Tag Archives: Books by Proxy

Friday Faceoff – In the bleak midwinter…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a snowscape, so I’ve chosen Snow Child by Eowyn Ivey.

 

This is the cover produced by Reagan Arthur Books in February 2012 and frankly, I don’t know what they were thinking. It is pretty enough – indeed, looks appropriate for a cute childen’s tale. But this book is nothing of the sort – it is a wonderful portrait of survival in a hostile environment, of despair and gritted determination and a miracle. Or is it? So this cover is completely inappropriate.

 

This edition, produced by Headline Review in February 2012 is more like it. I love the simplicity of the deep blue with the outline of the girl and the fox in white. It is eye-catching and gives a far better sense of the book. While it isn’t my favourite, it is certainly a huge improvement on the previous effort.

 

Published in July 2012 by Polirom, this Romanian cover is an unfortunate throwback to the first cover. It looks far too juvenile for this remarkable book which covers very adult themes, even if the prose is at times ethereally beautiful.

 

Thank goodness this cover, produced in September 2014 by Tinder Press, is a much better effort. The snowscape is still beautiful. I love the looping font the footsteps leading away from it towards the smudge in the trees that may or may not be the child. Lovely and entirely in keeping with the content.

 

However my favourite is this Serbian edition by Laguna, published in January 2013. I love the cool blue of the cover and the delicacy and detail of the frosting around the edge of the cover – how beautiful! And it isn’t the snow child portrayed on the cover, it is the heavier figure of the woman, searching for her… As you may have gathered, I’ve become a tad overwrought about these covers – but which is your favourite?

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Friday Faceoff – Snap!

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a mirror image or reflection, so I’ve chosen The Dark Mirror – Book 1 of The Bridei Chronicles by Juliet Marillier.

 

This cover, produced by Tor Books in June 2006, is my least favourite. While the hint of a reflection and the gnarled tree behind the seated girl does give a sense of the otherworldly tone that pervades this outstanding historical fantasy series, it doesn’t do it justice. I also think the lettering is clunky and unsuited to the genre and content.

 

This edition was produced by Tor books in March 2006 and is far more appropriate. The lone tree, reflected in the water in a wild landscape beautifully evokes the mood of the book and would immediately have me wanting to pick it up. This one is my favourite.

 

Published in 2007 by Bertrand Editora, this Portuguese edition has also manages to capture the magical sense of the book, though I’m not quite sure what that fraying piece of lace at the top is all about… But those brooding trees reflected in the lake are very effective.

 

This Australian edition, published in November 2007 by Pan Australia, is also effective and haunting. I particularly like the title font, which fits the period without being too fussy or taking away from that stunning landscape – this is a very close second for me. Which is your favourite?

Friday Faceoff – Zip it, lock it and throw away the key

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is keys, so I’ve chosen Keeper of the Keys – Book 2 of The Cycle of Fire series by Janny Wurts.

 

This cover, produced by Grafton in 1990 is really eye-catching with the limited colour palette of blues. The glowing key illuminating the face from below gives an otherworld, ethereal cast to the character and while I don’t much like chatter on the front cover – at least the endorsement isn’t too intrusive. This is my favourite.

 

This edition was produced by Ace in August 1988 and is far more dramatic. The protagonist is clearly in a desperate situation. I really like the unfolding drama with the sinister figure looming over the hapless lad. My problem with this cover is that the beautifully painted eagle somehow gets lost amongst the large golden lettering. Why on earth didn’t they choose another colour for the title font?

 

Published in October 1995 by HarperPrism, this is another beautiful detailed, action-packed cover. This time, the protagonist (he does get about, doesn’t he?) is hanging off the hull of a boat, moodily clutching the key around his neck as he gazes out across the seascape. I also thoroughly enjoy this one – but the eerily lit face just edges it. Which one is your favourite?

My 1,500th post… Friday Faceoff – Much as I love you, I cannot permit you to maul this particular coat…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is the Regency era, so I’ve chosen Frederica by Georgette Heyer.

 

This is the cover produced by Arrow in August 1992. It is a charming cover with a strong period feel with also an appropriate font, while it isn’t my favourite cover I do like it very much.

 

This edition was produced by Sourcebooks Casablanca in January 2009. This is another eye-catching cover. I like the sense of movement and the colours. But the pink band through the cover is simply awful. It sticks out like a… pink band and jars with the rest of the cover design and mood.

 

Published in February 2011 by Cornerstone Digital, I love this one. The cover design is simple yet striking and the black and green against the black is both attractive and distinctive. The period feel is successful evoked by the chandelier and the dresses of the girls. This is my favourite.

 

Produced in 1965 by The Bodley Head, this is the original hardback edition. Again, I think this is a charming, effective cover that relates directly to the content. The only grumble I have is that rather ugly black text box, but at least it is reasonably small and the font is attractive.

 

This edition, published in December 1973, is the one I managed to pick up secondhand a lifetime ago when I already knew I enjoyed reading Heyer’s books as light relief from my schoolwork. I still think it’s a good cover and love the golden glow that bathes the scene and is a close contender. Which is your favourite?

