Tag Archives: Lynn’s Book Blog

Friday Faceoff – A very little key will open a very heavy door… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week to feature on any of our covers is a door. I’ve selected A Wind in the Door – Book 2 of The Quintet series by Madelaine L’Engle.

 

This Polish edition was produced by MAG in May 2018. The dark cover immediately stands out and I really like the depiction of the planets around the edge. While that image of the eyes and wings in the middle of the round door or window – I’m not sure which – is sufficiently odd and disturbing to stop me in my tracks. While the way the title and author fonts are incorporated into the main cover design is really slick and attractive.

 

This offering, published by Dell Laurel-Leaf in March 1976. It’s this creepy, shocking design that has been the inspiration for many of the subsequent covers and looking at it, I can see why. It’s well ahead of its time and hasn’t dated anything like as much as many 1970s covers I’ve seen. The green-tinged trees immediately evoke a sense of menace and when you add that freakish doorway with that many-winged, multi-eyed creature, it certainly make you take a closer look.

 

Published in May 2007 by Square Fish, this attractive cover is far less disturbing. At least at first glance… until you look at that flock flying in the sky and realise that the some of them aren’t necessarily all birds… Other than that, the landscape is beautiful, which lovely autumnal colours. If I have a grizzle it’s that the title and author fonts featured on the door are really boring, which is a shame.

 

This Commemorative Edition, published by Dell in 1997, is far darker. I like the way the author’s name runs along the side of the book, making a feature of her fame without impinging on the cover design. Those disturbing eyes feature again, along with a pair of wings emerging from what looks like a fire. The problem that I have with this one is there is nothing that ties all the images together in any kind of coherence, so I can’t make sense of it – a shame because it’s so nearly a good design.

 

This cover, published in 1973, by St. Martins Press is my favourite. I love the detail and oddness, which is also very beautiful. I am not quite sure what exactly is going on, but I definitely want to find out, whereas those eyes – while certainly getting my attention – repel rather than attract me, as I think they look horrific and I don’t do horror. There is certainly a wide range of covers for you to choose this week – so which is your favourite?

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Teaser Tuesday – 14th August, 2018 #Brainfluffbookblog #TeaserTuesday

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Teaser Tuesday is a weekly bookish meme, hosted by The Purple Booker.
Anyone can play along! Just do the following:
• Grab your current read
• Open to a random page
• Share two (2) “teaser” sentences from somewhere on that page
• BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
• Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

This is my choice of the day:

Foundryside – Book 1 of the Founders series by Robert Jackson Bennett
63% He glanced at her. “And if we pull this off—what happens to you, Estelle?”
She smiled weakly and shrugged. “Who knows? Maybe they’ll let me take charge. Maybe I’ll get a moment of freedom before they bring in another ruthless merchant to run things. Or maybe they’ll suspect me immediately, and execute me.”
Orso swallowed. “Please take care of yourself, Estelle.”
“Don’t worry, Orso. I always do.”

BLURB: The city of Tevanne runs on scrivings, industrialised magical inscriptions that make inanimate objects sentient; they power everything, from walls to wheels to weapons. Scrivings have brought enormous progress and enormous wealth – but only to the four merchant Houses who control them. Everyone else is a servant or slave, or they eke a precarious living in the hellhole called the Commons.

There’s not much in the way of work for an escaped slave like Sancia Grado, but she has an unnatural talent that makes her one of the best thieves in the city. When she’s offered a lucrative job to steal an ancient artefact from a heavily guarded warehouse, Sancia agrees, dreaming of leaving the Commons – but instead, she finds herself the target of a murderous conspiracy. Someone powerful in Tevanne wants the artefact, and Sancia dead – and whoever it is already wields power beyond imagining.

I am buddy-reading this one with Lynn of Lynn’s Book Blog. As you’ll appreciate from the blurb, the magic system in this interesting fantasy world is extremely complicated. I love the characters and the premise is excellent – but so far, the story has been punctuated by chunks of information about the magic dumped in the middle of the action in omniscient pov. I have found it rather jarring and am hoping that as the book progresses, this will lessen. Other than that, it’s a cracking read and I will be reviewing it in due course.

Friday Faceoff – Behind every mask there is a face, and behind that a story… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week the theme to feature on any of our covers is masks. I’ve selected The Masked City – Book 2 of The Invisible Library series by Genevieve Cogman. I loved this one – see my review here.

