Tag Archives: Friday Face-off

Friday Faceoff – Groovy baby…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a retro cover, so I’ve gone with Spoonbenders by Daryl Gregory.

 

This cover, produced by Knopf in June 2017, is quirky and clearly harking back to another time with the silhouetted profiles of the main protagonists – the Telemachus family. I have mixed feelings about this. I like the clean look and the attractive font used for the title and author name, but I really don’t like the black silhouette pictures as this art form was particularly popular during the Victorian era, which I think is confusing, given we do not go back to Victorian times in this accomplished, memorable novel.

 

This edition was produced by riverrun in June 2017. I prefer this one to the first offering. The clunky TV with the smiling family has a real retro feel, along with that hard blue colour that I recall from my early childhood. The font and author name looks attractive and while I like the strapline along the bottom, I think it’s a shame they saw fit to cram that clutter in the top left of the cover.

 

Published in February 2018 by Eichborn, this German edition is the most effective cover in my opinion. That wonderful orange swirling wallpaper gives a lovely retro feel and I love the photos, particularly that of the mother who died before her time. It is her death that shatters the family. I love the sadness on her face – and that classic hairstyle. A clever, eye-catching cover that relates directly to the content, this is my favourite but which is yours?

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Friday Faceoff – My, what big teeth you have…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a cloaked figure, so I’ve gone with Spellwright by Blake Charlton.

 

This cover, produced by Tor Books in March 2010, is dramatic and beautiful with the young apprentice trying to cast a spell on the battlements of the college. I love the setting, with the stone carvings and the city off in the distance – there is a nice touch with two moons in the sky and for me, the finishing touch is that lovely title font. This is my favourite cover.

 

This edition was produced by Voyager in March 2011. I like this one – the ball of glowing letters against the green background is eye-catching and attractive. My main concern is that I’m not sure if it fully conveys a fantasy read about a dyslexic wizard – I think it might be for a science fiction genetic disaster adventure.

 

Published in May 2010 by Harper Voyager, this is another effective and dramatic cover featuring young Nicodemus, the young wizard who cannot accurately spell the… spells he is casting. I have a soft spot for this one, although it doesn’t surpass the first cover for beauty or drama.

 

Produced in September 2010 by Prószyński Media, this dramatic Polish cover is giving us a very dramatic rendition of the antagonist who is plotting to control young Nicodemus. However, I am concerned that prospective readers might get a completely different idea about this book – while there is plenty of action in Spellwright, it isn’t particularly gory or horrific.

 

This Spanish offering, published in November 2011 by Versátil Ediciones is yet another eye-catching and attractive cover. But I think this one is even more liable to confuse the reader as to the genre of this book – with those letters and the vivid green starburst, I think this one could be mistaken as a biological disaster adventure story. What do you think and which is your favourite?

Friday Faceoff – Lucy in the sky with diamonds…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is featuring a psychedelic cover, so I’ve gone with Life of Pi by Yann Martel. To be honest, I’m not sure if these covers are particularly psychedelic – but I love the swirling patterns, so went for them anyway.

 

This cover, produced by Penguin Random House in 2011, is my favourite. I just love the clever use of pattern with the dark blue and black swirls – and it wasn’t until I looked a bit more closely, I realised the detail of the boy represented the tiger’s eye. I am also delighted the publisher chose not to smother the clever, classy design with a load of blurb.

 

This French edition was produced by Gallimard Education in November 2009. I would like the swirling tiger stripes far more if there wasn’t that great big ugly blue block bang in the middle of the cover sporting a very boring font for both title and author. That blue strip is at least twice the size necessary and I’m trying hard to think of any reason why anyone would think it is anything other than scabrous blot on an otherwise attractive design.

 

Published in May 2003 by Canongate Books, this is one of the most popular cover designs for the book and rightly so. You might not think that is a big deal, but there are dozens of different covers for this book – I was spoilt for choice. I happen to like this one very much. Not only is it eye-catching and attractive, it very deftly sums up the plight of the main character in a startlingly effective way.

