I picked this up when it was free, after one of my book blogging buddies recommended it – through I can’t recall who! Grovelly apologies and if you know you recently featured this one, nudge my elbow and I’ll namecheck you!
BLURB: For Jack Shepherd, tiger shape-shifter and former soldier, life is heading for a dead end. Dead End, Florida, to be exact. When he learns that he inherited a combination pawn shop/private investigation agency from his favorite uncle, Jack’s first job is to solve his uncle’s murder. Because sometimes it takes a tiger’s eye to see the truth.
REVIEW: This is a spinoff series – something I didn’t gather until well into the story – and it didn’t remotely impact on my enjoyment, as Day does a solidly good job of providing bonding moments with the main protagonist. As you may have gathered, this is a paranormal urban fantasy whodunit, though the shapeshifter isn’t the main protagonist featured in the blurb, instead, it’s a sparky young woman called Tess. Like many people in Dead End, she isn’t exactly normal, either, but she does her best to overcome her issues by not touching people if she can avoid it.
I really like Tess, who comes across as warm-hearted and amusing – there are a number of laugh-aloud moments in this book, despite it being a murder mystery. While the investigation is the engine that powers this narrative, there is a lot more going on in the story. Jack’s homecoming is a major feature, for starters. And Tess’s reaction to him… It probably won’t hugely shock you if I mention there is a powerful physical attraction between them, which helps them become a solid team when trying to figure out who is the killer.
To be honest, the murder mystery didn’t take much unravelling. There weren’t all that many suspects and I’d more or less figured out who the main miscreants were just as Tess and Jack got there. But while there are stories where that would be a dealbreaker, this wasn’t one of them. Day writes with a warmth and energy that drew me into this small isolated community, so that I enjoyed the days when the tour bus visited the pawn shop, just as much as Jack facing down the creepy bloke stalking Tess in the middle of the night. Highly recommended for fans of paranormal fantasy. 8/10
This review was originally posted on April 4, 2014 and I am still working my way through the series, finding each book an enjoyable addition to Ruth’s ongoing story…
This series was recommended by Himself and my mother, so it was with some anticipation that I started reading the ebook.
BLURB: When a child’s bones are found on a desolate Norfolk beach, Detective Chief Inspector Harry Nelson calls in forensic archaeologist Dr Ruth Galloway. Nelson thinks he has found the remains of Lucy Downey, a little girl who went missing ten years ago. Since her disappearance he has been receiving bizarre letters about her, letters with references to witchcraft, ritual and sacrifice. Ruth is soon drawn into the Lucy Downey case and into the mind of the letter writer, who seems to have both archaeological knowledge and eerie psychic powers.
REVIEW: Ruth Galloway is a forty-something archaeologist who lives on her own at the edge of Saltmarsh in an isolated cottage with a couple of cats. I found her character immediately appealing and realistic. Her concerns about her weight and her single status struck a chord with me – and I suspect many other female crime fans. This series is evidently going to be something of a partnership between Ruth and Detective Chief Inspector Harry Nelson. So did I also feel an affinity with the other main character? Yes. Nelson is clearly a complicated personality and – unlike Ruth and many other detectives in other series – he is a family man with two daughters and an attractive wife. I am looking forward to seeing how this all plays out during the series. The other powerful factor in this book is the stunning backdrop – the salt marshes. Griffiths evidently knows and loves this landscape and has it bouncing off the page as a character in its own right, particularly during the climactic scenes where the dangerous surroundings heighten the drama and tension during the denouement in a classic showdown that manages to provide plenty of surprises.
Of course, while a sympathetic protagonist is obviously important – this is a whodunit, so what really matters is how Griffiths handles the plot. Do we know exactly who did it halfway through the story, or does it all come as a complete surprise? I’m not noted for my skill in spotting the culprit, but I thoroughly enjoyed Griffiths’ ability to provide plenty of twists and turns, without completely losing the day to day realism that a contemporary crime thriller needs. It’s a trickier balance to achieve than Griffiths makes it look. And another potential bear pit she manages to deftly sidestep is the fact that her victim is a child.
Obviously when a child goes missing, our protective instincts are instantly aroused – whatever the circumstances, a child is never anything other than an innocent victim. However, when a story highlights this scenario there are also distressed parents to portray and possible cross-questioning of other upset children… It can turn into a mess – I’ve discarded more than one whodunit halfway through either because of the casual manner in which the parents’ grief is depicted, or it’s simply too harrowing. I wasn’t tempted to do put this book down – Griffiths treats the disappearance of a child with sufficient seriousness, yet neither was the situation overwhelmingly grim.
