Welcome to another helping of Covet the Covers. This week I’m featuring Elizabeth Bear’s covers. There is a mix of fantasy and science fiction series here – and I’m really excited at just how much of her canon I have yet to read, given that I’ve recently read and loved Ancestral Night and Hammered. She is very fortunate to have had a series of fabulous covers over the years – just look at these beauties. Which are your favourites?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring MODERN SCI FI covers. I’ve selected Embers of War – Book 1 of the Embers of War series by Gareth L. Powell – see my mini-review. I’m linking this article with #Sci Fi Month 2020.
This offering was produced by Titan Books in February 2020. This is the default cover – and I can see why. The spacescape with a planet and it’s moon having sustained a major hit of some description, with the ship trying to outrun the massive explosion, is very dramatic. Or maybe it’s the ship blowing up – but I think the reflection within the clouds and that ominous glowing within the planet surface is more likely to be a catastrophic big bang about to engulf the planet. If I have a grizzle about this one, it’s that the title font is a little underwhelming and in thumbnail it simply disappears.
Published in October 2019 by Fanucci Editore, this Italian edition is my least favourite. I love the spacescape – those cool blues and again, that ominous explosion in the background, with the ship featured in the foreground. But WHAT possessed them to then stick a couple of lines across the middle of the artwork? I’ve no idea what they are supposed to signify and they are just a distractingly ugly intrusion.
This French edition, published by Denoël in April 2019, is another cracking cover. I love the fact that this ship is weaving its way through an asteroid belt, giving the cover a very dramatic look, with all those ominous rocks looming out of the darkness of space. And isn’t that a cool ship – it’s got some kind of pattern across the top… I also particularly like the title font, which works really well on this edition as that hot red stands out from the darker tones in the cover. This is a real contender…
This Croatian edition is another wonderful offering. Published in 2019 by Hangar 7, this cover has taken the title very literally. That ship in the foreground looks as though it’s breaking up – and we can see flying embers in the upper half of the cover against the spacescape. While below the ship, there is either a suited person, or small survival capsule trying to get away from the unfolding catastrophe. I also like the cool font, which works well. Do I like this one more than the French offering, though? I cannot make up my mind!
And finally there is this Russian edition, published in August 2020. Oh wow – again, something huge is exploding on the other side of the planet – look at the waves of heat coming off the surface. And in this one, we definitely have the sentient ship, Trouble Dog, featured in the foreground. For the first time ever – I simply cannot make up my mind between the final three covers. I think they are all fabulous and I’d happily pick any one off the shelves and hand over my hard-earned cash to get hold of the story😊. But which is your favourite?
Welcome to another helping of Covet the Covers. This week I’m featuring Elizabeth Moon’s space opera Vatta’s War and Serrano Legacy covers in honour of #Sci Fi Month 2020, which I’m linking with this post. I have chosen to feature the Orbit publication of the Serrano Legacy series, as it’s my personal favourite…
I love her writing – check out my review of the Serrano Legacy. But this only represents some of her output – I haven’t included the two books in the Vatta’s Peace series, A Cold Welcome, which I think is one of the best books she has written, and the sequel, Into the Fire – or her superb Speed of Dark, which is an awesome standalone.
I think her books have helped to define the genre into what it is now and if you haven’t read either of these series and are looking for a gripping, exciting space opera adventure featuring brave, feisty women, then track down Trading into Danger.
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with WORDS. I’ve selected Artemis by Andy Weir and linked this post to #Sci Fi Month 2020. See my reviews of The Martian and Artemis.
This hardcover edition was produced by Crown in November 2017. To be honest, I think it’s just dreary. The story is a foot-to-the floor thriller set on the Moon. And with all the black, black, blacketty black going on, I don’t think you’d know it. Worse – in thumbnail both the author and title fonts simply disappear. I think this cover fails on almost every level.
Published in July 2018 by Ballantine, at least this grey effort gives us an idea of the Moon. And though I’m not sure exactly why it’s there, I quite like the orange strip running down the length of the cover. Though perhaps I’m just craving something – anything else, other than GREY.
At least this edition, published by Del Rey in November 2017, is an improvement over the previous miserable offerings. Though I can’t help thinking the girl staring out at us through her space helmet is a not-very-subtle reminder that this is the author of The Martian, given that one of the default covers was Matt Damon was gazing at us. And just in case we missed that allusion, there is lump of blurb telling us. Which has ruined this one for me.