 

This edition was produced by Tor in December 2015. It is the default cover and is the one on the book I read. The maroon, leather effect is striking, especially with the details standing out so clearly in a white silhouette. Overall, this cover has a classy, period feel which nicely echoes the book. If I have a slight issue, it’s that it might be mistaken for a straight historical adventure, though perhaps the detailing of the dragons in the corner should dispel that impression.

 

This German edition, produced by Bastei Lübbe in August 2016, has chosen to depict the cover as an old map. The detail is lovely and the rather scuffed, battered effect to replicate ageing is a nice touch. However there are two issues with this version – it simply looks a drab mess in thumbnail size and once again, there is very little to guide the reader that this is actually a fantasy book.

 

Published in November 2017 by Omega, this Czech edition is also beautiful. The gold against the navy blue gives this cover a glorious, luxurious feel, harking back to the days when books were so exclusive and expensive, only the rich could afford to own them. I love the title font, which echoes this splendid opulence. However, the caveat I raised with some of the other offerings still stands – more so, as there isn’t a discrete dragon outline in a corner to give a prospective reader a clue that this is a fantasy adventure.

 

This Italian edition, published by Fanucci Editore in April 2018 is my favourite. I love that beautiful, eye-catching mask which sings out of the cover, giving this one extra focus and impact that I think is slightly missing from the more restrained efforts. If I have a niggle, it’s that the title font could be less boring.

 

This cover, published in February 2017 by Wheeler Publishing Large Print, is back to the sumptuous, old fashioned feel of most of the others. Though this time around, there are more clues for readers. While I generally dislike lots of chatter on covers, there isn’t any artwork to be obscured and the recommendation by N.K. Jemisin should provide a hint that we are dealing with a SFF book. Once again, the effect is elegant and eye-catching. Which is your favourite?

Friday Faceoff – Had I the heaven’s embroidered cloths… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week to feature on any of our covers is a starry sky. I’ve selected The Space Between the Stars by Anne Corlett – see my review here.

 

This edition was produced by Berkley in June 2017 and is my favourite. I think the starscape is absolutely beautiful and also suits the mood and content of the story. It also works really well as a thumbnail. If I had a quibble, it would be that I wish the title and author font had been given a bit more love and attention as they are rather boring.

 

Published in June 2017 by Pan Macmillan, this cover is eye-catching and reasonably attractive, though I don’t like it as much as the previous effort. However I do like the bright orange lettering, which works well against the backdrop. My main misgiving is that the book deals with the aftermath of a lethal virus and this cover looks a bit too cosy for the content.

 

This Italian edition, published by Leggereditore in June 2017, suffers from the same issue as the previous cover – it almost looks as though it could be a cover for a children’s book. And while this isn’t the gory type of post-apocalyptic story, the themes are only suitable for adults.

 

This edition, produced by Pan in March 2018 is an interesting example of what a difference an alternative colour scheme can make to the same design. I far prefer this version as I think both the orange lettering and the sky stands out more effectively. I also like the fact the woman is moving, rather than standing still.

 

This cover was published in November 2017 by Thorndike Press Large Print and is my least favourite. I’ve no quarrel with starscapes – in fact I’m a real sucker for them, but this is a particularly charmless effort with hardly any stars. It looks as though someone has knocked together this cover after browsing Shutterstock for all of ten minutes. Which one of these is your favourite?

Friday Faceoff – Here we are, trapped in the amber of the moment. There is no why… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week the theme to feature on any of our covers is steampunk. I’ve selected The Affinity Bridge – Book 1 of the Newbury and Hobbes series by George Mann, a cracking whodunit set in an alternate Victorian London…

 

This edition was produced by Snow Books in 2008 and is my favourite. I love all the detail and the bright colours. It’s beautiful, full of lovely little touches, like the London cityscape, the little steampunk flourishes and that fabulous airship, which is the template for nearly all the other versions of this book’s covers. While I’ll accept that it probably doesn’t stand out when in thumbnail, I’ll forgive that – who wouldn’t want to expand this cover into glorious full size to capture the full effect?

 

Published in April 2010 by Tor Books, this is another attractive, well-designed offering. The airship is now grungier and less shiny, though every bit as eye-catching. I love the border and the attention to detail, again. I just wish there was less chatter across the cover.

