Tag Archives: Friday Face-off

Friday Faceoff – Airplane travel is nature’s way of making you look like your passport photo

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is planes, so I’ve chosen Nevil Shute’s thriller No Highway.

 

This cover, produced by Vintage Classics in September 2009, is cool and retro. However, there’s such a thing as being too restrained and tasteful – could the title be less obtrusive? While it’s attractive, it isn’t eye-catching enough.

 

This paperback edition, produced in 1963 by Pan is more effective in depicting the tension that thrums through this novel. The fear on the man’s face is evident, even if this cover is clearly dated and of its time.

 

Published by Ace, this is another older cover full of drama and darkness. The crashed plane, the dark landscape and the chevron-shaped title and author name is attention-grabbing and links directly to the book’s content. This one is my favourite, despite its evident age.

 

This cover, produced by Ballantine, is another one full of drama with the plane evidently losing height and a mountain in the background looming menacingly. The prominence of the author’s name indicates that it was produced at the height of his popularity.

 

This Kindle edition, produced by Lion Books in May 2014 is another innocuous, well behaved effort that shows us a cloudscape from a plane seat. It is another cover that isn’t bothering to reach out to customers – a shame, really as it is a book that deserves to be read, like all his books. Which is your favourite?

Friday Faceoff – Don’t leave me hanging on the telephone…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is phones, so I’ve chosen Stephen Booth’s police procedural crime series Scared to Live – Book 7 of the Cooper and Fry series – see my review here.

 

This cover, produced by Harper in Feburary 2009, is really effective. I love this one – the classic telephone box silhouetted against the reddish clouds in the open Derbyshire countryside. I think the fonts have also been very well handled on this cover.

 

This Kindle edition, produced by April 2014 by Witness Impulse, is another very effective cover. The red-hued lane featuring the stone cottages that are popular Derbyshire give this cover a solid sense of place and menace.

 

Published by Bantam in May 2009, this cover is also eye-catching with a particularly arresting title font glowing out of the dark car park facing the inevitable village pub. However, I think it is ruined by that clunky blue block along the bottom that intrudes with information more appropriate on the back.

 

This is the cover that features on the book I own – and was published by Harper Collins in June 2011. Perhaps this is unduly influencing me, but this is my favourite. I love the bleakness and the quirky font. Which one do you like best?

Friday Faceoff – It’s better to be a lion for a day than a sheep all your life…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is lions, so I’ve chosen an alien approximation to this subject by going for The Pride of Chanur by C.J. Cherryh.

 

This cover, produced by Daw in January 1982, shows a bunch of lion-like aliens. Unlike many covers of the time, it doesn’t have the ugly, intrusive banding to display the title and author. This is my favourite – it certainly has carried its age a lot better than many covers from that era.

 

This edition, produced by Phantasia Press in April 1987, is far less cosy. The backdrop is effective in establishing this as a science fiction novel, while the Chanur don’t look at all friendly. Eye-catching and dramatic, I really like this one.

 

Published by Mandarin in June 1989, this cover is also arresting and attractive. I love the detail in the backdrop and the fact that the leonine alien is looking off to the side, clearly hearing or seeing something of interest. However, we do have that ugly block at the top crunching through the artwork, carrying the title and author in an attempt to look cool and space-like, but actually simply looks awkward.

 

This Czech publication, produced in 1994 by Návrat, again has an interesting backdrop and attractive font and titling – but I do have a problem with that sultry-looking lion face simpering at me. It certainly looks oddly alien, but not in a good way…

 

This Croatian edition, published in May 2014 by Algoritam, is certainly more modern with a pleasingly streamlined title and author font. However, I get the sense that someone has simply grafted a lot of appropriate-looking images onto the rather lovely backdrop, giving it a rather generic, bland look – which whatever you say about the previous offerings, they certainly aren’t that. So which is your favourite?

Friday Faceoff – Oh, I do like to be beside the seaside…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is the beach, so I’ve chosen Neville Shute’s famous apocalyptic novel On the Beach.

 

This cover, produced by Vintage Classics in September 2009 isn’t the best of covers – the design is rather art deco and given this book was set in the near future – 1968 – it hasn’t the right period feel. The cool, calm colours are also rather too placid and cheerful for such a grim, shocking book. However, it is attractive and eye-catching, which is a big plus for a book cover.

 

This cover, produced in August 1975 by Ballantine, is much better matched to the subject matter. The red and black cover very effectively conveys the sense of threat and I like the seascape – so often an image of continuity and comfort – as a backdrop. This is my favourite cover.

 

This rather battered offering is the cover published in February 1960 by Signet and refers to the film of the book. I find the idea of the girl standing on the beach, staring at the mushroom cloud blooming over the sea somewhat unrealistic, but at least it directly relates to the subject matter.

