Tag Archives: book covers

Friday Faceoff – I’m so dizzy… #Brainfluffbookblog #FridayFaceoffdizzycovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with dizzying images. I’ve selected Dead Astronauts – Book 2 of the Bourne series by Jeff VanderMeer.

Fourth Estate, December 2019

This edition was produced by Fourth Estate in December 2019 and it’s certainly eye-catching. And has the sense of surrealism and power that runs through VanderMeer’s writing. I love the swirling colour and glorious difference – I just wish the title and author fonts were less wussy and more visible.

MCD, December 2019

Published in December 2019 by MCD, someone must have heard my grizzle about the previous cover. Because this time around, we get the psychedelic colours AND the emphatic title and text – in eye-blurring detail, actually. But you certainly can’t miss them… And I take my hat off in tribute to the cover art designers – this book pushes all sorts of boundaries in regards to narrative, use of language and story conventions. New Weird aptly sums it up. And it’s a testament to the skill and imagination of the designers that this offering and the previous cover gives the potential reader a very strong clue as to what they’re getting into.

Subterranean, 2020

This edition was published in 2020 by Subterranean. It couldn’t be more different to the other offerings for this book – but is still beautiful, for all that. My main reservation is that I’m not sure it adequately conveys the sheer oddness of the book.

Turkish edition, March 2021

This Turkish edition, produced by Alfa Yayınları in March 2021, is my favourite. I love the Mandelbrot fractal designs – a strong clue to the challenging nature of the book, as well as being beautiful and very easy on the eye. And the addition of the fox outline introduces another main character who features in the book, which is always a plus for me. Which is your favourite?

Friday Faceoff – Instinct is the nose of the mind… #Brainfluffbookblog #FridayFaceoffnosecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with NOSES. I’ve selected The Fifth Elephant – Book 24 of the Discworld series by Terry Pratchett.

Corgi, 2000

This edition was produced by Corgi in 2000, and I love it. It has the zany chaos that features within the Discworld stories, and the joyful expression on the elephant’s face as it blazes across the sky is a delight. Though I could do without that ugly textbox plopped across that glorious artwork…

HarperCollins, April 2001

Published in April 2001 by HarperCollins, this offering isn’t my favourite – but I don’t hate it either. Which is a plus, as I generally loathe most of the Discworld covers that don’t feature the artwork of Josh Kirby and Paul Kidby. But the image of the elephant balancing on a flaming ball is quite quirky – and I really like the uneven font in acidic green. It packs a visual punch and signals that the book is humorous.

Doubleday, November 1999

This edition is my favourite. First published in November 1999 by Doubleday, this is the full image of the first offering and variants of it tend to be the default cover for the book. Quite right, too. It’s fabulous. The roiling red cloud pluming behind the elephant against the blue sky is just gorgeous – and there’s no textbox disfiguring this cover, either😊.

Russian edition, 2007

This Russian edition, produced by Эксмо in 2007 is interesting. It shows the elephant plummeting through space towards the Discworld. At first, I didn’t think much of it, as it lacks the fun and impact of the original cover. But it has grown on me – that pop of life and colour within a largely black cover is effective. My main grumble is that the title and author fonts are far too underwhelming and simply disappear in thumbnail mode.

French edition, September 2011

This French edition, published by Pocket in September 2011, is another strong offering. While I don’t like it as much as the original, nonetheless it depicts the action with plenty of chaos and colour – and that gives a solid visual clue as to what lies between the cover. And the lack of textbox is always a major plus for me. Which is your favourite?

Friday Faceoff – If you want something in Life – reach out and grab it… #Brainfluffbookblog #FridayFaceoffgrabbycovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers that made us want to grab the book. I’ve selected The Mirror and the Light – Book 3 of the Thomas Cromwell series by Hilary Mantel, which I loved – see my review.

Henry Holt & Co, March 2021

This edition was produced by Henry Holt and Co in March 2020, and is attractive and appropriate. I really like the simplicity of the design, with the thorny branches roaming through the title font and the single Tudor rose featured in the middle of the cover. If I hadn’t already immediately lost my heart to another particular cover, then this would have been my favourite. My main niggle with this one is that although Wolf Hall and Bring Up the Bodies are both mentioned, nowhere on this cover does it tell us that this is the third book in the series – which I think is vital information that readers need to know.