 

This edition, published by Titan Books in July 2015, is certainly bright. The airship is still there and this cover provides lots of detail, but in silhouette. I think the overall effect is successful and eye-catching and I’d probably love it more if I hadn’t already given my heart to the Snow Books effort.

 

This edition, produced by Piper in 2011, takes the original design and makes it their own. It is far more stripped back and I think it is extremely effective – I love the background colour and clever use of the clouds to provide a suitably dramatic backdrop for that magnificent airship. The border is also nicely handled and in thumbnail, this one really pops. This is my second favourite, mostly because I just love that colour…

 

This French cover, published in June 2011, takes a completely different approach. This is the foggy London where Jack the Ripper lurks along with other desperate villains and only the likes of Newbury and Hobbes can get justice done… We see the two protagonists featured on the cover. I do like this effort, though not as much as the others. What about you – which is your favourite?

Friday Faceoff – When icicles hang by the wall… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week featuring on any of our covers is ice and snow. I’ve selected The Ice Dragon by George R.R. Martin.

 

This edition was produced by Starscape Books in October 2017 has a great font and a lovely illustration of a dragon. So why they decided to squash that glorious artwork into a small box in the middle of the cover and surround it with a midnight blue block defeats me. What a shame.

 

Published in October 2014 by Tor Teen, this glorious cover doesn’t make such a fundamental mistake. A fabulous dragon, all ice and fury – it makes me shiver just looking at it. It is matched by that beautifully shaded font which perfectly captures the mood and content of the book, while also easy to read. This is my favourite cover today. In fact, this has to be right up there as one of my all-time favourite covers, along with that wonderful cover for Green Rider by Gollancz I discovered a few weeks ago…

 

This Spanish edition, published by Montena in October 2012, is another well crafted effort. The artwork makes this version more of a wyrm rather than the icicled, spiky creature of air and blizzard depicted on the previous Tor Teen cover. While I don’t like it as much, it is still a strong cover.

 

This German edition, produced by CBJ is another wonderful effort. I love the way we have the dragon in mid-wingbeat, so that the wingtips sweep across the top of the cover. And that wonderful font is also a joy. This week’s covers have set the bar very high!

 

This is another German cover published by CBJ in 2009. Again, the artwork and detail is beautiful with lovely shades of blue and the orange font is attractive and really pings against the icy artwork. The only thing against this one is that ugly gold blob in the middle, which rather spoils the effect. I’ll be fascinated to see what your favourite cover is this week – there are so many really strong contenders in this selection that I think it’s purely down to personal preference.

Friday Faceoff – There’s more of gravy than ghost about you… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week to feature on any of our covers is ghosts. I’ve selected The Ghost Brigades – Book 2 of the Old Man’s War series by John Scalzi.

 

This edition was produced by Tor Books in May 2007. ‘Spaceships, baby!’ has become the warcry for my marketing maven and I when designing a new cover for my space opera adventure series. But these ships are completely overwhelmed by the huge blocky title and author fonts and the chatter cluttering up the artwork. I don’t think this one works at all.

 

Published in June 2008 by Minotauro, I think this Spanish edition is really clumsy. I don’t like the stylised treatment – while those savage-looking space-warriors look suitably threatening, that green sky doesn’t sit well with me. While that horrible yellow blob as a background to the title font is completely unnecessary.

 

This Tor edition, published in November 2015, is a classic science fiction cover featuring a cool spaceship against a huge half-ruined world. The detail is lovely, yet there definitely a feeling of menace. I really like this version – it’s my favourite. Spaceships, baby!

 

This Romanian edition, produced by Nemira in February 2016, is all about the lethal space warrior. However, he does look disturbingly like the Borg in Star Trek. I don’t like the boring font and the chatter across the top of the cover, either.

 

This cover, published in November 2007 by Subterranean Press, is again featuring the genetically formulated soldiers. I don’t know how anyone without prior knowledge of the series would know this is military science fiction, instead of horror. And Scalzi’s name merges into the cover background, which completely vanishes when the cover is a thumbnail. Which is your favourite?

Friday Faceoff – Words empty as the wind are best left unsaid… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week to feature on any of our covers is the wind. I’ve selected Windwitch – Book 2 of The Witchlands series by Susan Dennard – see my review here.

