Category Archives: book covers

Friday Faceoff – The last resort of kings, the cannonball… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is KINGS, so I’ve selected Death of Kings – Book 6 of The Saxon Stories by Bernard Cornwall.

 

This edition was produced by HarperCollins Publishers in September 2011. I love the simplicity of the cover with the crown on the flagged floor. However, I do think the font is really boring and I wish the overall look wasn’t quite so gloomy…

 

Published in June 2012 by Editora Record, this Portuguese edition features the person instead of the symbol that defines them. However, the image has a rough, unfinished look as if it originated as a sketch in a child’s history book. Even the spray of blood on the figure in the foreground isn’t sufficient to breathe life or action into this scene. The figure has that wooden, fixed look that I recall from those types of illustrations I used to pore over another lifetime ago. It lacks the necessary eye appeal that would prompt me to pick this one off the shelves – but then, I suppose the publishers are relying on Cornwall’s name to sell this book.

 

I generally don’t like covers inspired from films and TV series of books – but this Spanish cover produced in January 2013 by EDHASA is an exception. The helmeted warrior wielding a battleaxe is the only one that gives a sense of the unending round of fighting and negotiating necessary to keep a kingdom in this tumultuous time when might was right. This one is my favourite.

 

Produced in February 2014, this Greek edition published by Ψυχογιός is a classier and more successful version of the first cover. The more elaborate crown is perhaps a bit OTT, but I do like the lighter background and the suggestion of a cathedral as the background building, which works well as context for the story at a time when kings believed themselves ordained by God. This one was definitely a contender as my favourite this week.

 

This paperback edition, published by Harper in August 2012, has decided the crown needs fresh air and sunshine. It has been relocated onto a strip of monochrome grass with bare trees silhouetted against a white sky and a single horseman galloping away in the distance. The golden crown glows against the muted landscape and if only someone had given the boooorinnnng title and author fonts more than a nanosecond’s thought, this could also have been my favourite. Which one do you prefer?

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Friday Faceoff – The moon lives in the lining of your skin… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is SHAPESHIFTERS, so I’ve selected a book from a cracking series I very much enjoyed – World’s End – Book 1 of the Age of Misrule by Mark Chadbourn.

 

This edition was produced by Millennium in September 2000 – and it was this cover that prompted me to pick this one off the shelves. I love it. That glorious dragon suddenly appearing in the middle of the M4 in the path of a speeding car. The lighting… the rain reflecting the amazing image off the tarmac… a modern landscape in the background… the coruscating light flickering in the sky where the dragon has made his entrance… I think this is a masterful cover and it’s one of my all-time favourites.

 

Published in April 2010 by Pyr, this is another fabulous cover. If I hadn’t already given my heart to the dragon-themed cover above, this would certainly have been my favourite. The sheer threat and majesty of the magnificent being is so well depicted against the appalled figures silhouetted against that lurid green aura… I also love the title font, which works wonderfully well and holds its own with that amazing image.

 

On any other day, against normal covers, this effort would probably be my favourite. I love the image of the leaping dragon on this Polish edition, published by Wydawnictwo Dolnośląskie in May 2006. The sheer vicious anger on that dragon face snarling out at us is sufficient to snag my attention – and I also love the beautiful slice of the wing and the way the title is nested within the image – but not quite enough to make this one my favourite…

 

Produced in June 2011, this French edition has gone for a feeling of menace, with the encroaching darkness held back by the small bubble of light over Stonehenge – what a clever choice for a symbol of ancient Britain – and our group of plucky protagonists silhouetted against that light, with an ominous red moon rising… Very cleverly done and far more understated than the previous efforts. Sadly, I’m not a subtle soul and prefer the clamour and excitement of dragons – because they’re – well, DRAGONS, baby!

 

This German edition, published by Feder & Schwert in July 2011, takes an entirely different tack and is another excellent example. The fossilised remains of the dragon, all picked out in glorious shades of gold and yellow, draws the eye. I love the slight spatter of blood – as well as giving extra visual drama, it also provides unanswered questions for the prospective reader… The designer has also taken time to consider how to include the textual matter within the artwork, which is fabulously executed. Another one that was so very nearly my favourite – which one do you prefer?

Friday Faceoff – She sells seashells on the sea shore… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is SEA CREATURES, so I’ve selected a book I read back in the dim and distant past – The Shell Seekers by Rosamunde Pilcher.

 

This edition was produced by Gramercy Books in April 2004. It is really attractive with the deep blue background fading into a lovely warm orange, giving us a suggestion of the beach. The trumpet whelk in the foreground completes the design – but I can’t help thinking it would have been better off with something like a crimson queen scallop shell to provide more of a visual contrast. The lettering is too large and boring, I feel.

