Tag Archives: Books by Proxy

Friday Faceoff – Halfway up the stairs isn’t up and isn’t down…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring stairs, so I’ve selected Murder Must Advertise – Book 10 of the Lord Peter Wimsey series by Dorothy L. Sayers.

 

This cover, produced by HarperTorch in May 1995, is boringly generic. They have taken one of the original images and plonked it into the middle of a white cover. The best part of this cover is the period feel of the font, which is well done.

 

This edition was produced by Four Square Books in 1962 and is a far better effort. There is a real sense of drama conveyed by the crumpled body at the bottom of the twisting staircase with all the advertisements behind him on the wall. My big quibble with this cover is that ugly black block for the title font – if it wasn’t for that, this one would be my favourite.

 

Published in 1967 by Avon Books, this edition is my favourite. I love the marble effect of the cover and the lovely art deco effect produced on both the image and the fonts for the author and title, which look as if they have actually been designed to complement each other.

 

This edition, published by HarperPerennial in 1993 is another good effort. The staircase looks far more seedy and shadow of the hapless victim on the wall while falling to his death gives a rather creepy feel to the cover.

 

This Dutch edition, produced by Uitgeverij Het Spectrum is another blast from the past as it was produced in 1961. I like the punchy effect of the cream and black against the red, which I think would have been a much stronger colour before it faded with age. The figure falling headfirst down the stairs gives lots of drama to the cover, making it appealing and eye-catching. Which is your favourite?

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Friday Faceoff – Groovy baby…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a retro cover, so I’ve gone with Spoonbenders by Daryl Gregory.

 

This cover, produced by Knopf in June 2017, is quirky and clearly harking back to another time with the silhouetted profiles of the main protagonists – the Telemachus family. I have mixed feelings about this. I like the clean look and the attractive font used for the title and author name, but I really don’t like the black silhouette pictures as this art form was particularly popular during the Victorian era, which I think is confusing, given we do not go back to Victorian times in this accomplished, memorable novel.

 

This edition was produced by riverrun in June 2017. I prefer this one to the first offering. The clunky TV with the smiling family has a real retro feel, along with that hard blue colour that I recall from my early childhood. The font and author name looks attractive and while I like the strapline along the bottom, I think it’s a shame they saw fit to cram that clutter in the top left of the cover.

 

Published in February 2018 by Eichborn, this German edition is the most effective cover in my opinion. That wonderful orange swirling wallpaper gives a lovely retro feel and I love the photos, particularly that of the mother who died before her time. It is her death that shatters the family. I love the sadness on her face – and that classic hairstyle. A clever, eye-catching cover that relates directly to the content, this is my favourite but which is yours?

Friday Faceoff – My, what big teeth you have…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a cloaked figure, so I’ve gone with Spellwright by Blake Charlton.

 

This cover, produced by Tor Books in March 2010, is dramatic and beautiful with the young apprentice trying to cast a spell on the battlements of the college. I love the setting, with the stone carvings and the city off in the distance – there is a nice touch with two moons in the sky and for me, the finishing touch is that lovely title font. This is my favourite cover.

 

This edition was produced by Voyager in March 2011. I like this one – the ball of glowing letters against the green background is eye-catching and attractive. My main concern is that I’m not sure if it fully conveys a fantasy read about a dyslexic wizard – I think it might be for a science fiction genetic disaster adventure.

 

Published in May 2010 by Harper Voyager, this is another effective and dramatic cover featuring young Nicodemus, the young wizard who cannot accurately spell the… spells he is casting. I have a soft spot for this one, although it doesn’t surpass the first cover for beauty or drama.

 

Produced in September 2010 by Prószyński Media, this dramatic Polish cover is giving us a very dramatic rendition of the antagonist who is plotting to control young Nicodemus. However, I am concerned that prospective readers might get a completely different idea about this book – while there is plenty of action in Spellwright, it isn’t particularly gory or horrific.

 

This Spanish offering, published in November 2011 by Versátil Ediciones is yet another eye-catching and attractive cover. But I think this one is even more liable to confuse the reader as to the genre of this book – with those letters and the vivid green starburst, I think this one could be mistaken as a biological disaster adventure story. What do you think and which is your favourite?

Friday Faceoff – Lucy in the sky with diamonds…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a psychedelic cover, so I’ve gone with Life of Pi by Yann Martel. To be honest, I’m not sure if these covers are particularly psychedelic – but I love the swirling patterns, so went for them anyway.

 

This cover, produced by Penguin Random House in 2011, is my favourite. I just love the clever use of pattern with the dark blue and black swirls – and it wasn’t until I looked a bit more closely, I realised the detail of the boy represented the tiger’s eye. I am also delighted the publisher chose not to smother the clever, classy design with a load of blurb.