This Russian edition, produced by ACT in December 2017, is more like it! I love this image of the Moon, limned around the edge by the Sun. It is glorious and gives a wonderful pop of colour and excitement. And there is also a cool spaceship in the foreground… While I could have done without the MUST READ docket hanging off the ship exhaust, this is my favourite cover by a long light year.
This Lithuanian edition, published by BALTO leidybos namai in August 2019 is also a better effort than the top two miserable efforts. I like the figure against the craters of the Moon, though the scale and detail is slightly puzzling. And I definitely like the title running down the centre of the cover in red lettering. But which is your favourite?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring BRIGHT FUTURISTIC covers. I’ve selected Synners by Pat Cadigan – see my review – and I’ve linked this post to #Sci Fi Month 2020
This edition was produced by Thunder’s Mouth Press in October 2001. It’s a really clever, eye-catching cover with the face in the bottom half nicely contrasting with that intense red above it. And a mushroom cloud effect made by a brain… So this cover works on all sorts of levels with this classic book. I particularly love the title font running right up the centre of cover and through the mushroom cloud/brain – and the fact that it is made of dots – a bit like one of the earlier printers.
Published in August 2012 by Gollancz, this Masterworks edition is another successful cyberpunk cover. The cityscape outlined against the grungy yellow backdrop can also double as synapses or brain connections. While that face staring out at us looks mournful and slightly wrong. This is the cover of the book that I read, so I have a soft spot for it, memorable and disturbing as it is.
This edition, published by Spectra in February 1991 is so nearly my favourite. I love the colour and chaos of it – and the slightly old fashioned feel, which is achieved by the use of that large, colourful font that some of the publishers – Baen, in particular – used as their trademark in the 1980s.
This hardcover edition, produced by HarperCollins in October 1991, is my favourite. It’s a classier version of the second cover, playing with the same theme. I love the unusual aspect of the face tilted back as if the character is sunk into a VR trance. The lines running from the cyberscape up, across her neck and face pull your attention back to it, and create stronger links between the two. I particularly love the detail where it looks as though her face is starting to depixelate across her forehead. Again, this cover works on so many levels.
This Polish edition, published by Solaris in March 2003 was the one that popped into my head when I thought of bright covers. It is great fun, but I don’t like it quite as much as the others. That ugly box in the right-hand cover, in particular, really spoils the look of the overall design and neither am I a fan of the rather clunky text box across the top of the cover. What about you – which is your favourite?
Welcome to another helping of Covet the Covers, aka Cover Love. This week I’m featuring Lois McMaster Bujold’s Miles Vorkosigan science fiction covers in honour of #Sci Fi Month 2020, which I’m linking to this post.
We are both huge fans of her writing – check out my reviews of Cryoburn, Captain Vorpatril’s Alliance, Gentleman Jole and the Red Queen and The Flowers of Vashnoi, which are all part of this long-running, highly successful space opera adventure that helped to redefine the genre into something more nuanced and interesting. Bujold showed herself years ahead of many of her contemporaries in following the fortunes of a highly driven, alpha male desperate to prove himself when growing up in a warrior-caste society, while coping with significant physical disabilities. His paternal grandfather had wanted him to be quietly euthanised as a baby… My favourite is the cover for Cryoburn – which is yours?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with PLANETS. I’ve selected Children of Time – Book 1 of the Children of Time duology by Adrian Tchaikovsky – see my review. I have linked this post to #Sci Fi Month 2020.
This is the default cover and was produced by PanMacmillan in June 2015. I really love this cover – it would have caught my eye, even if I wasn’t a huge fan of the author, as I’m always a sucker for spacescapes. And this one has it all… an interesting ship, something clearly going on between the ship and the planet, with lovely lighting effects. The font is well balanced and genre appropriate, although I do think the author name could pack a bit more punch. The only grizzle I have, is that line of blurb plopped in the middle of the design, which I think distracts and detracts from the overall image.
Published in February 2018, by Italian publisher Fannucci, this is another cool spacescape. However, the title font is rather overpowering – to the extent that it’s difficult to see the cover behind it. I think it could be both smaller and less chunky and will be clearly visible, while also allowing us to see more of that planet and spaceship.
This Polish edition, published in July 2017 by Rebis actually takes us down to the planet surface. I’m not quite sure about this… the way the book is written and structured, that depiction on the cover is a huge spoiler. That said – I’d love to think the artist is giving their view of Portia, who absolutely rocks😊. It isn’t my favourite, but it is an interesting departure, as all the other covers choose to depict the ship.
