Category Archives: book covers

Friday Faceoff – Man is a knot into which relationships are tied…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a knot or knots, so I’ve selected Daughter of the Forest – Book 1 of the Sevenwaters series by Juliet Marillier.

 

This cover, produced by Tom Doherty Associates in February 2002, has a lovely Celtic feel about it – and the reason why I’ve selected it, is for the Celtic knot detail on the F. I really like this cover, as the cover content and overall feel aligns well with the beautifully told story. The only thing that spoils it is that ugly red text box running along the bottom.

 

This Portuguese edition was produced by Bertrand Editora 2002 has a similarly lyrical feel. The artwork is lovely and I particularly like the moody colour palatte of greens and blues, while the Celtic knotwork and the swan motif top and bottom is delightful. My only grumble about this one is the bright orange font, which is jarring. Despite that, this is the one I like best – although this week there aren’t any I dislike.

 

Published in 2001 by HarperCollins, this cover features a forest exactly as I’d envisaged the one within the book – dark and full of gnarled tree roots and tangled vegetation. It’s nice to have the brothers on the river bank, too. While I appreciate why we have the scene with the swans flying above the knotwork, I do think it gives the cover a rather odd appearance.

 

This HarperCollins edition, published in October 2015, is clearly going for a more modern feel with the plain black cover featuring the swan. It is certainly eye-catching, but if I didn’t know this wonderful book is the first in an awesome series, I don’t think I would pick it off the shelves.

 

This German edition, produced by Knaur in April 2011, is also lovely. The golden suffused light as the backdrop works really well and I like the fact that Sorcha is in the background, with the swans in the foreground swimming towards her. The only thing that isn’t quite right is her reflection. Which is your favourite?

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Friday Faceoff – I must go down to the sea, again…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a scene under the sea, so this week I have selected Goddess of the Sea – Book 1 of The Goddess Summoning series by P.C. Cast.

 

This cover, produced by Berkley Sensation, was published in October 2003. This is a lovely design, with the murky image of the mermaid overlaid with the classy title font. It is the most straightforward of the covers, but I especially love the warm richness of the colouring.

 

This edition was produced by Berkley in October 2008. It is an interesting cover, with its green tint suggesting we are underwater, but there is no fish tail. Instead, the girl is wearing fishnet stockings, with a trident design shining on her shoulder and the suggestion of scales in the backdrop. I like the clever visual clues that the girl facing away from us is a mermaid. However, what lets down the cover for me is the drearily ordinary font which is at complete odds with the visual hide and seek going on.

 

Published in 2011 by Ediçoes Asa, this Portuguese edition suggests the girl is underwater. Again, there are a few visual games – the hair decorations that look like air bubbles. I like this one – the play of lighting across her face is beautiful.

 

This German edition, published by Fischer Taschenbuch Verlag in May 2012 is the worst effort, in my opinion. It looks as though the marketing intern has been let loose with Photoshop. The moody girl with the heavy, gothic makeup peers knowingly at us, looking as if she is setting off for a nightclub, rather than transforming into a mermaid. While the backdrop looks more like black flock wallpaper…

 

This Polish edition, produced by Książnica in June 2011, is the best cover in my opinion. The classic mermaid pose, leaning clear of the water, is given depth and interest by the play of light and scattered water droplets. The bodice, dripping with strings of pearls and in the process of falling from her body, adds movement and interest to the image. While I think the font is too large, at least an attempt has been made to soften it. Which one is your favourite?

Friday Faceoff – If music be the food of love, play on

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a musical instrument, so I’ve selected a real gem – The Future Falls – Book 3 of The Enchantment Emporium series by Tanya Huff.

 

This cover, produced by Titan Books in November 2014 seems to be the default cover. I like it well enough – it’s classy with the gold on red. But it gives little hint of the naughty, sharp-edged fantasy story that lurks behind those thick red curtains…

 

This edition was produced by Daw in November 2014 and I far prefer it as it gives an idea of the story. Both the dragon and the musician feature heavily in the adventure and I think particularly like the fact we get to see only bits of the dragon – but what we do see lets us know that he is magnificent. There are only the two choices this week – which one is your favourite?

ANNDDD…

La libreria di Beppe is featuring Dying for Space as part of the blog tour

Friday Faceoff – ‘Oh, we loves games! Doesn’t we, precious?’

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a puzzle or game, so I’ve selected Cards on the Table – Book 15 of the Hercule Poirot series by Agatha Christie.

 

This cover, produced by Berkley in July 2005 looks as though it’s been knocked up on Publisher for a primary school project. A generic card image is given an orange wash, while the ghastly block featuring the title and the author doesn’t even justify its existence by being easy to read.

 

This edition was produced by HarperCollins Publishers in 2001 and is a far better effort. The tower of collapsing cards gives a sense of movement and drama, with the pale blue background and white font that successfully creates a period feel. I like this cover – in fact it is my favourite by a long country mile.

