Category Archives: Friday Face-off

Friday Faceoff – The way to heaven is on horseback… #Brainfluffbookblog #Fridayfaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week features riders. I’ve selected Green Rider – Book 1 of the Green Rider series by Kristen Britain. I read this one longer ago than I care to recall, but thoroughly enjoyed it.

 

This edition was produced by DAW Books in April 2000. I love this cover – the wealth of detail with all the movement and drama of the galloping horse is beautiful. But I do dislike all that chat at the top which draws the eye away from the author name.

 

Published in April 2011 by Gollancz, this one is my favourite. Yes… I don’t think the horse has wings in the book, but to be honest – I don’t care. The illustration is absolutely stunning and just works. My one niggle is that the title and author fonts could be just a bit more decorative as they are unutterably dull.

 

This German edition, published by Heyne in December 2008, is attractive and eye-catching. And if you are wondering why there isn’t a scrap of green anywhere, the German title translates as The Magic Rider so it makes sense to have a striking red cover featuring a beautiful black stallion galloping through the middle of the cover. At last the font also is suitably dramatic.

 

This Turkish edition, produced by Kalipso Yayinlari is more about the young rider than the horse. When I saw the teeny-tiny version of this one, I confess that I sighed a little, but now it is larger, I like it more than I thought I would – though I’d prefer her to be wearing gauntlets and less eye makeup. But that sword hilt is gorgeous and I love the wonderful title font.

 

This Czech cover, published in 2012 is another strong contender. In fact, if it wasn’t for that amazing Gollancz offering, this would be my favourite. I love the fact that we are seeing the back of the rider and the horse, while that rich border gives it a suitably otherworld flavour. I love the golden light that effectively throws the rider and horse into relief, though I would personally have used a different colour other than yellow in the title font. What about you – which is your favourite?

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#Friday Faceoff – Clinging and invasive… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week is vines. I’ve selected Forest Mage – Book 2 of The Soldier’s Son trilogy by Robin Hobb. I thoroughly enjoyed this intriguing trilogy, which I think is underrated.

 

This edition was produced by Harper Voyager in August 2006. It’s the cover that best fits the brief and also depicts a really disturbing scene in the story. The artwork is beautiful with lots of detail – I’m not sure it looks the best as a thumbnail, but I really love it.

 

Published in November 2007 by Harper Voyager, again, this is another attractive, atmospheric offering though I don’t like it quite as much as the previous one. The burning forest provides some drama and there is plenty of beautiful detail. I’m not sure, however, if it screams ‘Buy Me!’ when placed alongside a host of other covers, as I do feel the title and author fonts are very dull.

 

This edition, published by Voyager in July 2007, is another beautifully crafted effort. The axe biting into the freshly cut tree stump aptly depicts the damage, while the title and author fonts are beautiful and suitably eye-catching.

 

This edition, produced by Voyager in 2006, is my favourite. I love the sheer scale and awesomeness of the vista. The red rock is vibrantly eye-catching as the design beckons us to examine the amazing landscape further, while the distant horseman nicely demonstrates the scale of the view. My only grizzle is that the title font could be less dull – while I’m aware Hobb’s name is what generally sells books, this one is left trailing in the dust in comparison to the care and attention that has been lavished on the author font.

 

This cover, published in 2008 by HarperVoyager, is my least favourite. In fact, it’s outright dreary in comparison to the other versions. I’m aware this look is part of a series brand – but this time around, I feel insufficient attention has been paid to the font. There could also have been some patterning around the border – but while I have really liked some of the covers produced in this series, this isn’t one of them. What about you – which is your favourite?

While my access to the internet is VERY limited (thank you Sky for your glacial response in replacing my storm-damaged router – a three-legged donkey could have delivered it faster…) I have been PROMISED that I will be back online within the next couple of days, when I will respond!

Friday Faceoff – I’m freeeee… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog. This week the theme is a Freebie, where we choose our favourite cover, so I’ve selected Traitor to the Throne – Book 2 of the Rebel of the Sands series bys by Alwyn Hamilton. I loved the story – but I loved the covers even more…

 

This edition was produced by Viking in March 2017. It’s not my favourite, but it’s still a cracking cover. The female archer featured on the cover clearly means business – I like the fact she is shooting straight at us. But what lifts this is that stunning sky and the background with the flock of birds and the city in the distance.

