet uncovered. This one is my favourite – another elegant and simple design, I think the image is both compelling and eerie.

 

This paperback edition, produced by W & N Books in April 2017, is a variation on the second cover, and the extra touch of colour makes it even more attractive. I like the grey cover and the deep blue curls of smoke, which look both beautiful and menacing. This cover is a very close second, to the extent that I nearly rolled a dice to see which would be my favourite this week.

 

This Swedish cover, published in September 2016 by Albert Bonniers Förlag, has taken the story as the cover’s reference. A Victorian street scene is enveloped in thick, choking smoke and the sepia tones complete the period feel, which gives the cover an extra sense of authenticity. Once more, this is a well designed, attractive cover. Quite often, I’m reasonably certain that I’ll know which cover will turn out to be the favourite – however, today I haven’t a clue. Which is your favourite? I’m very much looking forward to finding out!

Advertisements

As promised – here is the shiny new cover for Dying for Space!

Standard

As I mentioned a couple of weeks ago – I now have a new cover for Dying for Space. But in addition to the revamped face where Lizzy is clearly not dead OR inappropriately enjoying herself – there is an exploding spaceship!

Getting the cover right for this series has been something of a journey – and now that Running Out of Space is finally on track, it’s great to be able to offer the companion cover for the Dying for Space in the Sunblinded series. If you missed the free offer for Running Out of Space and would like to give it a go without risking your hardearned cash, it is now available here for free via Instafreebie.

Friday Faceoff – The more I see, the less I know for sure…

Standard

As luck would have it – I was running behind and hadn’t completely written up my Friday Faceoff yesterday before the internet went down – for the rest of the day. Thank you Sky for picking and choosing WHICH of your customers got the advance notification that you would be messing around with the phone lines (my sister did get the warning text – I didn’t!). So this article didn’t get posted and please accept my apologies for the lack of interaction on the blog in general…

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a panorama, so I’ve selected Cryoburn – Book 14 of the Vorkosigan Saga by Lois McMaster Bujold.

 

This Hardcover edition was produced by Baen in October 2010. It’s a panorama of the edifice where thousands upon thousands of people are stored in cryogenic stasis, which is the setting for this particular murder mystery. It’s a classic Baen cover, with large, blocky lettering featuring the author and title font. In this case, it’s shame they are quite so large as they blot out a lot of the excellent cover art – but it’s Baen’s trademark and I can’t fault them for their astute marketing model.

 

This Kindle edition was published in May 20111 and is, quite frankly, horrible. The clunky, charmless effort gives no hint about the genre or the fact this book is part of a highly successful series and an awesome read.

 

This Croatian edition, published by Algoritam in 2010, has attempted to recreate the vast scale of the cryostasis repository with Miles walking down one of the aisles. I’m interested to see that there is some attempt to depict his physical deformities, which is something the US covers often don’t do – although he is still without his cane. However, it is rather crude, even though it’s miles better than that dreadful, blobby egg-timer shown on the previous cover.

 

This edition, produced by Blackstone Audiobooks in October 2010 has taken the original cover and tweaked it, so that the title and author fonts don’t cosh you between the eyes. The result is a far classier version of the original cover which also shows the wonderful artwork. This is my favourite cover.

 

This French cover was published in November 2011 by J’ai Lu. I really like this cover. The dark tones reflect the fact we are dealing with a futuristic cemetery and the birds-eye view creates an eye-catching effect. They have even managed to give an echo of the Baen treatment of the title font without blotting out too much of the action – this is a very close contender for the top spot for me this week – which is your favourite?

Cover reveal – Dying for Space – shiny, new and more appealing!

Standard

As you may know, I changed the covers for the first two books in the Sunblinded trilogy. Immediately, I noticed an improvement in my sales for Running Out of Space. However, as we sat down and looked at the last six months, cover maven, Mhairi and I realised that the new cover for Dying for Space had absolutely no impact. Not a single person felt drawn to buy it after the initial flurry died down after the book launch blog tour.

 

I wondered whether this one looked a bit ‘death mask’ and that was putting off potential readers, given the title is Dying for Space. Mhairi speculated that with the pink tint and her closed eyes, Lizzy looked as though she was… um… having a very nice time. And as I haven’t been targetting a readership interested in erotic fiction in space, Mhairi thought the possibility might be disuading readers from giving this one a go.

 

So she’s come up with this one, instead. It definitely still has the same branding as the first book, with the advantage that Lizzy is clearly alive if a tad pensive – and there is no possibility that this can mistaken for anything other than a space opera adventure featuring a heroine, whose action scenes take place outside the bedroom… This one is going live on Thursday, but I thought I’d share it with you all, first.

Do let me know what you think!

Friday Faceoff – It’s a family affair…

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a family, so I’ve selected The Rolling Stones by Robert Heinlein.