 

Produced in November 2012 by Canongate, I’m guessing this is the cover of the film. That said, it is both striking and attractive while managing to keep spurious details about the film to the bare minimum. If there weren’t other such strong contenders, this one would be in the running.

 

This offering, published in May 2004 by Mariner Books/Harvest Books, is another lovely cover with that fabulous sky and seascape featuring the boat. I very much like the subtle detailing around the edge and again, I appreciate the economy of the title and author fronts. All in all, while I may not have hit the brief with sufficient psychedelia, I think this week I have a series of rather lovely covers. Which is your favourite?

Friday Faceoff – The grass is always greener over the septic tank…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring grass, so I’ve gone with The Long Earth – Book 1 of The Long Earth series by Terry Pratchett and Stephen Baxter.

 

This cover, produced by HarperCollins in June 2012, is the version I read. As a result, I have a real soft spot for it. I love the worlds lined up in the sky, which give a strong sense of the content and the world depicted looks very unspoilt and free from mankind – until now, that is. My one grizzle is that the author names, along with the title do tend to sprawl across the image rather intrusively.

 

This French edition was produced by L’Atalante in June 2013. Again, sweeping grassland features, although this is a world where humanity has already got a foothold with tracks, fencing and an airship. Again, those other worlds are lined up in the sky. I like the fact that the title and author is clumped neatly in one corner, which gives a far better sense of the immensity of the landscape.

 

Published in April 2016 by Nemira, this Romanian cover is my favourite. I love the solitude of the figure on the outcrop, staring up at the other worlds lined up in the sky. As well as the lovely landscape, there is also that stunning spacescape – this one has it all, in my opinion.

 

Produced in 2013 by Prószyński i S-ka, this is another effective cover. While I prefer the figure just standing, a little stunned, in the previous cover, the running man in this one is also striking and once again, the sky full of different versions of Earth is beautiful. It is very close contender for the favourite.

 

This Turkish offering, published in February 2014 by İthaki Yayınları, is another lovely cover with those wide vistas and multi worlds, but what spoils this one is the writing sprawling across the whole image, which is the same peeve I have with that first cover. However, all in all, I think Terry and Stephen were very lucky to have such a lovely lot of different covers. Which is your favourite?

Friday Faceoff – It’s only words, and words are all I have…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring words, so I’ve gone with Room by Emma Donoghue.

 

This cover, produced by Little, Brown in September 2010, is very simple. Just the single word crayoned across the cover in different colours. But it is sufficiently different to make you stop and look twice – and when you know the protagonist is five years old, then it makes sense. I think it’s clever and eye-catching.

 

This edition was produced by Picador Classic in June 2015 as a Kindle edition, so I appreciate that this one needs to sing out as a thumbnail, but my problem with it is that the pale blue with the reflected sunlight gives a light, airy feel. And when you read Jack’s account – even the five year old is describing a cramped, cold and damp place without much light. However, that doesn’t prevent it being eye-catching and attractive.

 

Published in August 2010 by Picador, this cover is just boring. Especially as it ruins the simplicity by covering the blue backdrop with lots of blurb, clearly showing that not even the publishers felt the cover stood on its own merits. This is the one I really dislike.

 

Produced in 2012 by Picador 40, this black and white cover is very effective. I far prefer the image of the mines and stone walls surrounding the little shed to the pale blue of the other covers. I think the black and white is striking and would certainly grab my attention on the bookshelves. This one is my favourite.

 

This Picador offering, published in July 2010, has the small shed that features in the failed attempted above, but also has a blurred image of a small boy sitting on the floor. This addition makes all the difference, I think. There is something very poignant about it and turns the idea from something implied to the reality of imprisoning a child. Which is your favourite?