 

Published in February 2017 by Faber and Faber, this is my favourite. I love the eye-catching pink, with that lovely Eastern fretwork acting as a window into this exotic, dangerous world. The distant cityscape is picked out beautifully and I love the night sky with the sickle moon which perfectly complements that wonderful title font. This cover actually made me tingle when I first saw it…

 

This Polish edition, published by Czwarta Strona in July 2017, is another gem. Those lovely swirling patterns and that wonderfully detailed desertscape featuring the silhouette of our plucky heroine and her horse is simply beautiful. For me, what slightly lets it down is the title font, which is rather ordinary by comparison.

 

This Spanish edition, produced by Destino in October 2017 is certainly a lot different to the other covers. Initially I disliked it – but apart from the figures which I still don’t like all that much, the rest of the lovely detail has really grown on me. There is a wealth of lovely detail in the artwork all over the book that has me repeatedly looking at it as every time I do, I see something more.

 

This Serbian cover, published in June 2017, is another attractive, eye-catching offering. The colours are lovely and though it lacks the detailed gorgeousness of the other efforts, the stylised, more simplistic approach has been very well done. It also works effectively as a thumbnail, which is an important consideration these days. So… which of these covers do you like best?

#Friday Faceoff – I was asleep when the dinosaurs roamed the earth… featuring #West of Eden #Brainfluffbookblog #Fridayface-off

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which we prefer. Lynn and Lynn’s Book Blog nurtures it at present. This week the theme is a cover featuring dinosaur, so I’ve selected West of Eden by Harry Harrison.

 

This cover produced by iBooks in June 2004 isn’t my favourite. I rather like the font, but the image looks like a still taken from Jurassic Park, rather than a specifically designed piece of artwork for a book. There is also far too much chat along the bottom of the book.

 

This edition was produced by Spectre in June 1985 and at least shows evidence of a cover having been designed with more thought. Though I really dislike those great blocks of brown that squeeze the image into a narrow strip so it’s difficult to make out exactly what is going on – which is a shame, because it looks quite interesting…

 

Published in July 1984 by Bantam, this is the first cover that I really like. We get a clear idea of what is going on. And I very much like the way the sun is gleaming through the title font, which is rather funky.

 

This edition, published by Panther Books Limited in July 1985, is my favourite. We get a clear idea that the dinosaurs featured are intelligent with some civilisation – part of the premise of this intriguing fantasy series. I love the warm colouring of the sky which gives us a sense of difference in this alternate history.

 

This Italian edition, produced by Nord in February 1989, provides another interaction between the fearsome lizards and the humans cowering in the forefront of the cover. You get a sense the dinosaur is talking to them, or is he about to eat them? I don’t like the chatter scattered across the artwork – or the border as I can’t see the point and it is particularly unappealing and drab. Which is your favourite?

Friday Faceoff – The hand that writes and having writ moves on…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring hands, so I’ve selected The Moving Finger – Book 4 of the Miss Marple Mysteries by Agatha Christie.

 

This edition was produced by HarperCollins in 1995. I rather like it – the gloved hand moving over the ancient typewriter evokes a strong period feel, which is well sustained by the author and title font. I would personally have preferred not to have that unappealing black block in the lower third of the cover, which rather spoils it for me.

 

Published in March 2007 by Black Dog and Leventhal Publishers, I also like this cover. The country postbox set in a dry stone wall gives a strong rural feel, with the bright green cloud below gives a strong indication that something is very wrong… Again, the fonts are right for the period. I would have preferred the postbox to have been picked out in bright red, which would have added another splash of colour, thus giving it extra eye appeal.

 

This edition, published by Harper Collins in 2012, is probably my favourite. The black background with the classic Christie signature in red really pops, while the lettering for the title font is simple – but that doesn’t prevent it from being effective.

 

This Bengali edition, produced by সেবা প্রকাশনী in December 2016, certainly catches the eye. There is something very disturbing about that outstretched arm – it looks so horribly vulnerable… And the rose nearby also tells a story. I don’t feel qualified to comment on the font, but this is a cover that stood out in the looong list of options I could have chosen.

 

This Turkish cover, published in June 2014, is the weakest one this week. The idea is okay – but the execution is very clumsy. Why would there be a spatter of blood across a poison pen letter? What compounds this mistake is the fact it looks so false, as no attempt has been to blend it so that it looks as though it belongs on the paper in the typewriter. So which is your favourite?