Small wonder that this book created the buzz it did when it first hit the bookshelves, back in 2010 – and I’m delighted that I now have another well-written, edgy crime series to read. In the meantime, if you haven’t yet sampled Elly Griffiths’ world, track down The Crossing Places – you’ll be thanking me if you do. 9/10
I enjoyed the first book in this series, Last Smile in Sunder City – see my review, so when I saw the second book was coming up, I was delighted to be approved to read it. Would I enjoy it as much as the first book?
BLURB: The name’s Fetch Phillips — what do you need? Cover a Gnome with a crossbow while he does a dodgy deal? Sure.
Find out who killed Lance Niles, the big-shot businessman who just arrived in town? I’ll give it shot.
Help an old-lady Elf track down her husband’s murderer? That’s right up my alley.
What I don’t do, because it’s impossible, is search for a way to bring the goddamn magic back. Rumors got out about what happened with the Professor, so now people keep asking me to fix the world.
But there’s no magic in this story. Just dead friends, twisted miracles, and a secret machine made to deliver a single shot of murder.
REVIEW: It starts well – I very quickly felt right back at home in this grim, noirish city where everything is a bleaker, more tattered version of itself because Magic has now disappeared. I settled into the first two adventures well enough. Though wincing somewhat as Fetch seems to take far more than his fair share of beatings, and I felt suitably sympathetic at his angst and guilt. But…
It’s a longish book at well over 400 pages, and generally that sort of length doesn’t bother me – but just about the halfway mark, I was conscious of this one starting to drag. Fetch’s constant misery became irritating and the fact that the plot seemed to cycle round in ever-widening circles, so that what initially seemed like a progression just became more of the same – Fetch investigating a case… feeling miserable… getting beaten up… Rinse and repeat. It didn’t help that there was precious little light and shade – it was basically all shades of dark.
I’m aware that right now I’m not really in the right place for lots of bleakness. But the quirky cover and the strapline comparing this book to Ben Aaronovitch’s Peter Grant series had me thinking that maybe this book would be a whole lot lighter, as by the end of the first book, Fetch seemed to have found some closure. The world is well described, and Arnold’s vivid descriptions of the once-magical characters are both imaginative and original – I love the premise. But Fetch’s constant angst was also annoying the other characters in the story – it comes to something when I find myself nodding in agreement as a major antagonist verbally shreds the hero.
If you are looking for a fantasy crime series with a real difference and enjoy your world on the grimy, grimdark side, then you may well find this one suits you. While I obtained an arc of Dead Man in a Ditch from the publishers via Netgalley, the opinions I have expressed are unbiased and my own. 6/10
Can’t-Wait Wednesday is a weekly meme hosted at Wishful Endings, to spotlight and discuss the books we’re excited about that we have yet to read. Generally they’re books that have yet to be released. It’s based on Waiting on Wednesday, hosted by the fabulous Jill at Breaking the Spine.
This week’s Can’t-Wait offering – The Postscript Murders – Book 2 of the Harbinder Kaur series by Elly Grittiths -release date 1st October
BLURB:PS: thanks for the murders. The death of a ninety-year-old woman with a heart condition should absolutely not be suspicious. DS Harbinder Kaur certainly sees nothing to concern her in carer Natalka’s account of Peggy Smith’s death. But when Natalka reveals that Peggy lied about her heart condition and that she had been sure someone was following her… And that Peggy Smith had been a ‘murder consultant’ who plotted deaths for authors, and knew more about murder than anyone has any right to…
And when clearing out Peggy’s flat ends in Natalka being held at gunpoint by a masked figure… Well then DS Harbinder Kaur thinks that maybe there is no such thing as an unsuspicious death after all.
From the sleepy seaside town of Shoreham, to the granite streets of Edinburgh and the shores of Lake Baikal, The Postscript Murders is a literary mystery for fans of Antony Horowitz, Agatha Christie and anyone who’s ever wondered just how authors think up such realistic crimes… PS: Trust no one.
I’m a fan of Elly Griffiths’ Ruth Galloway series – see my reviews of The Crossing Places and The Janus Stone – so when I saw this was the second book in a new series, I immediately requested it. I hoping to read the audiobook edition of the first book, The Stranger Diaries first. Is anyone else an Elly Griffiths fan?