Friday Faceoff – Man is a knot into which relationships are tied…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a knot or knots, so I’ve selected Daughter of the Forest – Book 1 of the Sevenwaters series by Juliet Marillier.

 

This cover, produced by Tom Doherty Associates in February 2002, has a lovely Celtic feel about it – and the reason why I’ve selected it, is for the Celtic knot detail on the F. I really like this cover, as the cover content and overall feel aligns well with the beautifully told story. The only thing that spoils it is that ugly red text box running along the bottom.

 

This Portuguese edition was produced by Bertrand Editora 2002 has a similarly lyrical feel. The artwork is lovely and I particularly like the moody colour palatte of greens and blues, while the Celtic knotwork and the swan motif top and bottom is delightful. My only grumble about this one is the bright orange font, which is jarring. Despite that, this is the one I like best – although this week there aren’t any I dislike.

 

Published in 2001 by HarperCollins, this cover features a forest exactly as I’d envisaged the one within the book – dark and full of gnarled tree roots and tangled vegetation. It’s nice to have the brothers on the river bank, too. While I appreciate why we have the scene with the swans flying above the knotwork, I do think it gives the cover a rather odd appearance.

 

This HarperCollins edition, published in October 2015, is clearly going for a more modern feel with the plain black cover featuring the swan. It is certainly eye-catching, but if I didn’t know this wonderful book is the first in an awesome series, I don’t think I would pick it off the shelves.

 

This German edition, produced by Knaur in April 2011, is also lovely. The golden suffused light as the backdrop works really well and I like the fact that Sorcha is in the background, with the swans in the foreground swimming towards her. The only thing that isn’t quite right is her reflection. Which is your favourite?

Friday Faceoff – I must go down to the sea, again…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a scene under the sea, so this week I have selected Goddess of the Sea – Book 1 of The Goddess Summoning series by P.C. Cast.

 

This cover, produced by Berkley Sensation, was published in October 2003. This is a lovely design, with the murky image of the mermaid overlaid with the classy title font. It is the most straightforward of the covers, but I especially love the warm richness of the colouring.

 

This edition was produced by Berkley in October 2008. It is an interesting cover, with its green tint suggesting we are underwater, but there is no fish tail. Instead, the girl is wearing fishnet stockings, with a trident design shining on her shoulder and the suggestion of scales in the backdrop. I like the clever visual clues that the girl facing away from us is a mermaid. However, what lets down the cover for me is the drearily ordinary font which is at complete odds with the visual hide and seek going on.

 

Published in 2011 by Ediçoes Asa, this Portuguese edition suggests the girl is underwater. Again, there are a few visual games – the hair decorations that look like air bubbles. I like this one – the play of lighting across her face is beautiful.

 

This German edition, published by Fischer Taschenbuch Verlag in May 2012 is the worst effort, in my opinion. It looks as though the marketing intern has been let loose with Photoshop. The moody girl with the heavy, gothic makeup peers knowingly at us, looking as if she is setting off for a nightclub, rather than transforming into a mermaid. While the backdrop looks more like black flock wallpaper…

 

This Polish edition, produced by Książnica in June 2011, is the best cover in my opinion. The classic mermaid pose, leaning clear of the water, is given depth and interest by the play of light and scattered water droplets. The bodice, dripping with strings of pearls and in the process of falling from her body, adds movement and interest to the image. While I think the font is too large, at least an attempt has been made to soften it. Which one is your favourite?

Friday Faceoff – If music be the food of love, play on

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a musical instrument, so I’ve selected a real gem – The Future Falls – Book 3 of The Enchantment Emporium series by Tanya Huff.

 

This cover, produced by Titan Books in November 2014 seems to be the default cover. I like it well enough – it’s classy with the gold on red. But it gives little hint of the naughty, sharp-edged fantasy story that lurks behind those thick red curtains…

 

This edition was produced by Daw in November 2014 and I far prefer it as it gives an idea of the story. Both the dragon and the musician feature heavily in the adventure and I think particularly like the fact we get to see only bits of the dragon – but what we do see lets us know that he is magnificent. There are only the two choices this week – which one is your favourite?