Friday Faceoff – When a knight won his spurs…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring medieval times, so I’ve selected Tigana by Guy Gavriel Kay, who sounds as if he should be joining in the jousting with a name like that…

 

To be honest, this cover produced by Roc in December 1999 is rather underwhelming. It is very brown with an embossed emblem of something that looks as though it belongs on a shield. I’m not overly struck with the rather spindly font, either. Given this is a book about a particularly colourful time, the cover seems to be expending a great deal of energy just to blend into the general background of the shelf this book will be sitting on.

 

This edition was produced by Roc Fantasy in October 1991 and is far more attractive and lively. The gold font upon the red is much more in keeping. However, my main worry is on behalf of the long-suffering queen or princess… no wonder she is looking so grumpy. I’d be looking a tad fed up if I had an halberd handle sticking out of my left ear, too.

 

Published in April 2005 by Penguin Canada (APB), I like this one. The gold colour sings out and the distant city in the distance looks invitingly different – an impression reinforced with the two moons in the sky. I like the attractive pattern bordering the vista, which gives a suggestion that this might be an embroidered depiction after the style of the Bayeux tapestry.

 

This Italian edition, published by Sperling & Kupfer in 1992, has very much gone for the fantasy feel. The moonlit scene – featuring two moons – is beautifully conveyed and unlike the queen in the Roc Fantasy offering, this monarch is unhampered by any weaponry protruding from her ears. She is beautiful and focused – and I want to pick up this book and find out why. This is my favourite cover.

 

This edition, produced by Penguin Canada in June 2016, is another dun effort. This time we get the edge of the shield, as if we are peeping over it to snatch a view of the city in the distance – also brown. I’m not quite sure why, because it isn’t remotely appealing. However, that’s just my opinion – which cover do you like best?

Friday Faceoff – The more I see, the less I know for sure…

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As luck would have it – I was running behind and hadn’t completely written up my Friday Faceoff yesterday before the internet went down – for the rest of the day. Thank you Sky for picking and choosing WHICH of your customers got the advance notification that you would be messing around with the phone lines (my sister did get the warning text – I didn’t!). So this article didn’t get posted and please accept my apologies for the lack of interaction on the blog in general…

This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a panorama, so I’ve selected Cryoburn – Book 14 of the Vorkosigan Saga by Lois McMaster Bujold.

 

This Hardcover edition was produced by Baen in October 2010. It’s a panorama of the edifice where thousands upon thousands of people are stored in cryogenic stasis, which is the setting for this particular murder mystery. It’s a classic Baen cover, with large, blocky lettering featuring the author and title font. In this case, it’s shame they are quite so large as they blot out a lot of the excellent cover art – but it’s Baen’s trademark and I can’t fault them for their astute marketing model.

 

This Kindle edition was published in May 20111 and is, quite frankly, horrible. The clunky, charmless effort gives no hint about the genre or the fact this book is part of a highly successful series and an awesome read.

 

This Croatian edition, published by Algoritam in 2010, has attempted to recreate the vast scale of the cryostasis repository with Miles walking down one of the aisles. I’m interested to see that there is some attempt to depict his physical deformities, which is something the US covers often don’t do – although he is still without his cane. However, it is rather crude, even though it’s miles better than that dreadful, blobby egg-timer shown on the previous cover.

 

This edition, produced by Blackstone Audiobooks in October 2010 has taken the original cover and tweaked it, so that the title and author fonts don’t cosh you between the eyes. The result is a far classier version of the original cover which also shows the wonderful artwork. This is my favourite cover.

 

This French cover was published in November 2011 by J’ai Lu. I really like this cover. The dark tones reflect the fact we are dealing with a futuristic cemetery and the birds-eye view creates an eye-catching effect. They have even managed to give an echo of the Baen treatment of the title font without blotting out too much of the action – this is a very close contender for the top spot for me this week – which is your favourite?

Friday Faceoff – It’s a family affair…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a family, so I’ve selected The Rolling Stones by Robert Heinlein.

 

This audio edition was produced by Full Cast Audio in February 2005. It’s a spacescape so I really like it – the character in the forefront being upside down is nicely dramatic. However, she looks rather bored by the whole business and as they are clearly performing some sort of maintenance task on the outside of the ship, I doubt if she would ever get to a stage where it would be quite so tedious to be floating at the end of a tether outside the ship. And I loathe the nasty strip along the bottom of the cover which is completely unnecessary, given this is a relatively modern design.