Mini-review of AUDIOBOOK – Salt Lane – Book 1 of the Alexandra Cupidi series by William Shaw BLURB: DS Alexandra Cupidi has done it again. She should have learnt to keep her big mouth shut, after the scandal that sent her packing – resentful teenager in tow – from the London Met to the lonely Kent coastline. Even murder looks different in this landscape of fens, ditches and stark beaches, shadowed by the towers of Dungeness power station. Murder looks a lot less pretty. The man drowned in the slurry pit had been herded there like an animal. He was North African, like many of the fruit pickers that work the fields. The more Cupidi discovers, the more she wants to ask – but these people are suspicious of questions. It will take an understanding of this strange place – its old ways and new crimes – to uncover the dark conspiracy behind the murder. Cupidi is not afraid to travel that road. But she should be. She should, by now, have learnt.
REVIEW:I really enjoyed this well-crafted murder mystery. The actual storyline was quite bleak, highlighting the blight of illegal immigrants as they are exploited by unscrupulous gangmasters. But the progression was excellent, with the police procedures coming across as suitably modern – something that doesn’t always happen in this genre. I also particularly liked the development of the main protagonist and her unfolding relationship with both her daughter and her mother. Highly recommended for fans of Elly Griffiths’ books. 9/10
Mini-review of The Outcast Dead – Book 6 of the Ruth Galloway series by Elly Griffiths BLURB: Forensic archaeologist Ruth Galloway uncovers the bones of a Victorian murderess while a baby snatcher threatens modern-day Norfolk in this exciting new entry in a beloved series. Every year a ceremony is held in Norwich for the bodies in the paupers’ graves: the Service for the Outcast Dead. Ruth has a particular interest in this year’s proceedings. Her recent dig at Norwich Castle turned up the body of the notorious Mother Hook, who was hanged in 1867 for the murder of five children. Now Ruth is the reluctant star of the TV series Women Who Kill, working alongside the program’s alluring history expert, Professor Frank Barker.
DCI Harry Nelson is immersed in the case of three children found dead in their home. He is sure that the mother is responsible. Then another child is abducted and a kidnapper dubbed the Childminder claims responsibility. Are there two murderers afoot, or is the Childminder behind all the deaths? The team must race to find out-and the stakes couldn’t be any higher when another child goes missing.
REVIEW:I’m generally allergic to tales of missing or abducted children – and maybe if I’d realised up front that this slice of Ruth Galloway’s adventures featured snatched children, then I might have given this one a miss. But I’m glad I didn’t. I have become really fond of Ruth and her steady confidence as a mother and increasing growth in her professional reputation. What makes this series especially enjoyable is her sardonic humour, which acts as a welcome foil to some of the darker aspects of the story. It’s also great to see the return of a strong supporting cast – particularly Nelson and Cathbad. Griffiths ensures their ongoing stories also develop alongside Ruth, which makes following this series particularly rewarding. 9/10
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring MINIMALIST covers. I’ve selected The Hound of the Baskervilles – Book 5 of the Sherlock Holmes mysteries by Arthur Conan Doyle.
So who knew that such a classic would be a source of such minimalist covers? But this edition, released in September 2014 by Enhanced Classics is one of a number of pared back designs that trades on our abiding affection and knowledge of this quirky detective. I really like it – though I do wonder if the dog ought to feature on the cover, given the way the fear of the beast looms throughout this tense murder mystery.
Published in September 2008 by Vintage Classics, this is another simple design. Despite the apparent simplicity, there’s quite a lot going on here. I like the graduated colour fading to black at the outer edges, which essentially puts that magnifying glass and the title in the spotlight. It’s a clever move having the snarling muzzle of the dog within the magnifying glass. The cover projects tension and menace without a splash of blood, or any garish visual tricks regarding the title. My one grumble is that I think the title could do with being less Victorian and self-effacing.
This Portuguese edition, published in 2013 by Zahar, is a real gem. Again, it has used the ubiquitous silhouette of Holmes to produce the heart of the design, before adding another layer that absolutely nails this one for me. Within the shadowed outline of Holmes is the ruined house where a certain character hid, thus thoroughly throwing dear old Watson right off the scent of the real villain. And then we have the cemetery and the dog, himself… I also absolutely love the way the smoke curls up from the pipe to give us the name of the author. This is my favourite.