 

Published in May 2015 by St Martin’s Griffin, I really like this one. Initially I was rather underwhelmed by the plain white cover, but the drawing of the scallop and top-shell along with the attractive lettering designed to complement and match the artwork has won me over. It may be simple, but it certainly draws the eye. It was so nearly my favourite…

 

Apparently, this ebook edition has been published, although Goodreads has gone all mysterious as to when and by who. But that’s a daft reason not to feature one of the better covers for the book, I decided. I love the warm colour of the golden sand, scattered with shells. I also very much like the italicised title font that works particularly well with the cover design.

 

Produced in 2003, this Portuguese edition features fish instead of shells. I love the attractive pattern these little fish make – what a shame there’s a thumping big text box plonked in the middle of it! Though at least someone has taken some trouble to give it a nifty border and a suitable colour.

 

This Italian edition, published by Mondadori in October 1996, is back to featuring shells – and what a lovely selection. I really like the way they have been placed against a sea-blue background and the design is completed by sumptuous gold lettering. Again, it’s been very cleverly handled – catching the light in a gleaming yellow for the author name and shadowed to give a darker shade with the italicised title. And although there is a blob AND far too much chatter scattered across the top of the design, this one is my favourite. What about you – which one do you prefer?

Friday Faceoff – We used to build civilizations. Now we build shopping malls… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer – though today it probably should be renamed Saturday Sitdown, as I’m alllll behind… This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a SHOPS so I’ve selected The Enchantment Emporium – Book 1 of The Enchantment Emporium series by Tanya Huff.

 

This edition was produced by Daw in June 2009. This is the cover that made me choose this delightful, quirky book in the first place, though it wasn’t the version I ended up reading. I really like this cover featuring the shopfront and the big shadow of the dragon – all aspects that appear in the book. I also like how Daw paid attention to the font, which is also nicely eye-catching. This one is my favourite.

 

Published in January 2014 by Titan, this one is a bit too restrained and tasteful for its own good. The small dragon is attractive, the font is nicely quirky and the author name – clearly a major selling point – is well featured at the top of the cover. But… do you know what the genre is? Does this cover fill you with an overwhelming desire to get hold of the book? Could be just me – but the answer is no… And that’s such a shame, because this book is a real gem.

 

This French edition, published by J’ai lu in July 2012, is a tad underwhelming. The image of the spilt ink is arresting enough – but what does it tell us about the book, which is an urban fantasy story about a magical family with some um… odd practices who run an enchanted shop. I don’t get ANY of that from this cover.

 

Produced by Delos Books in May 2010, this Italian edition at least gives us the clue that there is a strong female protagonist with a hefty magical ability. There is rather too much chatter cluttering up the otherwise striking artwork and both the title and author fonts are on the unobtrusive side of boring.

 

This German edition, published by Feder & Schwert in June 2012, has a lot to commend it. I love the magical runes bordering the cover and the eye-catching, quirky font in a jaunty orange – what fun! But that door wouldn’t be out of place mouldering away on an old crone’s shack in the middle of a gloomy forest. It certainly isn’t the entrance I’d envisaged to a large, slightly shabby shop just off a modern High Street… And is that a door knob or a golden yoyo plopped in the middle of the cover? The scale and texture are completely wrong. What a shame that such details were bungled when so much was right. How about you – which one do you prefer?

Friday Faceoff – Tomorrow and tomorrow and tomorrow creeps in this petty pace… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is ABANDONED BUILDINGS, so I’ve selected a post-apocalyptic read, Tomorrow and Tomorrow by Tom Sweterlitsch.

 

This hardback edition was produced by G.P. Putnam’s Sons in July 2014 is a really interesting cover as it features a mirror design with two different skylines of Pittsburgh. The interesting thing to note is that the post-apocalyptic world is the one where the air is fresher and the sky is blue, whereas the pre-apocalypse scene depicts large chimneys belching out smoke to the extent that the vista is a sickly yellow. This one is my favourite as I also really love the treatment of the font.

 

Published in May 2015 by Berkley, this cover features the protagonist’s wife. It’s an interesting cover, especially as parts of her image is starting to disintegrate – which is a clever reference to one of the main themes in the book. I would have liked this cover more if there wasn’t quite so much chatter cluttering up a strong, eye-catching design.

 

This edition, published by Headline in July 2014, is another strong contender, this time focusing on the protagonist, John Dominic Blaxton. I love the way this outline is tilted and we then get paler copies of him in various attitudes of his former life – a cool reference to the book. I think this cover gives a strong clue about the genre, which is a big plus in its favour. Once again, the font is done well and it was a close-run thing between this one and the first cover as to which was my favourite.