Picador, May 2021

Expected in May this year by Picador, I have found that this cover has grown on me. Initially I didn’t like it much – turning half the cover into a textbox is never going to find favour with me as I don’t like them. But I appreciate that this cover gives the reader all the necessary details, while that image of Thomas Cromwell, reproduced from the famous portrait by Hans Holbein the Younger, is surprisingly effective. Fracturing it like that gives a sense of a distorted reflection – and a sober foreshadowing of Cromwell’s fate.

Fourth Estate, March 2020

This edition, published by Fourth Estate in March 2020, is my favourite. Yes… I know there is nothing in this design that remotely references the life and times of Thomas Cromwell in any way. And I know that this cover doesn’t bother to tell the read that this is the third book in the series… And that while the author and title fonts are wonderfully clear – rather oddly, they have right-hand justification, rather than being centred. But the minute I laid eyes on this particular design, I yearned to have this book.

HarperCollins, March 2020

This edition, produced by HarperCollins in March 2020, is overwhelmingly dreary. That gradation from funereal black around the edges through to misery blue in the middle gives no sense of the vividness of the prose and the three-dimensional depiction of a cast of extraordinary characters during one of the most interesting and tumultuous periods in English history.

Turkish edition, January 2021

This Turkish edition, published by Alfa Yayınları in January 2021, is another strong offering. I like the fact the artwork features part of a family portrait by Holbein which includes Henry VIII and Jane Seymour. Because in the latter part of his reign, apart from indulging in disastrous and expensive wars, Henry was obsessed with the question of his succession. It shaped both the foreign and domestic policy of the country and ultimately brought about the downfall of Cromwell, though there were also other factors as this book makes clear. I also like the textbox being in the shape of the Tudor rose. Which is your favourite?

Friday Faceoff – Don’t care how old I am – I still love cartoons… #Brainfluffbookblog #FridayFaceoffcartooncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with CARTOON images. I’ve selected Sourcery – Book 5 of the Discworld series by Terry Pratchett.

Harper, April 2008

This edition was produced by Harper in April 2008, and while I think many of the cover designs they came up with for the Discworld novels are underwhelming – I actually like this one. It has the playfulness and slight sense of mayhem that should always feature on Discworld cover. But whoever thought it was then a good idea to slap a round red label across the design needs to be frogmarched to an optician for an eye test. It wrecks the balance of the whole cover, because of the way it pulls your attention across to it. Grrr!

Corgi, July 1989

Published in July 1989 by Corgi, very unusually, this original cover design isn’t my favourite. I normally love Josh Kirby’s covers, but I’m not a fan of his depiction of Conina in this one. A bit too much bosom and hips – and yes, I’m aware that it is probably a swipe at the tendency for fantasy heroines to be over-endowed and under-dressed on book covers. But given that Pratchett’s writing doesn’t ever cross a line into any sexiness, I think it is sending the wrong message about the book.

Gollancz, February 2014

This edition, published by Gollancz in February 2014, is part of a re-release of the series for collectors. Apparently. Why anyone would want to clutter up their bookshelves with a book so brimful of life and colourful characters encased in such a miserably monochrome effort is beyond me. But that’s because I loathe this cover.

New American Library, 1989

This edition, produced by the New American Library in 1989 is more like it! There is the Librarian and Rincewind both looking suitably befuddled at the exodus of various creatures from the Unseen University. The flavour of the book is nicely caught and the artwork is well done and eye-catching. And not a nasty sticker in sight😊. This one is so very nearly my favourite…

French edition, November 2010

This French edition, published by Pocket in November 2010, nails it as far as I’m concerned. I love that awesome explosion and the wonderful image of a wizard flying across the cover in mid-air. I have to say, that next to the originals which will always have a place in my heart as we own most of them, it’s the Pocket covers that I think manage to get the sense of barely contained chaos that tends to run through all the Discworld books. And they achieve this while still producing a visually appealing effort, which is a huge achievement, given what a tricky task that is. Which is your favourite?