 

This Kindle edition, produced in February 2016, is effective. The dark colours and violent explosion is eye-catching. I also like the font styling which gives a nod to the period, while avoiding those solid boxes of black that used to surround titles back when the book was first published.

 

This is another Kindle edition, published in September 2015, which uses the original cover when the book was published back in 1957. While I think it is both eye-catching and attractive, it isn’t anything like grim enough. That said, the book was regarded as very shocking when it first came out and I think Ballantine, rightly, didn’t want to put off readers by confronting them with something that looked too forbidding. There are a lot more covers out there – but these, in my opinion, were the pick of the crop. Which do you like best?

Friday Faceoff – Burning my bridges…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is bridges, I’ve chosen The Bridge by Janine Ellen Young.

 

This cover, produced by Aspect in September 2000 is rather gloomy, with its sepia tones and rather hefty medieval styling – which is odd, given this is supposed to be a bridge through space. Frankly, I think this one is underwhelming – even the font is boring. And it’s a real shame, because the book isn’t anything of the sort.

 

This UK edition, produced by the now defunct Earthlight, has a far better cover in every way. The bridge is a wonderful construction that also closely resembles our DNA, which is a clever double reference to the plague that sweeps through humanity in this apocalyptic science fiction adventure. Even the font pops and fizzles. Needless to say, this one is my favourite. What about you – which one do you like?

Friday Faceoff – Happy Easter!

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is Easter, so I’ve chosen The Pinhoe Egg by Diana Wynne Jones.

 

This cover, produced by HarperCollins Children’s Books in April 2007 is a delight. It is stylish and quirky with an attractive colour palette and filled with images directly attributable to the book. As for the font – I think it is wonderful. Diana Wynne Jones wrote books unlike any other and this twirling font manages to evoke the sheer difference of her writing. A wonderful effort and my favourite by a whisker.

 

 

This Finnish edition, produced by WSOY in May 2011 is another beautiful design that runs the above offering a very, very close second. It is so cleverly done, with all sorts of allusions to the magical story popping up around the main font and a lovely ethereal landscape as the background. These are both two outstanding covers and do full justice to the book, in my opinion.

 

 

This cover, once again, is closely aligned to the book and its content – the main protagonists feature right in the forefront and the artwork is well done. The egg looks amazing and I don’t think you could look at this book and have any doubt that it is a fantasy story about a magical egg. The cover design is also very well balanced – the main reason why this one isn’t my favourite is because I envisaged Chrestomanci looking just a little less saturnine and a little more kind, which is an entirely personal reaction.

 

This is the cover design, produced by Harper Collins in 2006, that features on the book we own. Again, it’s a solidly good design – featuring Diana Wynne Jones name so prominently is a good marketing ploy as catching sight of that had me swooping down on this one from across the bookshop and plucking it off the shelves. But while it is far simpler than the other offerings, it still makes it quite clear this is a book featuring a magical egg.

All these eggy covers are well designed, with thought and care for the book’s genre and all are attractive, but which is your favourite?

Friday Faceoff – Send in the clowns…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is circus, so I’ve chosen The Museum of Extraordinary Things by Alice Hoffman.

 

This is the offering produced by Scribner February 2014. It is eye-catching and disturbing – the luminous image of a mermaid bounces out of the black border and accurately captures the mood of the book. That said, I probably wouldn’t have picked this one up if it had been wearing this cover, as it looks too creepy.

 

This cover was produced by Scribner for the paperback edition in September 2014. The beautiful girl off-centre with the scarf around her head looks vulnerable and the muted colour palette gives it a sense of menace. This is a lovely cover and, again, does reflect the mood of the book.

 

I’m intrigued to see that this far more circus-oriented cover is also produced by Scribner in April 2014. I love this one – it is eye-catching and colourful. But with the reflections in the dark water, there is also a sense that there is something darker behind the bright, pretty lights. This is my favourite cover – I love the detail and in particular, the way the title has been threaded through the artwork.

 

This is the cover design, produced by Simon & Schuster in March 2015, that tempted me to pluck this book off the shelves and read it. I was attracted by the title and the carnival feel that nevertheless felt slightly off… and the fact I thought it was very pretty.

 

This Hungarian edition, produced in June 2015 by Maxim, has gone for the horror vibe. And I think it has done it very well. That said, while there are genuinely shocking elements in this book, it isn’t horror or particularly scary so while I think the cover is a lovely, disturbing piece of artwork, it isn’t an accurate reflection of the book. I’m guessing there were a number of really annoyed Hungarian readers who picked this offering up thinking they were in for a fear-fest they didn’t get.

What about you – which is your favourite cover?

Friday Faceoff – Without gambling, I would not exist…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is casinos and gambling, so I’ve chosen Player of Games – Book 2 of the Culture series by Iain M. Banks.