 

Published in February 1978 by Del Rey Books, I much prefer this version. There is plenty of drama as the twins are rushing around the spaceship, trying to gather up all these tribble-like creatures. I also think the font is rather funky and attractive, contrasting well with the bright interior of their ship. This one is my favourite, though I don’t like all the chatter cluttering up the author and title.

 

This edition, published by Baen in March 2009, has by contrast a rather generic feel. It is clearly part of the house style, with the classic Baen fonts for the title and author, along with the obligatory spacescape. The trouble is that this scene could be any old ship with a couple of suited figures, who don’t particularly look as though they are part of a family unit.

 

This edition, produced by Ace in November 1970 definitely has a retro feel – that rocket and those suits are more reminiscent of the 1950s, when this book first hit the shelves. However, there is no sense that the crew are a family. While the orange font certainly pops, it is rather flat, again underlining the period feel of this cover. There is rather too much chat, again, spoiling the effect.

 

This Czech cover was published in 2003. I have a really soft spot for this one. The angle of the ship with the two suited figures working on it draws the eye onto the attractive and eye-catching title font. I also love the touch of having the title on the ship. This is a close contender for the top spot for me – but what about you? Which is your favourite?

Friday Faceoff – Be as a tower firmly set…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring a tower, so I’ve selected The Black Tower – Book 5 of the Adam Dalgliesh Mysteries by P.D. James.

 

This edition was produced by Touchstone in April 2012 and I want to like it more than I do. It seems a rather cool idea to envelope a rather haunting image of a tower in a very dark tint. In reality, I think the result is rather dreary and unappealing – though I’m unsure whether that’s really the case, or the fact that I am very much drawn to bright, sunshine colours.

 

Published in April 2010 by Faber and Faber, I much prefer this version – though it might also be because this is cover of the book that I’ve read. It is rather brooding with a stark beauty about it and I also like the way the author and title fonts have been handled. This one is my favourite.

 

This edition, published by Scribner Book Company in January 1975, must have had poor P.D. James sighing in disgust. What were they thinking? This is a sophisticated murder mystery featuring a nuanced, clever protagonist during a personal crisis. Yet, this looks like something out of a Boys’ Own Annual…

 

This Spanish edition, produced by B de Books in August 2012 is certainly a lot better than the previous effort. The tower perched on the edge of the cliffs with the sea in the foreground and the deep blue colour is certainly attractive, but I think this cover still lacks sufficient finesse for such a cleverly constructed book.

 

This German cover, published in December 1998, is a dreadful effort. Someone let the children loose in the graphics department and then accidentally forgot to erase the effort – surely? So we have the photo of a ruined tower grafted over the image of flames which aren’t even to scale, making the whole thing look completely false. And then they further ruined the dodgy effort by plonking a lot of writing on the cover – although, come to think of it, maybe they added it in a vain attempt to draw attention away from the shockingly bad job they’d made. Which is your favourite?

Friday Faceoff – After every storm the sun will smile…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring the sun, so I’ve selected Sundiver – Book 1 of the Uplift series by David Brin.

 

This cover, produced by Bantam Spectra in July 2010, is certainly full of drama. They certainly have the tone of the novel nailed – bossy aliens and overwhelmed humans clearly on the back foot. The artwork is dramatic and pleasing, though it’s pity about those blocks of brown topping and tailing the cover.

 

This edition was produced by Orbit in December 2011 and is a copy of their 1996 design, which I actually prefer because I think the shadowed lettering stands out far more successfully. Unfortunately, because it is a photo of the cover, the definition is poor. But for all that, this is my favourite. That torus is just so beautiful against the sizzling heat of the sun…

 

Published in November 1981 by Bantam, I also really like this one. Where the previous cover is all about drama, heat and fire – this one is darker with shadows and… things lurking there that may or may not be threats. The sphere looks suitably otherworldly, too. The big problem with this one is the lettering – it blends into the artwork far too much.

 

This French edition, published by Le Livre de Poche in June 1995 is another good effort, with all those swirling solar winds. I like the rather quirky font, too. However the overall effect is rather crude which is why it isn’t my favourite, though I do have a soft spot for this one…

 

This German edition, produced by Heyne in February 2014 is another very pleasing effort. I love the simplicity of the design, which really pops in thumbnail size and the fade effect on David Brin’s name is very effective. It is wasn’t for that amazing torus, this would probably have got my vote this week. Which is your favourite?