 

Published in 2007 by Altın Kitaplar, this Turkish edition is another distressingly bad effort. The artwork is clumsy and obvious with the splashes of blood simply plonked over the image of the cards without any attempt to manipulate them to appear as if the cards have been spattered. Poor Agatha Christie!

 

This Romanian edition, published by RAO in November 2010 is another digitally generated cover. Although less dreadful than the previous two efforts thanks to the black background which is effective against the playing cards, it still feels amateurish.

 

This Arabic edition, produced by مكتبة جرير, is the best of the digital covers in my opinion. The wisp of cigar smoke against the black background produces an interesting effort and the grubby, twisted playing card gives a sense of wrongness that is evident in the HarperCollins collapsing card pyramid. Which is your favourite?

 

ANNDDD…

The Writer’s Inkwell has featured an article on General William Norman and an excerpt from Dying for Space.

ANNDDD…

The Genre Minx Book Reviews features another excerpt from Dying for Space.

Friday Faceoff – Hubble, Bubble, Toil and Trouble…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a potion or perfume bottle, so I’ve stretched the idea of a potion a little further and selected Strong Poison – Book 6 of the Lord Peter Wimsey series by Dorothy L. Sayers.

 

This cover, produced by HarperCollins Publishers in October 1987, is boring given the fabulous premise and what is at stake in this stunning book. Wimsey’s unexpected burst of passion for a desperate woman fighting for her life doesn’t remotely factor into this vanilla cover. There’s nothing innately wrong with it, other than its complete lack of excitement or connection with the gripping content.

 

This edition was produced by Open Road Media in July 2012 and looks as if it took all of 10 minutes using an off-the-shelf graphics program. This book deserves better.

 

Published in March 1995 by HarperTorch, this cover is deliberately harking back to the 1930s when this book first appeared. The large title font and relatively small area given over to the artwork may not be to my taste, but I can at least respect the care and attention that has gone into the drawing, which takes three crucial scenes from the book and illustrates them.

 

This HarperCollins offering, published in 1993, ticks all the boxes as far as I’m concerned. I love the punchy colours and strong art deco feel, along with the detailed depiction of the crucial medium scene in the book. This is my favourite – I even like the black edging, which is unusual for me. But this time around, it has the period styling and small details that turn it into part of the cover rather than a blank interruption of the artwork that so many of these solid blocks of colour and bordering tend to do.

 

Produced in October 2009, this pink and grey effort by Hodder & Stoughton will certainly draw the eye and is clearly designed to work as a thumbnail. The imagery is stark and crude in comparison to some of the earlier efforts and the colour garish, but I suppose it grabs the attention. However, it doesn’t do the book justice in my opinion. Which is your favourite?

ANNDDD…

Chuckles at Chuckles Book Cave is promoting both Running Out of Space and Dying for Space

ANNDDD…

Mello & June, It’s a Book Thang are featuring an except from Dying for Space

Friday Faceoff – Do not go gentle…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring night, or the dark, so I’ve chosen Knights of the Borrowed Dark – Book 1 of Knights of the Borrowed Dark trilogy by Dave Rudden.

 

This cover, produced by Puffin in April 2016, is not my favourite, but like all these covers it is a strong contender. I like the fact that Denizen looks the right age and as the light pours from his hands, the creatures lurking in the gloom are suitably menacing, thus accurately reflecting the content in this outstanding children’s fantasy series. I love the strapline, but I’m not a fan of the title font, which is rather boring.

 

This edition was produced by Puffin in January 2017 has a more grandiose backdrop, though the boy looks older which I think is a bit of a shame. That said, the excellent writing and great adventure ought to be enjoyed by anyone in their early teens, as well as younger children. The title font is still rather boring, but reasonably inoffensive and the cover still accurately reflects the content.

 

Published in August 2016 by Random House, I really like this cover. The sword wreathed in blue coruscating fire glows from the cover, as the dark roils in the background. As for the title font – that’s just what a cool title like this needs! The title now delivers depth and suitable awesomeness that promises – and delivers – a cracking adventure you won’t easily forget. This is my second favourite cover.

 

This German offering, published in April 2016 by Sauerländer ticks all the boxes as far as I’m concerned. I love the cover as it features the depth and breadth of the world, with Denizen standing in the middle. I also like the font, which is attractively displayed and again, reinforces the impression that this is a strong series with a gritted struggle between Light and Dark. This cover is my favourite. What about you – which of these is your favourite?

Friday Faceoff – The Pen is Mightier than the Sword

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a fancy font, so I’ve chosen Assassin’s Apprentice – Book 1 of The Farseer Trilogy by Robin Hobb.

 

This cover, produced by Spectra in March 1996, is not my favourite, however I still like it. The content is directly applicable to the cover and I particularly like the shadowed stag and birds wheeling in the air. While my preference is not to have the main character featured on the cover – it always jars with my mental image – this depiction isn’t offensively different, other than being rather better fed and groomed than the scrawny, feral character I always imagined Fitz to be.