 

Produced by Heyne Verlag in April 2015, this German edition is eye-catching and effective. The twisting building reflected and fractured in the mirrored background provide big clues as to the futuristic aspect of the genre, which is always a major plus. Once again, I love the treatment of the font, which works well. My one grizzle is that I would have liked a greater colour contrast between that twisting building and the background which would have given a cover with more visual impact.

 

This Polish edition, published by Buchmann in March 2015, goes back to the shattered landscape of Pittsburgh. I love the silhouette of John against the dramatic cityscape as the title reaches into the boiling clouds. It works really well. This week there isn’t a bad cover here, so it’s all a question of personal preference – this is another one that could easily have been my favourite. So this week in particular, I’m fascinated to see which cover is your favourite – do let me know!

Friday Faceoff – Only do what your heart tells you… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is HEART, so I’ve selected a classic book that I read another lifetime ago – when I was a teenager – Heart of Darkness by Joseph Conrad.

 

This edition was produced by Prestwick House in September 2004 and I think this cover is amazing. Classic books often have rather boring covers – but this one is nothing of the sort. This African coastline also incorporates the face of the protagonist in a psychedelic way and it’s also avoided the dreaded textbox. This one is my favourite.

 

Published in May 1995 by Penguin, this cover is a little more traditional – but nevertheless manages to be both attractive and exotic, providing the kind of illustration that most people contemporary with Conrad would envision Africa looking like. Sadly there is a textbox, but at least it has the good manners to be reasonably small with an inoffensive font.

 

This edition, published by Penguin in 1983, is even more traditionally classic with a sepia-shaded drawing that looked aged from the moment the paint dried. The obligatory textbox is splatted across the top of the cover like a big black carbuncle. Oh well.

 

Produced by Newton and Compton in July 2013, this Italian edition is more like it! I love the bright green and yellow cover with the tropical leaf design bordering the edge and featuring the small plant, complete with roots. The yellow heart marked up with the roots of that little plant is so very effective that I very nearly had this one as my favourite – what stopped me from choosing it was that nasty little blob advertising a special low price bang in the middle of the artwork *sigh*.

 

This edition, published by Enhanced Media Publishing in November 2016, is an arresting and attractive design and was the one that made me choose this book. I love the contrast of the bright red heart splitting apart against a black background. No textbox – yippee! And I love the lovely flowing title font. Which is your favourite?

Friday Faceoff – Every great story seems to begin with a snake… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is SNAKES, so I’ve selected a book from one of my favourite series, Tongues of Serpents – Book 6 of the Temeraire series by Naomi Novik.

 

This edition was produced by Del Rey in July 2010 and features two snakelike dragons entwined around a porthole showing a ship. I really like the rippled sand as a backdrop, but I do think the fonts are very boring, given what an amazing premise this series offers.

 

Published in June 2011 by Voyager, this is the cover of the book that I read. I confess to loving this series with the black and white etched illustrations relating to incidents within the book and featuring amazing dragons. I also like the coloured font that is in keeping with the strong period feel of the cover and nicely pops against the black and white. This is my favourite.

 

Produced by Pocket in March 2013, this French edition follows the theme of the dragon coiled around a porthole or some sort of orb. I love the font – I think it works beautifully and picks up the gilding around the porthole very effectively. However, the stormy backdrop isn’t sufficient foil to the dark crimson/brown dragon and while those half-furled wings are wonderful, I’d rather the head was more of a feature. I’m also rather distracted by the shadow of the dragon against the clouds – surely that shouldn’t be happening?

 

This German edition, published by Penhaligon Verlag in 2010, is my favourite of all the similar designs where a dragon is coiled around some sort of globe. For starters, this dragon looks properly fierce and I love the way it has grasped the patterned globe, which is also beautifully patterned in colours that contrast very well with the hot reds and oranges of the dragon and the scaled background – another nice feature. It was so nearly my favourite, but I found the font both plain and a poor contrast to the rest of the cover.

 

This Polish edition, published by Rebis in October 2010 is the cover that gave me the chance to actually choose this book. Instead of dragons, we have two snakes battling on this cover. While it all looks very dramatic, I’m not sure the snakes are all fully in proportion – it seems one of them is rather on the short side, but perhaps the hidden part of the body conceals several coils… Once again, that rippled sand effect is a great backdrop, but disappointingly this Polish cover has gone down the route of also duplicating the very dreary, if clear, font from the Del Rey cover. Which is your favourite?

Friday Faceoff – Laughter is the best medicine… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a HUMOUR so I’ve selected Eligible – Book 4 of the Austen Project by Curtis Sittenfeld.

This edition was produced by Random House in April 2016. The bright red cover with the curling font and line drawing of an outsized diamond ring gives a big clue that this is a romcom. I like this one – it’s bold, eye-catching and cheerful and certainly helped me decide to get hold of the book.