And this Marathi edition is another example of a simple outline featuring on the cover. Published in January 2012 by Diamond Publications, the almost cartoonish creature on the trail of his prey immediately draws the eye. Again, the background is effectively shaded, pulling our attention onto the snarling beast in the centre of the cover – while that hill than provides the text box for the title and author fonts. This one was so nearly my favourite – it was the wisping smoke turning into Conan Doyle’s name on the other other contender that edged for me.
This Lithuanian edition, published in May 2013 by Baltos Iankos, is another effective and simple cover. The shaded background allows the black outline of the dog to stand out, so although he is running more or less towards us – a difficult angle when most of the details aren’t apparent – we can make him out with no difficulty. I like the fact the designer has taken the trouble to give him a shadow, thus anchoring him to the background, instead of just plonking him onto the top of it. I do think the title font could be a bit larger and punchier, but that is a personal preference. Which is your favourite?
We don’t do it all that often – we can’t afford it – but we pre-ordered this one as soon as we heard it was coming out. We are both solid fans of Kevin Hearne’s writing – see my review of Hounded – Book 1 of the Iron Druid series, which I read all the way through and have been quietly mourning its loss since it ended. Life has just been a tad emptier since Atticus and his hound Oberon stopped their adventures. Though I also thoroughly enjoyed the clever and ambitious Seven Kennings series – see my review of A Plague of Giants. So would I also enjoy this spinoff from the Iron Druid series?
BLURB: Al MacBharrais is both blessed and cursed. He is blessed with an extraordinary white moustache, an appreciation for craft cocktails – and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae.
But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse.
But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective – while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice’s death will take him through Scotland’s magical underworld, and he’ll need the help of a mischievous hobgoblin if he’s to survive.
REVIEW: Let’s get one issue out the way – you don’t have to know anything at all about the Iron Druid series, or have first read the books to enjoy this one. It’s an essentially a standalone, with a specific scene added for those of us pining for Atticus and Oberon. So don’t let that consideration get in the way of you acquiring this one.
It’s a packet of fun. I loved the fact that Al is in his mid-sixties and a widower. I am aware that the average hero and heroine are fit young things, full of vim and vigour – but I hadn’t realised just how much that affected their worldview, until I plunged into this adventure alongside dear old Al. He is thoroughly likeable protagonist with plenty of quirks and eccentricities, but the amount of fun between him and a certain naughty hobgoblin is great and helps to leaven the rather sombre subject of kidnapping and trafficking. Humour is always a hit and miss affair, and mostly I chuckled my way through this book – though for some reason, I got a bit fed up with Al’s hacker friend insisting on being called Saxon Codpiece…
Overall, I really enjoyed the story which was well paced, full of action and yet not too full-on to skimp on effectively establishing the main characters – a balance that is harder to achieve than Hearne makes it look. I also loved the magic system, where human Al is given leave to help the Fae by use of magical sigils that are achieved by the spells being sealed through specific inks. It worked well – and this being Hearne, there was also some humour to be had with some of those inks, too. Overall, this was a solid delight and I’m very much looking forward to reading more about Al and his adventures – particularly that curse he’s afflicted with… Highly recommended for fans of quirky urban fantasy adventures featuring eccentric characters. 8/10
I love the cover on this book and, craving something with plenty of humour, I requested it, hoping for mayhem and nonsense in amongst the whodunit…
BLURB: Toni Windsor is trying to live a quiet life in the green and pleasant county of Staffordshire. She’d love to finally master the rules of croquet, acquire a decent boyfriend and make some commission as an estate agent. All that might have to wait, though, because there are zombies rising from their graves, vampires sneaking out of their coffins and a murder to solve. And it’s all made rather more complicated by the fact that she’s the one raising all the zombies. Oh, and she’s dating one of the vampires too. Really, what’s a girl meant to do?
REVIEW: The strapline for this one is: Agatha Raisin meets Sookie Stackhouse, with croquet and zombies. And it’s spot on. Toni is a quirkier, younger version of Agatha, while the paranormal backdrop, though firmly set in rural England, is peopled with characters that wouldn’t look out of place in the Sookie Stackhouse mysteries. There is also a similar amount of heat in Grave Secrets as in Charlaine Harris’s books, which means that while it is considerably less explicit than the HBO True Blood series – it still contains several raunchy scenes. This isn’t usually an ingredient I look for in my reads, but it’s done well. Toni’s strong attraction to Oscar is convincingly portrayed – along with her ongoing concerns about his suitability, until she sees him again when once again, she’s swept off her feet.