 

This edition was produced by Voyager in March 1996 and is far less eye-catching. The generic ship in a rough sea could be headed anywhere and the small inset headshots don’t really add very much. I do like the design around the title and author fonts, which are at least an improvement on the usual wretched rectangular blocks plonked in the middle of the artwork. However, the overall greyness wouldn’t encourage me to pluck this one off the shelves.

 

Published in November 2002 by Spectra, edition manages to evoke the sense of magic. The deep blue is attractive and I like the fact that Fitz is stroking a dog while Spymaster Chade has his hand upon the boy’s head in a somewhat threatening manner. The castle in the background emphasises the sense that Fitz isn’t free to come and go as he pleases. Overall, I think this cover works really well and is a close contender.

 

This edition, published in 2011 by Voyager fulfils the brief as far the fancy font is concerned and also happens to be my favourite. Given that Fitz is writing his memoirs throughout this trilogy, I really like the effect that this is an old parchment and the lovely flowing font is both beautiful and eye-catching.

 

This Spanish edition also caught my eye – and this time the fancy font is featuring Robin Hobb’s name, which seems a smart marketing move, given just how famous she is. Published in June 2014 by Plaza & Janés México, I love the layers of action fading into the sky as the boy on horseback trots through the landscape, looking rather lonely. Which one is your favourite?

Friday Faceoff – In the bleak midwinter…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a snowscape, so I’ve chosen Snow Child by Eowyn Ivey.

 

This is the cover produced by Reagan Arthur Books in February 2012 and frankly, I don’t know what they were thinking. It is pretty enough – indeed, looks appropriate for a cute childen’s tale. But this book is nothing of the sort – it is a wonderful portrait of survival in a hostile environment, of despair and gritted determination and a miracle. Or is it? So this cover is completely inappropriate.

 

This edition, produced by Headline Review in February 2012 is more like it. I love the simplicity of the deep blue with the outline of the girl and the fox in white. It is eye-catching and gives a far better sense of the book. While it isn’t my favourite, it is certainly a huge improvement on the previous effort.

 

Published in July 2012 by Polirom, this Romanian cover is an unfortunate throwback to the first cover. It looks far too juvenile for this remarkable book which covers very adult themes, even if the prose is at times ethereally beautiful.

 

Thank goodness this cover, produced in September 2014 by Tinder Press, is a much better effort. The snowscape is still beautiful. I love the looping font the footsteps leading away from it towards the smudge in the trees that may or may not be the child. Lovely and entirely in keeping with the content.

 

However my favourite is this Serbian edition by Laguna, published in January 2013. I love the cool blue of the cover and the delicacy and detail of the frosting around the edge of the cover – how beautiful! And it isn’t the snow child portrayed on the cover, it is the heavier figure of the woman, searching for her… As you may have gathered, I’ve become a tad overwrought about these covers – but which is your favourite?

Friday Faceoff – Snap!

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a mirror image or reflection, so I’ve chosen The Dark Mirror – Book 1 of The Bridei Chronicles by Juliet Marillier.

 

This cover, produced by Tor Books in June 2006, is my least favourite. While the hint of a reflection and the gnarled tree behind the seated girl does give a sense of the otherworldly tone that pervades this outstanding historical fantasy series, it doesn’t do it justice. I also think the lettering is clunky and unsuited to the genre and content.

 

This edition was produced by Tor books in March 2006 and is far more appropriate. The lone tree, reflected in the water in a wild landscape beautifully evokes the mood of the book and would immediately have me wanting to pick it up. This one is my favourite.

 

Published in 2007 by Bertrand Editora, this Portuguese edition has also manages to capture the magical sense of the book, though I’m not quite sure what that fraying piece of lace at the top is all about… But those brooding trees reflected in the lake are very effective.

 

This Australian edition, published in November 2007 by Pan Australia, is also effective and haunting. I particularly like the title font, which fits the period without being too fussy or taking away from that stunning landscape – this is a very close second for me. Which is your favourite?

Friday Faceoff – Zip it, lock it and throw away the key

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is keys, so I’ve chosen Keeper of the Keys – Book 2 of The Cycle of Fire series by Janny Wurts.

 

This cover, produced by Grafton in 1990 is really eye-catching with the limited colour palette of blues. The glowing key illuminating the face from below gives an otherworld, ethereal cast to the character and while I don’t much like chatter on the front cover – at least the endorsement isn’t too intrusive. This is my favourite.

 

This edition was produced by Ace in August 1988 and is far more dramatic. The protagonist is clearly in a desperate situation. I really like the unfolding drama with the sinister figure looming over the hapless lad. My problem with this cover is that the beautifully painted eagle somehow gets lost amongst the large golden lettering. Why on earth didn’t they choose another colour for the title font?

 

Published in October 1995 by HarperPrism, this is another beautiful detailed, action-packed cover. This time, the protagonist (he does get about, doesn’t he?) is hanging off the hull of a boat, moodily clutching the key around his neck as he gazes out across the seascape. I also thoroughly enjoy this one – but the eerily lit face just edges it. Which one is your favourite?