Friday Faceoff – On the right track but on the wrong train… #Brainfluffbookblog #FridayFaceofftraincovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with images of TRAINS. I’ve selected Trains and Lovers by Alexander McCall Smith of The Ladies’ No 1 Detective Agency fame. And in case you haven’t encountered this little gem, I wrote a review of it back in 2014 – see my review of Trains and Lovers.

Pantheon, June 2013

This edition was produced by Pantheon in June 2013, and is the original cover design, so has set the tone for the subsequent covers. I actually like it very much. It’s clever and to the point – we see the train speeding past with a series of ardent couples all engaged in various stages of courtship. I like the contrast of the beige background colour and the grey train, which ought to be boring but somehow is not. I also like the title font, particularly the colouring of it, though I would have preferred that it was just a little more bolded to give a bit of extra heft for when it is in thumbnail.

Polygon, November 2012

Published in November 2012 by Polygon, I think this cover is trying just a tad too hard. Heart-shaped clouds if you must, with the sun peeping out – but flowers bouncing around the train wheels and a fluttering in the air. Really?? Apart from anything else, this is giving the completely wrong idea of the overall tone of this book, which is far more nuanced and ambivalent about the business of falling in love and what happens next. So, while I’ll agree that it is an attractive cover, I don’t like it as I think it tips into sentimentality which I LOATHE.

Anchor, December 2013

This edition, published by Anchor in December 2013 is far more sombre in tone, despite the bright red colouring. The seat facing the track with two single people sitting alone gives a sense of loneliness – and the randomness of encountering someone that you bond sufficiently well that you fall in love. This cover is certainly a contender.

Italian edition, April 2014

This Italian edition, produced by Tre60 in April 2014 is back to the theme of the love train. The punchy blue backdrop and high bridge makes the train with its trail of hearts look small and rather fragile. I also like the treatment of the font, which really grabs the eye and stands out well in thumbnail.

Polygon, August 2017

This edition, published by Polygon in August 2017, is my favourite. I love the station scene and the punchy contrast between that saturated blue, which works well as a backdrop to the title font, and the yellow arches. The station clock and flowers act as a pleasing set for the lovers meeting on the station platform. It’s very simple and pared back, as are all the cover designs for this book, but this is the most visually pleasing and works well for this particular book, I think. Which is your favourite?

Friday Faceoff –To robbery, butchery and rapine, they give the lying name of ‘government’; they create a desolation and call it peace… #Brainfluffbookblog #FridayFaceoffRomanwarfarecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with Roman warfare images. I’ve selected The Eagle of the Ninth – Book 1 of The Dolphin Ring Cycle by Rosemary Sutcliffe.

Farrar, Straus & Giroux, Sept 1993

This edition was produced by Farrar, Straus and Giroux (BYR) in September 1993. It has grown on me, as I like the artwork, which is clear and works well in thumbnail. My main grizzle is that eagle standard, which seems to be propped up against the main character’s shoulder in rather a peculiar way. I find it distracting. And I’m not all that keen on the highly stylised font, which says 1920s and 30s, rather than taking me back to Rome.

Farrar, Straus & Giroux, Sept 2011

Published in September 2011 by Farrar, Straus and Giroux (BYR), this looks to me to be a cover tie-in to the film. The protagonists look suitably grim and grubby and I like the epic sense of the battle going on in the background, rather than just a few chaps waving shields and pilums around. That is also a wonderfully threatening sky… However, I am disappointed in the choice of font, which blends far too well into the background to effectively stand out or draw the eye.

Oxford University Press, March 2000

This edition, published by Oxford University Press in March 2000, has chosen to focus on the famous legion standard – the golden eagle. It looks fabulous, especially as it has been angled to catch the light and look suitably dramatic. So it’s a crying shame that all that impact and awesomeness is then promptly squandered by cluttering up the cover with that block of unnecessary chatter. WHY couldn’t the bit about the one million copies sold go on the back, under the blurb? This is so nearly my favourite…

Dutch edition, 2003

This Dutch edition, produced by Clavis in 2003, also features the legion’s standard. This design has deliberately chosen to reproduce the sense of the 1950s – this book was first published in 1954 – with the textbox and artwork. While I’m not a fan of textboxes, I respect the care and thought that has gone into this one and it is so very nearly my favourite. I particularly like the red font, which pleasingly picks up the shade of tassels flying from the standard. It’s details like this that make a cover eye-catching.