 

This audio edition was produced by Full Cast Audio in February 2005. It’s a spacescape so I really like it – the character in the forefront being upside down is nicely dramatic. However, she looks rather bored by the whole business and as they are clearly performing some sort of maintenance task on the outside of the ship, I doubt if she would ever get to a stage where it would be quite so tedious to be floating at the end of a tether outside the ship. And I loathe the nasty strip along the bottom of the cover which is completely unnecessary, given this is a relatively modern design.

 

Published in February 1978 by Del Rey Books, I much prefer this version. There is plenty of drama as the twins are rushing around the spaceship, trying to gather up all these tribble-like creatures. I also think the font is rather funky and attractive, contrasting well with the bright interior of their ship. This one is my favourite, though I don’t like all the chatter cluttering up the author and title.

 

This edition, published by Baen in March 2009, has by contrast a rather generic feel. It is clearly part of the house style, with the classic Baen fonts for the title and author, along with the obligatory spacescape. The trouble is that this scene could be any old ship with a couple of suited figures, who don’t particularly look as though they are part of a family unit.

 

This edition, produced by Ace in November 1970 definitely has a retro feel – that rocket and those suits are more reminiscent of the 1950s, when this book first hit the shelves. However, there is no sense that the crew are a family. While the orange font certainly pops, it is rather flat, again underlining the period feel of this cover. There is rather too much chat, again, spoiling the effect.

 

This Czech cover was published in 2003. I have a really soft spot for this one. The angle of the ship with the two suited figures working on it draws the eye onto the attractive and eye-catching title font. I also love the touch of having the title on the ship. This is a close contender for the top spot for me – but what about you? Which is your favourite?

Friday Faceoff – You can’t sow an apple seed and expect to get an avocado tree.

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a seeds or spores, so I’ve selected The Seeds of Time by John Wyndham.

 

This edition was produced by Penguin in 1959 and I do like it as a piece of history more than because I think it’s a great cover. It has the generic Penguin orange and white cover with an additional dandelion clock moulting seeds which is reasonably effective though not particularly imaginative or exciting. An average effort.

 

Published in 1964 by Penguin, at least this cover displays a modicum of imagination. The lime-green cover is eye-catching and attractive, though the artwork would have looked better if it had been in black, which would have contrasted well with the cover. As it is, it’s a struggle to make out what is going on.

 

This edition, published by Penguin in September in 2014, is evidently going for the retro look, judging by the looping font and eggshell blue background. The snag is, the face is far too poorly executed to be the work of the average cover artist of the time. I cannot even work out if it is supposed to be a man or woman…

 

This Spanish edition, produced by E.D.H.A.S.A. in 1958, is certainly a huge improvement on any of the previous efforts. The quirky abstract design fits the tone and style of a science fiction short story collection, while the colours are attractive and eye-catching.

 

This cover, published in 1988 by Penguin, is at long last a worthy effort. The spacescape featuring a nicely exotic space ship and a planet – presumably Earth either emerging into daylight or being plunged into darkness immediately alerts a prospective reader as to the genre. And Wyndham’s name is also attractively highlighted, which certainly makes marketing sense, given his fame as the author of The Day of the Triffids. This one gets my vote, with the Spanish edition a very, very close second. Which is your favourite?

Friday Faceoff – Be as a tower firmly set…

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a tower, so I’ve selected The Black Tower – Book 5 of the Adam Dalgliesh Mysteries by P.D. James.

 

This edition was produced by Touchstone in April 2012 and I want to like it more than I do. It seems a rather cool idea to envelope a rather haunting image of a tower in a very dark tint. In reality, I think the result is rather dreary and unappealing – though I’m unsure whether that’s really the case, or the fact that I am very much drawn to bright, sunshine colours.

 

Published in April 2010 by Faber and Faber, I much prefer this version – though it might also be because this is cover of the book that I’ve read. It is rather brooding with a stark beauty about it and I also like the way the author and title fonts have been handled. This one is my favourite.

 

This edition, published by Scribner Book Company in January 1975, must have had poor P.D. James sighing in disgust. What were they thinking? This is a sophisticated murder mystery featuring a nuanced, clever protagonist during a personal crisis. Yet, this looks like something out of a Boys’ Own Annual…

 

This Spanish edition, produced by B de Books in August 2012 is certainly a lot better than the previous effort. The tower perched on the edge of the cliffs with the sea in the foreground and the deep blue colour is certainly attractive, but I think this cover still lacks sufficient finesse for such a cleverly constructed book.