 

This French edition was produced by Gallimard Education in November 2009. I would like the swirling tiger stripes far more if there wasn’t that great big ugly blue block bang in the middle of the cover sporting a very boring font for both title and author. That blue strip is at least twice the size necessary and I’m trying hard to think of any reason why anyone would think it is anything other than scabrous blot on an otherwise attractive design.

 

Published in May 2003 by Canongate Books, this is one of the most popular cover designs for the book and rightly so. You might not think that is a big deal, but there are dozens of different covers for this book – I was spoilt for choice. I happen to like this one very much. Not only is it eye-catching and attractive, it very deftly sums up the plight of the main character in a startlingly effective way.

 

Produced in November 2012 by Canongate, I’m guessing this is the cover of the film. That said, it is both striking and attractive while managing to keep spurious details about the film to the bare minimum. If there weren’t other such strong contenders, this one would be in the running.

 

This offering, published in May 2004 by Mariner Books/Harvest Books, is another lovely cover with that fabulous sky and seascape featuring the boat. I very much like the subtle detailing around the edge and again, I appreciate the economy of the title and author fronts. All in all, while I may not have hit the brief with sufficient psychedelia, I think this week I have a series of rather lovely covers. Which is your favourite?

Friday Faceoff – If music be the food of love, play on

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a musical instrument, so I’ve selected a real gem – The Future Falls – Book 3 of The Enchantment Emporium series by Tanya Huff.

 

This cover, produced by Titan Books in November 2014 seems to be the default cover. I like it well enough – it’s classy with the gold on red. But it gives little hint of the naughty, sharp-edged fantasy story that lurks behind those thick red curtains…

 

This edition was produced by Daw in November 2014 and I far prefer it as it gives an idea of the story. Both the dragon and the musician feature heavily in the adventure and I think particularly like the fact we get to see only bits of the dragon – but what we do see lets us know that he is magnificent. There are only the two choices this week – which one is your favourite?

ANNDDD…

La libreria di Beppe is featuring Dying for Space as part of the blog tour

Friday Faceoff – In the bleak midwinter…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a snowscape, so I’ve chosen Snow Child by Eowyn Ivey.

 

This is the cover produced by Reagan Arthur Books in February 2012 and frankly, I don’t know what they were thinking. It is pretty enough – indeed, looks appropriate for a cute childen’s tale. But this book is nothing of the sort – it is a wonderful portrait of survival in a hostile environment, of despair and gritted determination and a miracle. Or is it? So this cover is completely inappropriate.

 

This edition, produced by Headline Review in February 2012 is more like it. I love the simplicity of the deep blue with the outline of the girl and the fox in white. It is eye-catching and gives a far better sense of the book. While it isn’t my favourite, it is certainly a huge improvement on the previous effort.

 

Published in July 2012 by Polirom, this Romanian cover is an unfortunate throwback to the first cover. It looks far too juvenile for this remarkable book which covers very adult themes, even if the prose is at times ethereally beautiful.

 

Thank goodness this cover, produced in September 2014 by Tinder Press, is a much better effort. The snowscape is still beautiful. I love the looping font the footsteps leading away from it towards the smudge in the trees that may or may not be the child. Lovely and entirely in keeping with the content.

 

However my favourite is this Serbian edition by Laguna, published in January 2013. I love the cool blue of the cover and the delicacy and detail of the frosting around the edge of the cover – how beautiful! And it isn’t the snow child portrayed on the cover, it is the heavier figure of the woman, searching for her… As you may have gathered, I’ve become a tad overwrought about these covers – but which is your favourite?

Friday Faceoff – Snap!

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a mirror image or reflection, so I’ve chosen The Dark Mirror – Book 1 of The Bridei Chronicles by Juliet Marillier.

 

This cover, produced by Tor Books in June 2006, is my least favourite. While the hint of a reflection and the gnarled tree behind the seated girl does give a sense of the otherworldly tone that pervades this outstanding historical fantasy series, it doesn’t do it justice. I also think the lettering is clunky and unsuited to the genre and content.

 

This edition was produced by Tor books in March 2006 and is far more appropriate. The lone tree, reflected in the water in a wild landscape beautifully evokes the mood of the book and would immediately have me wanting to pick it up. This one is my favourite.

 

Published in 2007 by Bertrand Editora, this Portuguese edition has also manages to capture the magical sense of the book, though I’m not quite sure what that fraying piece of lace at the top is all about… But those brooding trees reflected in the lake are very effective.