German edition, 1971

This German edition, published by dtv in 1971, is my choice for this week. I love the vintage feel of the artwork and the clean, uncluttered look. Other than the author and title font, the only other detail is the publisher’s logo – what a lovely change to see the whole of the cover design unimpeded by blobs or chatter! I read this series when I was at school and while this isn’t the same cover as the copy I had – it’s not that different. Which is your favourite?

Friday Faceoff – Sometimes we need a little magic… #Brainfluffbookblog #FridayFaceoffcoverswithmagicinthetitle

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with the word MAGIC in the title. I’ve selected Industrial Magic – Book 4 of the Otherworld series by Kelley Armstrong.

Bantam, Oct 2004

This edition was produced by Bantam in October 2004, and is the default cover design for this book. While I like the colour tones and I think the image is quite intriguing, I think the very boring title and author font really lets the design down. It is such a cool title and they could have had a lot of fun playing around with it appearing out of the smoke. That said, I don’t dislike it, I just think a bit more thought could have gone into it.

Orbit, Sept 2004

Published in September 2004 by Orbit, I far prefer this cover. But that might be because it’s the one that I own. I love the slightly grungy reddish background with that heavy-looking metal door, which looks quite ominous – partly because the lighting around it gives the impression there is something powerful and not particularly friendly on the other side of it. This time around, I think that rather official, business-like font works – because it is… industrial. This one is so very nearly my favourite.

Vintage Canada, Jan 2010

This edition, published by Vintage Canada in January 2010, is frankly bizarre. I get that the chequered tights with the chess pieces are supposed to denote that young Paige is a clever strategist (I think!). It’s a while since I read the book, but I don’t recall her playing chess using her legs for a board… I feel these muted colours and the use of red in the title gives this book a horror vibe, which it didn’t have. This is the design I like least – I think it’s gimmicky and misleading.

Hatchette Digital, Sept 2008

This edition, produced by Hatchette Digital in September 2008, is my favourite. I love the intense blue that really draws the eye, particularly in thumbnail. The skyscrapers give a good indication of the modern, streamlined world, while those ominous clouds swirling across the top of them give a sense that all is not well. And what a clever touch to have that pop of magic playing across the building and running into the title font! What a shame that Bantam couldn’t have thought of something similar with that original cover… This one is my favourite.

French edition, August 2009

This French edition, published by Bragelonne in August 2009, is an attractive, well-crafted cover. I like that we cannot see the girl’s face, although she is clearly young, which gives a sense of mystery. And I also like the cityscape in the background with the full moon looming in the sky. And that funky, uneven font for the title nicely sets this cover off. While it is a tad generic, I feel some care has gone into it and I particularly love the red dress and the way it diffuses into a cloud of… magical energy? Which is your favourite?

Friday Faceoff – Every great story seems to begin with a snake… #Brainfluffbookblog #FridayFaceoffserpentinecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with serpentine images. I’ve selected The Reptile Room – Book 2 of A Series of Unfortunate Events by Lemony Snickett.

Scholastic, September 1999

This edition was produced by Scholastic in September 1999, and is the default cover design for this book. While I like the artwork, as you’ll know if you visit this meme regularly, I have an unreasonable dislike of textboxes. So this cover, where the artwork is squashed into a small box in the middle, bordered by a bleh-beige colour hasn’t endeared itself to me. Given how quirky this series is, that ultra-boring title font doesn’t do it justice, either. In fact, it seems to me that this cover is a study in how to transform a funny, original book into something that looks dutifully boring.

Egmont Books, May 2003

Published in May 2003 by Egmont Books, this is altogether more successful. The intention to make this cover look like one of those old-fashioned photo albums is far clearer in this iteration of the cover. The black border, contrasting with the bright green of the spine, with the red cord is both attractive and eye-catching. The styling of the font also gives a strong hint that this book is humorous, as well as an action adventure tale. I also think the choice of image, focusing on the interaction of the snake and the Baudelaire baby is far more effective. This one is definitely a contender…

HarperCollins, May 2007

This edition, published by HarperCollins in May 2007, had done away with the original cover design and opted for more artwork, which I really like. I’m not a fan of either textbox, although I’ll concede that the top one does the job of successfully featuring the author name, which is the selling point of this series, rather than the title. I certainly like this cover more than the top one.