And today’s post happens to be my 1,500th. Thank you everyone, who has taken the time to read, like or comment any of my posts. It has been a joy to meet up with so many lovely folks from around the world – I find it miraculous that I can chat about my favourite books with someone from the US. Happy blogging!

Friday Faceoff – These mist covered mountains…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is couples, so I’ve chosen Brothers in Arms – Book 5 of the Miles Vorkosigan series by Lois McMaster Bujold.

 

This is the cover produced by Baen Book in November 2001. I like the pulp feel that is Baen’s trademark and I think this is one of their best offerings. The figures reclining in the middle of the cover relate directly to the content inside, as does the disembodied faces. I also really like the title font and the manner in which the author’s name is also featured – nifty and elegantly done. If I could change anything, I’d do away with the chatter, but you can’t have everything.

 

And this is what Baen came up with in January 2008. Oh dear. What a sad, lacklustre affair when compared with the quirky excellence of seven years earlier… The figures are poorly detailed and that polka-dotted background doesn’t even convince as a starscape!

 

This is more like it! Published in January 2007 by Blackstone Audiobooks, I really like the detail of the cockpit here, with the reflection of the pilot looking out towards the approaching planet. This gives the sense of the action and drama that this book brims with in an attractive, evocative setting. This is my favourite.

 

Produced in October 1996 by Wilhelm Heyne Verlag, this German edition is very simple. The cover is clearly a play on the title and a reference to Miles’ two identities. It is very simple and the rather washed-out skyscape gives a sense of the genre, but is surprisingly effective. I’d certainly pick it up to have another look, although I don’t like the depiction of Miles – I think he looks cruel.

 

This edition, published in August 2008 by Nesta Press, once more gives us a slice of the action. I like the artwork and the drama, while the blues and greys work well to draw the eye and encourage me to take another look. Again, this is a deliberate attempt to hark back to the pulp editions of early science fiction novels and successfully informs the browsing reader of the genre. Which is your favourite?

 

ANNDDD…

 

Steph at Earthian Hivemind interviews me about my writing and my debut novel…

Friday Faceoff – You have nice manners for a thief, and a LIAR!

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is the one we prefer. This week the theme is dragons, so I’ve chosen Tooth and Claw by Jo Walton.

 

This cover, produced by Tor Fantasy in December 2004, is a rather splendid dragon. Definitely eye-catching and I like the fact that he is clearly expecting to be served. If I’m going to be picky, the backdrop looks like a generic fantasy landscape – and this book is set in an alternate Victorian England where dragons are vying with each other for power and influence after the style of Trollop. So the backdrop doesn’t line up very well with the content. Other than that, I think it’s a solidly good cover.

 

This offering was produced by Orb Books in January 2006. I have to say my first instinct is ‘how boring’. A WHITE cover… really? And that very generic dragon didn’t really take a lot of effort. There’s nothing innately wrong with it, but when I consider just what an awesomely sharp, funny and memorable book this is – the cover simply doesn’t measure up.

 

This cover from Corsair was published in February 2013 and is far more like it! The deep rich crimson and embossed gold lettering and wheeling dragon is both classy and eyecatching. This is the edition that I read, so that also may affect my reaction to it – but the reason I picked it up off the shelf was because the cover caught my eye…

 

Produced in September 2017, this French edition by Denoël also features gold lettering and decoration. The background is darker, but I suppose they are going for a classic Victorian feel. I also like the visual impact of this one, though I doubt it gives the reader much idea about the story or genre of this very quirky, entertaining book.

 

This edition, published in 2006 by Triton is my favourite. I love the wonderfully detailed illustration. The power and menace emanating from that dragon is palpable, while the lettering looks beautiful. And the fact this dragon is engrossed in a book gives a major clue about the story. What about you? Which one of these do you prefer?

 

AAAND… some of you may know that my debut novel, Running Out of Space was published this week. Today I am featuring in a guest blog at Second Run Reviews talking about growing up during the space race – and how I felt when it all came to a halt.

Friday Faceoff – Then let the crabs be cursed by Odin…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is the one we prefer. This week the theme is Vikings, so I’ve chosen How to Speak Dragonese – Book 3 of the How To Train Your Dragon series by Cressida Cowell.

 

This cover, produced by Hachette UK in 2010, is the main template for the other covers. It is illustrated by Cowell herself, in the guise of Hiccup Horrendous Haddock III, who is her chief protagonist and heir to the Hooligan tribe. He grows up to be the greatest of all Viking chieftains, and this is part of the ongoing story of how he survives to adulthood – a mighty achievement in itself. I very much like this cover. It is eye-catching and humorous, while promising a big dollop of exciting adventures in the book. This is my favourite.

 

This offering was produced by Little, Brown Books for Young Readers in February 2010. It has a slightly slicker feel, having replaced the page in Hiccup’s journal with a purple background, but still features Hiccup and Toothless drawn by Cowell – and still clearly in yet another scrape. Once more it ticks the boxes for me.