 

This Australian edition, published in November 2007 by Pan Australia, is also effective and haunting. I particularly like the title font, which fits the period without being too fussy or taking away from that stunning landscape – this is a very close second for me. Which is your favourite?

Friday Faceoff – Zip it, lock it and throw away the key

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is keys, so I’ve chosen Keeper of the Keys – Book 2 of The Cycle of Fire series by Janny Wurts.

 

This cover, produced by Grafton in 1990 is really eye-catching with the limited colour palette of blues. The glowing key illuminating the face from below gives an otherworld, ethereal cast to the character and while I don’t much like chatter on the front cover – at least the endorsement isn’t too intrusive. This is my favourite.

 

This edition was produced by Ace in August 1988 and is far more dramatic. The protagonist is clearly in a desperate situation. I really like the unfolding drama with the sinister figure looming over the hapless lad. My problem with this cover is that the beautifully painted eagle somehow gets lost amongst the large golden lettering. Why on earth didn’t they choose another colour for the title font?

 

Published in October 1995 by HarperPrism, this is another beautiful detailed, action-packed cover. This time, the protagonist (he does get about, doesn’t he?) is hanging off the hull of a boat, moodily clutching the key around his neck as he gazes out across the seascape. I also thoroughly enjoy this one – but the eerily lit face just edges it. Which one is your favourite?

My 1,500th post… Friday Faceoff – Much as I love you, I cannot permit you to maul this particular coat…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is the Regency era, so I’ve chosen Frederica by Georgette Heyer.

 

This is the cover produced by Arrow in August 1992. It is a charming cover with a strong period feel with also an appropriate font, while it isn’t my favourite cover I do like it very much.

 

This edition was produced by Sourcebooks Casablanca in January 2009. This is another eye-catching cover. I like the sense of movement and the colours. But the pink band through the cover is simply awful. It sticks out like a… pink band and jars with the rest of the cover design and mood.

 

Published in February 2011 by Cornerstone Digital, I love this one. The cover design is simple yet striking and the black and green against the black is both attractive and distinctive. The period feel is successful evoked by the chandelier and the dresses of the girls. This is my favourite.

 

Produced in 1965 by The Bodley Head, this is the original hardback edition. Again, I think this is a charming, effective cover that relates directly to the content. The only grumble I have is that rather ugly black text box, but at least it is reasonably small and the font is attractive.

 

This edition, published in December 1973, is the one I managed to pick up secondhand a lifetime ago when I already knew I enjoyed reading Heyer’s books as light relief from my schoolwork. I still think it’s a good cover and love the golden glow that bathes the scene and is a close contender. Which is your favourite?

And today’s post happens to be my 1,500th. Thank you everyone, who has taken the time to read, like or comment any of my posts. It has been a joy to meet up with so many lovely folks from around the world – I find it miraculous that I can chat about my favourite books with someone from the US. Happy blogging!

Friday Faceoff – These mist covered mountains…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is couples, so I’ve chosen Brothers in Arms – Book 5 of the Miles Vorkosigan series by Lois McMaster Bujold.

 

This is the cover produced by Baen Book in November 2001. I like the pulp feel that is Baen’s trademark and I think this is one of their best offerings. The figures reclining in the middle of the cover relate directly to the content inside, as does the disembodied faces. I also really like the title font and the manner in which the author’s name is also featured – nifty and elegantly done. If I could change anything, I’d do away with the chatter, but you can’t have everything.

 

And this is what Baen came up with in January 2008. Oh dear. What a sad, lacklustre affair when compared with the quirky excellence of seven years earlier… The figures are poorly detailed and that polka-dotted background doesn’t even convince as a starscape!

 

This is more like it! Published in January 2007 by Blackstone Audiobooks, I really like the detail of the cockpit here, with the reflection of the pilot looking out towards the approaching planet. This gives the sense of the action and drama that this book brims with in an attractive, evocative setting. This is my favourite.

 

Produced in October 1996 by Wilhelm Heyne Verlag, this German edition is very simple. The cover is clearly a play on the title and a reference to Miles’ two identities. It is very simple and the rather washed-out skyscape gives a sense of the genre, but is surprisingly effective. I’d certainly pick it up to have another look, although I don’t like the depiction of Miles – I think he looks cruel.

 

This edition, published in August 2008 by Nesta Press, once more gives us a slice of the action. I like the artwork and the drama, while the blues and greys work well to draw the eye and encourage me to take another look. Again, this is a deliberate attempt to hark back to the pulp editions of early science fiction novels and successfully informs the browsing reader of the genre. Which is your favourite?

 

ANNDDD…

 

Steph at Earthian Hivemind interviews me about my writing and my debut novel…