But what really beguiled me is the strong first-person voice. A breezy, generally can-do attitude, combined with a sharp-edged Brit humour that had me sniggering throughout and a couple of times made me laugh aloud. The vampires are suitably arrogant and entitled, so no surprises there – though I also like the fact that they come in shades of nastiness and some make a real effort to be more caring of the humans in their coterie. I also really like Toni’s relationship with Peter, the other human who is in Oscar’s coterie. James has the ability to write her characters with warmth along with the snarky humour, so it didn’t descend into an adventure where poor put-upon Toni is ranged against all the powerful nasties without any help. To counter-balance the vile behaviour of the antagonists, there are also a number of people happy to assist Toni.
Another plus point – the fact that Toni is a necromancer, who has been raising the dead since a small child. They are normally portrayed as chilling creatures, whose repellent habits make them as unwholesome as the zombies they create – so Toni’s portrayal as a bubbly, impetuous young woman full of strong views on what is Right and Wrong comes as an enjoyable change. As you may have gathered – I was charmed by this one, so I’m very much looking forward to reading the next book in the series. While I obtained an arc of Grave Secrets from the publishers via Netgalley, the opinions I have expressed are unbiased and my own. 8/10 10.8.20
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with a ROAD on them. I struggled a bit this week, but in the I’ve selected The Crow Trap – Book 1 of the Vera Stanhope series by Anne Cleeves.
This edition was produced by Pan MacMillan in October 2001. It’s very plain – just black lettering on a red background, with a single feather. I wish they’d left it at that and had resisted the temptation to add the chatter, because with such a minimalist approach, any extra fluff really jars, as in this case. The lettering is slightly fuzzed, which I really like, because it forces me to refocus on it, pulling at my attention for a second look. If it hadn’t been for the extra line of chat, this would have been a real contender.
Published in February 2017 by Minotaur Books, this cover is another strong contender. I just wish they’d left off the ugly button featuring Brenda Blethyn, who plays Vera in the very strong TV series. But I love the outline of the crow against the plain purple cover, showing a deserted barn in the desolate countryside, which is part of Vera’s patch. Overall, I think this is another strong, effective design that works well, with plenty of visual appeal.
This edition, published by Pan in April 2016, is the first to feature a landscape. And what a dark, brooding landscape! It’s this cover that caused me to choose the book for this week’s theme and I have to say that I love it. The wild moorland, the rutted road and that gorgeously ominous sky. This would be my favourite, but for my concern that the feel and tenor of the cover is more suited to a horror thriller, rather than a rather downbeat police procedural murder mystery.And that ghastly blob, of course.
This edition, produced by Pan Publishing in August 2010, is even bleaker. That midnight blue suffusing the cover, with the image of the crow dangling from the barbed-wire fencing definitely gives this one a strong horror vibe. The reason why I suppose they feel comfortable using such bleak imagery, is the very clear lettering announcing that this is a Vera Stanhope novel. It’s also significant that by now, the author’s name is larger than the title, which shows the success that she had achieved by then. Although the TV series wasn’t aired until 2011, so this cover was designed before then.
This Russian edition, published by Эксмоin April 2020, is another cover featuring the bleak but beautiful Northumberland coastline. The aspect of the cover that particularly caught my attention is the way the title is resting in amongst the grass, seemingly rooted there. It creates an interesting and unusual visual dynamic. This one is my favourite – it gives a sense of menace, without a strong horror vibe. I’d pick this one up, whereas I think I’d probably leave most of the others on the shelf. Which one is your favourite – and have you read the books, or watched the TV series?
This is part of the weekly meme over at the Caffeinated Reviewer, where book bloggers can share the books and blogs they have written. It’s been hot and sunny – particularly the last few days. I love it, but Himself is suffering, as he far prefers the cold. We had the grandchildren stay over on Wednesday and Thursday this week – a treat as Himself was also off. So we took them to the big wheel in the middle of Worthing on Wednesday morning. It was a perfect day to be right up high, with sea views on one side and a clear view of the town on the other. We then went shopping at our local Waterstones, before heading back home. On Thursday, we visited the Wetland and Wildlife Trust in Arundel, one of our favourite places – though this was the first time we’d been since before the lockdown.