 

This German cover, published in December 1998, is a dreadful effort. Someone let the children loose in the graphics department and then accidentally forgot to erase the effort – surely? So we have the photo of a ruined tower grafted over the image of flames which aren’t even to scale, making the whole thing look completely false. And then they further ruined the dodgy effort by plonking a lot of writing on the cover – although, come to think of it, maybe they added it in a vain attempt to draw attention away from the shockingly bad job they’d made. Which is your favourite?

Friday Faceoff – Like a puppet on a string…

Standard


This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring puppets or dolls, so I’ve selected The Puppet Masters by Robert Heinlein.

 

This Japanese cover, produced by 早川書房 in December 2005, is one of my favourites. There is plenty of drama in this cover, with the puppet girl on the poster in the background as our gallant investigator is swathed in the police tape as he goes undercover…

 

 

This edition was produced by Del Rey/Ballantine books in January 1990 and is a really attractive. I love the backdrop, which is beautiful and detailed, while the man in the centre being strung up like a puppet is a really disturbing image. My only grizzle is that there is rather too much chatter.

 

Published in February 1990 by DelRey/Ballantine books, I also really like this one. The greens really stand out and those three marionettes look wonderfully wrong… However, I don’t like the ugly white box along the top which cuts across the artwork, effectively shortening the cover.

 

This edition, published by Baen in July 2010 has gone for the retro feel, while keeping the typical Baen house style. I quite like the detail on the cover – I can never resist a spacescape, anyway. The snag is that this cover feels rather generic – yes… there are aliens, but they are in the process of invading Earth and the artwork doesn’t give any indication of that.

 

This first edition, produced by Doubleday & Co in December 1951 is simply a fabulous piece of artwork. The muted palette, odd stance of the figues and staring eyes give us a really creepy insight into what is going on. This is my favourite, but which is yours?

Friday Faceoff – After every storm the sun will smile…

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring the sun, so I’ve selected Sundiver – Book 1 of the Uplift series by David Brin.

 

This cover, produced by Bantam Spectra in July 2010, is certainly full of drama. They certainly have the tone of the novel nailed – bossy aliens and overwhelmed humans clearly on the back foot. The artwork is dramatic and pleasing, though it’s pity about those blocks of brown topping and tailing the cover.

 

This edition was produced by Orbit in December 2011 and is a copy of their 1996 design, which I actually prefer because I think the shadowed lettering stands out far more successfully. Unfortunately, because it is a photo of the cover, the definition is poor. But for all that, this is my favourite. That torus is just so beautiful against the sizzling heat of the sun…

 

Published in November 1981 by Bantam, I also really like this one. Where the previous cover is all about drama, heat and fire – this one is darker with shadows and… things lurking there that may or may not be threats. The sphere looks suitably otherworldly, too. The big problem with this one is the lettering – it blends into the artwork far too much.

 

This French edition, published by Le Livre de Poche in June 1995 is another good effort, with all those swirling solar winds. I like the rather quirky font, too. However the overall effect is rather crude which is why it isn’t my favourite, though I do have a soft spot for this one…

 

This German edition, produced by Heyne in February 2014 is another very pleasing effort. I love the simplicity of the design, which really pops in thumbnail size and the fade effect on David Brin’s name is very effective. It is wasn’t for that amazing torus, this would probably have got my vote this week. Which is your favourite?

Friday Faceoff – The king is dead, long live the king…

Standard

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring Greek myths, so I’ve selected The King Must Die – Book 1 of the Theseus series by Mary Renault.

 

This cover, produced by Virago in March 2015, is my favourite. I really like the simplicity of this image – the white against the golden colour is very effective. I also like the fact that background is shaded and slightly patterned with that classic Hellenic design. My one grizzle is all that chatter on the cover seems unnecessary. Ah well – you can’t have it all. Apparently…

 

This Serbian edition was produced by Laguna in November 2012 and is also a reasonable effort, although that border pattern seems to hark back more to my great grandmother’s antimacassars than anything remotely Grecian. It’s a shame, because that apparently small anomaly really jars with me.

 

Published in 1990 by Hodder and Stoughton, this is a strong contender for being my favourite. I love the design – that statue of the minotaur with the blood-tipped curving horns makes for an arresting image. The frieze in the background is also well designed. I think, though, that the top cover just edges it.

 

This Portuguese edition, published by Círculo do Livro in 1985 is the least successful, in my opinion. While I love the striking, orange backdrop the figures are looking stilted and a bit peculiar. I think this would have been far more effective if Theseus and the minotaur were in silhouette.

 

This edition, produced by Vintage Books USA is another blast from the past as it was produced in 1988. I very much like the overall effect of this one – but the one drawback is that I cannot work out what that shape is. Is it a map of Greece? Not exactly, as far as I can gather. So I find it frustrating as neither can I make an outline of an aurochs or a Greek warrior. I’m probably being an idiot and missing something really obvious, here – I’m looking forward to someone telling me. Which is your favourite?