 

This is the offering produced by HarperPrism in February 1997. I really like the warm tones and the chequerboard effect with the detailed games. Unfortunately it is ruined by that block of black plonked right in the middle of the artwork that seems to have been the fashion for books of the time and now looks ugly and amateurish.

 

At least this doesn’t have the block of blugh, but that is all that can be said for this rather dreary generic offering produced in August 2008 by Orbit. The cold colours and blurry male figure does nothing to depict the vibrant Culture world crafted by Banks – and frankly this wonderful, genre-changing series deserves better.

 

This cover design produced in 1989 by Orbit is my favourite – perhaps influenced by the fact it is the cover of the book we owned and loved. I love the splashes of vivid pink, the clean font and the cool dude featured in amongst those intriguing playing pieces. This quirky cover manages to accurately reflect the tone of this wonderful book.

 

This offering is another intriguing effort, produced in August 1988 by Macmillan. I like the arresting image of the two players completely engrossed in the game – my gripe with it is the styling of the figures. This book is set in the far future and while post-humanity riffs with the past, using clothing and design we all equate with the distant past doesn’t reflect the flavour of this coolly futuristic story.

 

This Hungarian offering is another lacklustre affair, produced by Agave Könyvek in 2003, with a generic background and some blurred chess pieces in the foreground. All in all, I think poor Iain Banks was ill served by most of these efforts…

Which one is your favourite?

Friday Faceoff – Seems like, street lights, glowin’…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is street light covers, so I’ve chosen The Cuckoo’s Calling – Book 1 of the Cormoran Strike series by Robert Galbraith aka J.K. Rowling – see my review here.

 

This offering, produced by Mulholland Books in April 2013, is an interesting one – giving us the back of a young starlet who is facing a barrage of press photographer flashlights. What spoils it for me is the white colour of the font against the white lights which makes it difficult to pick out the title. I do like the fact it is uncluttered.

 

This is the definitive cover for the book, produced in April 2013 by Sphere, and is the scene depicting Cormoran leaning into the wind under a street lamp – he looks utterly alone. This is my favourite. I love the street railings and the chilly turquoise sky that give it a sense of melancholy and threat – so much classier than many of the modern covers with weapons dripping blood… The title font is also nicely done – clear and easily readable without slashing through the artwork.

 

This cover design produced in June 2014 by Salani does what many Italian covers do so well – take the overriding theme of the original successful cover and then makes it their own. For me, this runs the original a very, very close second. I love the muted colours, the sense of solitude and the Thames running alongside the walkway with Westminster arising from the mist in the background.

 

This offering is another Italian effort, produced in July 2014 by La Biblioteca di Repubblica, which has gone for an art decco version of the previous cover. The pity of it is that this interesting design is only a small strip in the centre of the cover. While the large chunks of black bordering the scene certainly give it a sombre mood, they are also boring.

 

What a difference a shift in the coloration can make – giving that cold turquoise a reddish tint certainly warms the cover up. This is the Catalan edition, produced by Proa in November 2014 and I’m guessing they decided the initial colour palette wouldn’t appeal to their book-buying public.

Which one is your favourite?

Friday Faceoff – I know why the caged bird sings…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is bird covers, so I’ve chosen The Lies of Locke Lamora – Book 1 of the Gentleman Bastard Sequence by Scott Lynch.

 

This is the offering produced by Bantam Spectra in July 2006 is an evocation of a setting like St Mark’s Square in Venice, complete with the pigeons. The clean two-tone design and spare use of colour really works well. I also really like the flourishes on the title font and author name, although I could do without George R.R. Martin’s recommendation crawling across the artwork – I prefer such chatter on the back cover.

 

This cover, also produced by Bantam Spectra in June 2007 is far more lush with a gorgeous use of colour and giving us a representation of our young thief and his imagining how he will scale the high tower as he sits surveying the skyline. This design has even managed to tidy up Martin’s blurb, while keeping the attractive title font.

 

This cover design produced in February 2007 by Gollancz is once more in a Venetian-type setting, though there are clear differences. The buildings are piled far higher and there is a more chaotic atmosphere. The dark green water gives a sense of danger and I think the title font works really well against the darker background. This is my favourite.

 

This effort was produced by Del Rey in June 2013 once more gives a sense of a crowded city where the buildings are all piled upon each other. The detailing in the artwork is far more masked by the title, author name and other blurb crashing through the image, which is a shame, as it is yet another beautiful and effective depiction of the book.

 

This is the audio CD edition produced by Tantor Media Inc in May 2009. While the building featured is rather crude and simplistic in comparison to some of the other covers, I do like the face superimposed in the sky and the placing of the title font and author name has been well thought out. Another effective, attractive effort.

Once again, I don’t think there is a wrong ‘un in amongst this selection, though the most successful is the third offering in my opinion. Which one is your favourite?