ANNDDD…

La libreria di Beppe is featuring Dying for Space as part of the blog tour

Friday Faceoff – ‘Oh, we loves games! Doesn’t we, precious?’

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a puzzle or game, so I’ve selected Cards on the Table – Book 15 of the Hercule Poirot series by Agatha Christie.

 

This cover, produced by Berkley in July 2005 looks as though it’s been knocked up on Publisher for a primary school project. A generic card image is given an orange wash, while the ghastly block featuring the title and the author doesn’t even justify its existence by being easy to read.

 

This edition was produced by HarperCollins Publishers in 2001 and is a far better effort. The tower of collapsing cards gives a sense of movement and drama, with the pale blue background and white font that successfully creates a period feel. I like this cover – in fact it is my favourite by a long country mile.

 

Published in 2007 by Altın Kitaplar, this Turkish edition is another distressingly bad effort. The artwork is clumsy and obvious with the splashes of blood simply plonked over the image of the cards without any attempt to manipulate them to appear as if the cards have been spattered. Poor Agatha Christie!

 

This Romanian edition, published by RAO in November 2010 is another digitally generated cover. Although less dreadful than the previous two efforts thanks to the black background which is effective against the playing cards, it still feels amateurish.

 

This Arabic edition, produced by مكتبة جرير, is the best of the digital covers in my opinion. The wisp of cigar smoke against the black background produces an interesting effort and the grubby, twisted playing card gives a sense of wrongness that is evident in the HarperCollins collapsing card pyramid. Which is your favourite?

 

ANNDDD…

The Writer’s Inkwell has featured an article on General William Norman and an excerpt from Dying for Space.

ANNDDD…

The Genre Minx Book Reviews features another excerpt from Dying for Space.

Friday Faceoff – Hubble, Bubble, Toil and Trouble…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a potion or perfume bottle, so I’ve stretched the idea of a potion a little further and selected Strong Poison – Book 6 of the Lord Peter Wimsey series by Dorothy L. Sayers.

 

This cover, produced by HarperCollins Publishers in October 1987, is boring given the fabulous premise and what is at stake in this stunning book. Wimsey’s unexpected burst of passion for a desperate woman fighting for her life doesn’t remotely factor into this vanilla cover. There’s nothing innately wrong with it, other than its complete lack of excitement or connection with the gripping content.

 

This edition was produced by Open Road Media in July 2012 and looks as if it took all of 10 minutes using an off-the-shelf graphics program. This book deserves better.

 

Published in March 1995 by HarperTorch, this cover is deliberately harking back to the 1930s when this book first appeared. The large title font and relatively small area given over to the artwork may not be to my taste, but I can at least respect the care and attention that has gone into the drawing, which takes three crucial scenes from the book and illustrates them.

 

This HarperCollins offering, published in 1993, ticks all the boxes as far as I’m concerned. I love the punchy colours and strong art deco feel, along with the detailed depiction of the crucial medium scene in the book. This is my favourite – I even like the black edging, which is unusual for me. But this time around, it has the period styling and small details that turn it into part of the cover rather than a blank interruption of the artwork that so many of these solid blocks of colour and bordering tend to do.

 

Produced in October 2009, this pink and grey effort by Hodder & Stoughton will certainly draw the eye and is clearly designed to work as a thumbnail. The imagery is stark and crude in comparison to some of the earlier efforts and the colour garish, but I suppose it grabs the attention. However, it doesn’t do the book justice in my opinion. Which is your favourite?

ANNDDD…

Chuckles at Chuckles Book Cave is promoting both Running Out of Space and Dying for Space

ANNDDD…

Mello & June, It’s a Book Thang are featuring an except from Dying for Space