Egmont Books (UK), 2010

This edition, produced by Egmont Books (UK) in 2010, is my favourite. I like the artwork that takes the original image and redesigns it to focus still further on the dramatic interaction between the deadly serpent and Sunny. I also think the treatment of the author font fits well with the overall design and the series and title information looks as if they have been considered as part of the overall look, rather than simply been plonked across the image, as so often seems to happen. Overall, this is the cover that would persuade me to pick this one off the shelves.

German edition, May 2002

This German edition, published by Distribooks in May 2002, is one of the very few covers that hasn’t referenced the original artwork in some form. This one has departed from the Edwardian feel of the original image, so the colours and style are fresher and more vivid. The result is attractive and eye-catching. My only niggle is that I think the dramatic, gothic treatment of the title is at odds with the artwork, but overall I think this is a successful cover. Which is your favourite?

Covet the Covers – 18 #Brainfluffcovetthecovers #CovetthecoversNevilShute

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Welcome to another helping of Covet the Covers. This week I’m featuring Nevil Shute’s books. Last week I featured A Town Like Alice on my Friday Face-off, which reminded me just how much I loved his books. I’ve gone for the older covers, though there are lots of options for each of these titles. I absolutely loved Requiem for Wren, which I cried buckets over, and In the Wet (published in 1953) which goes forward in time to 1983 – and had nightmares about On the Beach. But I loved all his books. What about you – have you read any of these and if so, which are your favourites? And which of these covers do you like best?

Friday Faceoff – Every great love starts with a story… #Brainfluffbookblog #FridayFaceoffromancecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring ROMANCE covers. I’ve selected A Town Like Alice by Nevil Shute, which I read as a girl and absolutely loved. I know it’s not a classic love story – but if the hero actually gets himself crucified for the love of his life, that’s got to be romantic, right?

Vintage Classic, Sept 2009

This cover, produced by Vintage Classics in September 2009 is one of the better ones, I think. I like the bright yellow which contrasts well with the black silhouette figures. The juxtaposition of Jean and Joe works really well and I think the Japanese guard in the background also gives a sense of threat. What I don’t like is the lack of contrast between the title font colour and the cover. The title disappears – in fact initially I thought the book was called Vintage Classics…

Ballentine, August 1985

Published in August 1985 by Ballentine, this is an interesting cover. It looks as though the original was painted in watercolours, which gives an oddly insubstantial look to the hero and heroine. I did wonder if this was because the cover had faded over time, but there are several renditions of it on Goodreads, and they all have the same slightly transparent look to the figures. That said, I think it has a rather lovely charm all of its own.

Kindle edition, Jan 2013

This Kindle edition, published in January 2013 is my favourite. I’m guessing that it takes the image from an earlier publication – this book was originally published in 1950 and has been in print ever since – but I really like it. And yes – don’t faint, but I even like the textbox in this one, too. It doesn’t intrude on the powerful images of a very ragged Jean staring straight out at us, as if begging for help. With the terrible procession of women and children who were forced on a death march across Malaya in the background. The lettering really pops against the background and its styling gives a strong sense of the period in which the story is set.

Pan, 1968

Published by Pan in 1968, this cover is so very nearly my favourite. The strong yellow background immediately draws the eye, giving a sense of the heat. I love the grouping of the characters, with Jean hunched and clearly in distress and the Japanese guard scowling in the background. The lettering is bold and clearly shows the title, even in thumbnail. So why isn’t this one my favourite? Because there is something a bit stagey and contrived about the way the woman is sitting forward, ensuring we get a good view of her cleavage.

Dutch edition, 1952

This Dutch edition, published in 1952 by Zuid-Hollandsche Uitgeversmaatschappij, is a cover design inspired by the film of the book. And the Jean Paget looking anxiously over her shoulder is taken straight from the poster featuring Virginia McKenna. The problem with this one is that the textbox in this cover does rather squash the image. And the colours, given that this is set in a tropical country, are curiously cool, so don’t give a sense of the heat. So which one is your favourite?