It was blisteringly hot on Thursday, but we found it magical with far less people than normal during the summer holidays. The reedbeds in particular were beautiful and peacefu – and we also watched a swarm of bees starting to congregate in the Butterfly garden. We also enjoyed an ice cream sitting in the shade – yay for vegan Magnums! Other than the wheel – this is where the pics were taken.
In the meantime, I’ve been getting Mantivore Warrior fit to face the world, as I’m releasing the book on 31st August. While it is the third book in The Arcadian Chronicles, it is also a good place to jump in, as it features a protagonist whose experiences are utterly different from those of the beleaguered young woman who was at the heart of the story in Mantivore Dreams and Mantivore Prey. If anyone is interested in getting hold of an arc, do drop me a line…
Last week I read: The Mother Code by Carol Stivers The year is 2049. When a deadly non-viral agent intended for biowarfare spreads out of control, scientists must scramble to ensure the survival of the human race. They turn to their last resort, a plan to place genetically engineered children inside the cocoons of large-scale robots–to be incubated, birthed, and raised by machines. But there is yet one hope of preserving the human order–an intelligence programmed into these machines that renders each unique in its own right–the Mother Code.
Kai is born in America’s desert southwest, his only companion his robot Mother, Rho-Z. Equipped with the knowledge and motivations of a human mother, Rho-Z raises Kai and teaches him how to survive. But as children like Kai come of age, their Mothers transform too–in ways that were never predicted. When government survivors decide that the Mothers must be destroyed, Kai must make a choice. Will he break the bond he shares with Rho-Z? Or will he fight to save the only parent he has ever known? I enjoyed this one – but it could have been so much better, if Stivers had been a bit more focused on exactly whose story she wanted to tell, rather than trying to do it all… Review to follow.
AUDIOBOOK Finding the Fox – Book 1 of The Shapeshifter series by Ali Sparkes Dax Jones is an ordinary schoolboy – until something extraordinary happens one day. Whilst frightened for his life, he inexplicably changes into a fox. Before long, both a government agent and an ambitious young journalist are on his tail. I love this author’s writing – and this shapeshifting adventure didn’t disappoint. Very highly recommended for youngsters between the ages of 9-12. Review to follow.
The Last Astronaut by David Wellington Sally Jansen was NASA’s leading astronaut, until a mission to Mars ended in disaster. Haunted by her failure, she lives in quiet anonymity, convinced her days in space are over. She’s wrong. A large alien object has entered the solar system on a straight course toward Earth. It has made no attempt to communicate and is ignoring all incoming transmissions. Out of time and out of options, NASA turns to Jansen. For all the dangers of the mission, it’s the shot at redemption she always longed for. If I’d known that Wellington wrote horror, then I probably would have given this one a miss – which would have been a shame, because it was a real treat. He manages to deliver after the long, tense build-up, producing aliens that are genuinely different and terrifying. And the ending is brilliantly handled. Review to follow.
Deadly Waters by Dot Hutchison Florida journalism undergrad Rebecca Sorley is like any other college student. She tries to keep up with her studies, her friends, and her hot-tempered roommate, Ellie, who regularly courts trouble with the law. When a male student’s remains are found in alligator-infested waters, the university warns students to stay away from the reptiles. But then a second body shows up, and the link is undeniable. Both men belonged to the same fraternity and had a reputation for preying on and hurting women. Ellie has previously threatened to kill men who don’t take no for an answer. Rebecca and her friends thought Ellie was kidding. But now a vigilante killer is roaming campus—someone who knows how to dispose of rapists. Someone determined to save female students from horrible crimes. I thoroughly enjoyed this one, where the rising body count wasn’t a stack of attractive young women – but young men who were sexual predators. The plotting is well done and this one was a memorable page-turner. Review to follow.
The Ghost Fields – Book 7 of the Ruth Galloway series by Elly Griffiths Norfolk is experiencing a July heatwave when a construction crew unearths a macabre discovery – a buried WWII plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news… I’m really enjoying this series – as much for the unfolding stories of the supporting cast, as for the actual crime dramas that are featured. Ruth’s growing confidence and watching her struggles as a single mother holding down a demanding job gives these books extra readability. Mini-review to follow.
Interesting/outstanding blogs and articles that have caught my attention during the last week, in no particular order:
The Green Man’s Silence – where did these particular ideas come from? http://www.julietemckenna.com/?p=3208I’ve loved the unique blend of urban fantasy and old English folk tales in this particular series – so I’m fascinated by how McKenna mixes up the influences…