Published by Prometejs in December 2018, this Latvian edition is another one showing us the spaceship and the planet. It’s a rather beautiful rendition. The colouring of the planet surface is lovely. I really like the way the blue glow surrounding the planet is picked up by the approaching spaceship. This gives the cover a pleasing symmetry, as the title font appears in the centre, between the planet and ship. This is a strong contender – I so nearly went for this one…
This French edition, published in April 2018 by Denoël, is my favourite by a whisker. I like the fact we are looking down on the both the planet, and the ship orbiting it. Like the default cover, this one manages to inject a sense of visual drama by the use of light. I also like the fact there are actual stars in the spacescape – it’s a relatively small detail, but it makes all the difference. But for me, the decider is that visual clue about what is actually happening on the planet – so clever and subtle. However, if you’ve read the book and know what I’m talking about – it’s immediately apparent. While I like this one best, which one do you prefer?
Welcome to another helping of Covet the Covers, aka Cover Love. This week I’m featuring some of Charles Stross’ covers in honour of his release of Dead Lies Dreaming, a novel of The Laundry Files series. If you are interested in learning more about this unique series, here are my reviews of The Fuller Memorandum, The Apocalypse Codex, The Rhesus Chart, The Annihilation Score, and The Nightmare Stacks. I have also provided reviews of Glasshouse, a standalone time-travelling adventure and The Family Trade, Book 1 of his portal fantasy, The Merchant Princes, which I recall absolutely loving – and I want to revisit this series and complete it. My reviews of The Labyrinth Index and Dead Lies Dreaming will shortly be available. I’ve chosen the Brit covers, because I think they absolutely rock and I love the unique branding they provide for this series. Which is your favourite?
Welcome to another helping of Cover Love. This week I’m featuring some of Elly Griffith’s covers, in honour of her recent release of The Postscript Murders – Book 2 of the Harbinder Kaur series. If you are interested in reading reviews of some of her books, here they are: – The Crossing Places – Book 1 of the Ruth Galloway series; The Janus Stone – Book 2 of the Ruth Galloway series; A Room Full of Bones – Book 4 of the Ruth Galloway series; and The Stranger Diaries – Book 1 of the Harbinder Kaur series. I am aware I have completely omitted the covers of her Brighton Mystery series, but I have included the first cover in her whodunit mystery for children – A Girl Called Justice. It looks great fun and I will be checking it out in due course… Which are your favourites?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with SPIDER WEBS. I’ve selected Wintersmith – Book 3 of the Tiffany Aching series and Book 35 of the Discworld series by Terry Pratchett.
This edition was produced by Corgi Childrens in July 2010. This is the cover that caused me to choose it for this theme, given that the scene is swathed in spider webs. I do have a soft spot for this cover as it is the one I have on my own copy of the book – and given that this story holds a special place in my heart, I have a real fondness for it. But it isn’t my favourite.
Published in October 2006 by HarperTempest, this is another strong contender. I really like it – the snowflakes make an attractive addition and the fact we don’t see Tiffany’s face gives it a sense of mystery and allows me to continue with my own imagined appearance for one of my favourite young protagonists. I’m also delighted that one of the Nac Mac Feegle makes an appearance. When my grandson was reading this series, ‘Crivens!’ became a favourite family exclamation…
This edition, published by Corgi Childrens in September 2007, is my favourite. It encapsulates the style of the original Discworld covers – and again we have three of the main Nac Mac Feegle warriors – Rob Anybody, Daft Wullie and Big Yan. I love the font and overall design. And while I’m aware that Pratchett’s name doesn’t appear to be very visible – it is highly likely to be embossed, seeing as it is on all our covers.
This edition, produced by HarperCollins in September 2015 is the only one not featuring any of the colourful characters from the story. But nonetheless, it is an attractive cover. I love the three-D effect of the title font with the green leaves twining through it and the author font is nicely balanced. The deep blue shading into the black works well with the sense of chill and coldness evoked by the title. My only misgiving is that this title doesn’t convey the humour of this story – unlike all the other designs.
This edition, published by Corgi Childrens in May 2017, is also a contender. I love this one. Lots of drama and movement, with a cool graphic novel treatment of Tiffany Aching on her broomstick, giving those Nac Mac Feegle a lift. The snowflakes, flowing cloak and antics of those naughty blue men provide sufficient appeal for the younger market – though this one is too good to just leave to the children. It was so nearly my favourite, but I did feel the title was just a bit too small. Which is your favourite?