 

This cover from Scholastic published in December 2009 features Toothless sitting in Hiccup’s helmet. Once more the illustration is recognisably Cowell’s and you get the sense that Toothless is sniggering about something. Another attractive cover that effectively gives a sense of the book’s content.

 

Produced in September 2008, this Spanish edition by Ediciones Sm still features the original illustration, but has changed the background. It’s pleasant enough, but I far prefer the blotchy, scruffy effect of the original, which is specifically aimed at reluctant boy readers, who are far more likely to be attracted by the odd ink blot and jagged page.

 

This Kindle edition, published in June 2017 by Hodder Children’s Books gives the first cover a very, very close run for its money as my favourite. While the original image has Hiccup and Toothless arguing, with Hiccup clearly losing, there isn’t a whole lot going on. However this cover features on of the most dramatic events in the book ripping a tear in the binding as a huge dragon hunts down his prey…

Friday Faceoff – Faint Heart Never Won Fair Lady…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is the one we prefer. This week the theme is hearts, so I’ve chosen Heartless by Marissa Meyer.

 

This cover, produced by Feiwel & Friends in November 2016, is the hardcover version. I like the black and red combination, which runs through a number of the covers for this book. It accurately represents the tone of the book, which is a rather sad retelling of how the Queen of Hearts becomes quite so dreadful.

 

This offering was produced by Macmillan Children’s Books in February 2017. I really love this one. The portrait of the shy young girl is nicely depicted and I also very much like the title font and the strapline which gives effective information without too much cluttering. This one is my favourite.

 

This is another cover from Macmillan Children’s Books which was published in November 2016. This one is also enjoyable – even more so for its effective simplicity – a lipsticked heart across the mouth. I really like this one.

 

Produced in November 2016 by Blossom Books, this Dutch edition goes back to the original hardback cover for its inspiration. I prefer this tree, though with all the intriguing details and lovely artwork.

 

This Polish edition, published in June 2017 by Papierowy Księżyc, again gives more than a nod to the original red and black design. The heart shape in this one comes more from the twining rose stems, complete with thorns. Which one is your favourite?

Friday Faceoff – The Color Purple…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is the one we prefer. This week the theme is purple covers, so I’ve chosen Mendoza in Hollywood – Book 3 of The Company novels by Kage Baker, which happens to be one of my favourite books of all time.

 

This cover produced by Tor Books in April 2007 is the purple one and is definitely my favourite. Although I’m a tad allergic to having such a strong protagonist featured on the cover as my mental picture isn’t anything like this, I’ll forgive that as all the other main elements of the book are reasonably accurately represented here. I particularly like the depiction of the unspoilt countryside before Hollywood becomes established and so many plants are lost.

 

This offering was produced by Tor Books in May 2006 and is another strong contender. I do prefer this version of Mendoza, who I think did dress up as a saloon girl in some of their evening entertainments, if my memory serves me well.

 

This earlier edition, produced by Eos in July 2001, is where it all starts to go wrong. While the artwork and overall design is subtle and detailed with lots of allusions to the content, the whole effect is ruined when some bright spark decides to write the equivalent of chapter one across the top of the cover in white against the black background. Immediately this is where our gaze is drawn to, rather than the clever design.

 

Produced in March 2003 by Mondadori, this Italian edition is clearly going for a retro look harking back to the science fiction covers of the 1960s and 70s. I think it’s a shame the design only covers a relatively small circle in the middle of the white expanse, given the quirky subject matter and once again, the cover design is blighted by that ugly block splatted across the top. What about you – which is your favourite?

Friday Faceoff – Checkmate

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is the one we prefer. This week the theme is black and white covers, so I’ve chosen Blackout – Book 1 of the All Clear series by Connie Willis.

 

This cover produced by Spectra Books in February 2010 is the original. I love the way we get small bubbles of action in amongst the shifting dark pattern – an attractive design that nicely echoes the content of this time-travelling adventure. This one is my favourite.

 

This offering was produced by Gollancz in June 2011 and is another strong contender. The cloud revealing the London skyline from the surrounding black cover is another strong, simple design that is both eye-catching and effective.

 

This French edition was published by J’ai lu in March 2014. The iconic view of Westminster surrounded by smoke smearing the sky would certainly make me look again and though I’m not a fan of solid blocks of colour as a backdrop for the title and author, this time the blue works very well.

 

Produced in September 2010 by Allen and Unwin, this Kindle edition is another successful effort. The greyscale shading works well as the girl is unmistakeably from the late 1930s/early 1940s. The red tinge near the top of the cover just behind the ruin gives a slight sense of menace – and a big clue as to the setting of the book.

 

Published in February 2010 by Spectra Books, this hardback edition is the most generic of the covers and my least favourite. It has clearly been taken from a photograph of the time and I think the overall design is further weakened by a rather limp title font. Which cover do you like best – and which is your least favourite?