 

Published in May 2016 by The Borough Press, this one isn’t so successful as far as I’m concerned. While the girl is clearly beautiful – I don’t know why she decided to kiss the palm of her own hand and then start waving around. If there is a joke connected to this, then it’s slipped past me – and that isn’t a good feeling, either. I also dislike the amount of chatter on the cover, including that nasty intrusive blob.

 

This Swedish edition, published by Wahlström & Widstrand in January 2017, is a successful effort I really like. The eggshell background works well with the gold edging and the stars and the two rings let us know it is a romcom. I also appreciate the decorative font and the clean, restrained use of colour.

 

Produced by Mona Kitap in 2017, this Turkish edition also makes it quite clear that this novel is a comedy. The classic pink cover shouts romcom – however I do feel that while the updated Bennet family depicted around the cover is a nice idea, the figures are too small to produce strong eye appeal and end up looking rather random. Though I like the cat… At least I have a strong idea of the genre.

 

This German edition, published by HarperCollins in June 2017 is my favourite. The colour scheme with the eggshell blue background and lovely sprigs of those blowsy, heavily scented heritage roses give a lovely nod to the Austin roots of this book, as does that silhouette. Of all the covers, this one is the classiest and – I think – most accurately reflects the blending of old and new in the Austen Project series. Which is your favourite?

Friday Faceoff – This is the priest all shaven and shorn… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a PRIEST OR MONK, so I’ve selected The Name of the Rose by Umberto Eco.

 

This edition was produced by Harvest Books in September 1994. I think is a shocking cover, when you look at it really closely. The row of skulls in the black darkness are raining a stream of blood onto a wall, spattering the kneeling priests and almost obliterating the king seated on the throne. The title font is well executed with that bloody wall as a backdrop. I think it effectively represents this remarkable book which has stayed with me ever since I read it soon after it was published, though it isn’t my favourite.

 

Published in June 1983 by Harcourt Brace Jovanovich (NYC), this cover has gone for a full-on medieval vibe. It is depicting some of what is going on within the confines of the abbey, where it should all be about praying and contemplating God. It is certainly colourful and eye-catching, though whether it gives a sense of the murder mystery at the heart of the book is debatable.

 

This edition, published by Vintage Books in April 2004 is my favourite. It is beautiful, with the star-studded sky, the gold author font jumping out from the black backdrop and the red-tinged abbey providing more than a hint of menace. I particularly love the lovely curling title font which finishes the effect.

 

Produced by Picador in October 1984, this one is a close contender for my favourite. It’s such a cleverly designed cover, using the medieval script to highlight the period and setting of the book. Not only is it featured in the title, which is beautifully linked to the drawing of the rose, but also used in the blurb to explain the book. And for once – this cover chatter which is always a pet peeve of mine – absolutely works. This so very nearly is my favourite…

 

This edition, published by Vintage in 2004 is another attractive, eye-catching offering. However I think the title font could have a bit more punch and their approach to the author font is plain odd. Who else wondered whether the author is called Vintage Eco when they read it? Such a shame to make such a fundamental, silly mistake, given the strong execution of that lovely rose illustration. Which is your favourite?

Friday Faceoff – Time travel is possible. Will explain later. #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the object this week featuring on any of our covers or the story is an AMULET, so I’ve selected a book I haven’t yet had the pleasure of reading, The Story of the Amulet – Book 3 of the Five Children series by E. Nesbit.

 

This edition was produced by Penguin Classics in March 1995. I love the artwork and the green-hued backdrop which gives a real sense of the drama and danger of a trip back to Egypt. But that clunky red something doesn’t remotely resemble any amulet I’ve ever seen – what a shame, given the wonderful lighting giving it centre stage. And my other peeve is that dreadful red text box plonked right across all that fabulous detail…

 

Published by Penguin Classics in March 2018, this is a much better effort. The colouring is attractive and I love the scene within a scene, giving a hint of the time travelling theme. The style, along with the children featured in the Egypt makes it clear this is a children’s story. I also love that font – this is my favourite.

 

Produced by Smk Books in March 2009, the amulet featured on the front of this cover is beautiful and draws the eye, while the font is attractive and easy to read. However, my concern is that there is nothing on this cover that informs the reader that this is a children’s book.

 

This Kindle edition is certainly eye-catching. But the golden rule must be that a cover should reflect the content and the etched figures being swallowed up as they enter that brooding gothic building give a sense that it’s a horror story. And it isn’t – it is a lesser-known book in one of the most famous early fantasy tales for children.

 

This is another attractive, striking contender, published by Virago in 2018. The warm yellow backdrop is welcoming and I love all the details on the cover that directly link up to the content. While the title is inoffensively clear, I do feel that Times New Roman is a bit joyless for one of the first time-travelling adventures written for children. It’s the main reason why this one isn’t my favourite – but what do you think?