 

This edition was produced by Tor Teen in January 2017. I love the autumn colours and the swirling cloak that gives a sense of movement and drama to this cover. That amazing sky full of lightning bolts and pouring rain also adds to the feeling of action in this accomplished and detailed cover. It is so nearly my favourite – but that font annoys me. Large and rather plain, it also manages to obscure details I’d like to be able to see.

 

Published in January 2017 by Tor, this cover is also featuring a cloaked figure in the middle of a windy forest, though I don’t like it quite as much as the previous one. However, this one has nailed that beautiful, eye-catching font, which nevertheless manages to avoid covering up any of the major artwork – unlike the previous cover.

 

This Romanian edition, published by Editura Nemira, in September 2017, is another beautiful cover featuring a cloaked figure in a forest. This time around, I particularly like the trails of magic wafting through the wind, which produces a rather attractive, surreal feel to this cover. That finely wrought cloak is particularly well done.

 

This Servian edition, produced by PUBLIK PRAKTIKUM in July 2018 is my favourite. This time we get to meet Merik face to face – and what a difference to see his angry determination. The storm around him is beautifully portrayed as something lethal. I particularly like the way that beautifully metallic font seems to be crafted by his sword. All in all, this is a delightful surprise. I had chosen this book because of my recollection of the Tor cover on the copy I had read – and assumed that would be my favourite. How wrong I was! Three of the covers depicted knocked that offering out of the court, even though it is a well crafted, attractive cover.

 

This cover, due to be published in October 2018 by Tor, is my least favourite. I don’t dislike it – indeed, it is a beautifully detailed cover with some lovely details, particularly that lovely swirling font. I also like the rich golden patina. But it simply doesn’t possess the drama and vitality of any of the storm-tossed figures striding through the forest in the middle of a self-induced tempest. Which is your favourite?

Friday Faceoff – Red is the ultimate cure for sadness… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. At present it is being nurtured by Lynn at Lynn’s Book Blog. This week the theme is a cover featuring red, so I’ve selected Red Rising – Book 1 of the Red Rising series by Pierce Brown.

 

This edition was produced by Del Rey in January 2014 and it is the most well known of all the covers – and with good reason as it is eye-catching and iconic. The extended red wing against a black background is very simple, but that doesn’t stop it being beautiful. The title font is a nice reflection of the story as it runs from the bottom to the top of the cover… I love this one.

 

Published in February 2015 by Сиела, this Bulgarian edition is also strikingly eye-catching. Instead of the wing, we have an image of the young rebel, Darrow, all set to rise from the life of slave-slogged drudgery he’d been born into. The image is clever as it also refers to part of the plot and I also like the way the title font fits nicely between the wings.

 

This Portuguese edition, published by Editorial Presença in March 2015, is another strong contender. I love the stylish, imaginative way the wings have been spun around and used as to depict the backdrop, while Darrow is poised at the nexus of the divided society. My one niggle is that there is too much chatter on the cover, spoiling what should be a clean, uncluttered cover to maximise the effect.

 

This Czech edition, produced by Triton in October 2016 is another beautiful effort. I love the addition of the yellow amongst the red – and the effect, which looks a wing, feather or a flame. I also like the chunkier, yellow title font which nicely pops against the red and the complete lack of unnecessary blather to detract from the effective artwork. This is my favourite.

 

This Polish cover was published in March 2014 by Drageus Publishing House and, in my opinion, is the least effective of all the covers. In contrast it comes across as muddled and overworked. It certainly doesn’t stand out as a thumbnail, so it’s fortunate that Red Rising was a worldwide best-seller and didn’t rely on this cover to lure readers to pick it up. Which is your favourite?

Friday Faceoff – Murder Most Foul… #Brainfluffbookblog #FridayFace-off

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer, at present this meme is being nurtured by Lynn at Lynn’s Book Blog. This week the theme is a cover featuring a murder scene, so I’ve selected A Cold Day for Murder – Book 1 of the Kate Shugak mysteries by Dana Stabenow, see my review here.

 

This edition was produced by Gere Donovan Press in December 2012 and it’s apparent from the design and emphasis on the author font and title, that this is already an established, successful series. That said, while I very much like the chilly landscape, I wonder if that ugly red blob announcing this is the first book in the series really has to be there.

 

 

Published in February 2011 by Poisoned Pen Press, this is my favourite. The snowscape is effectively bleak, while that pool of blood provides a real visual shock – so effective against the stark white snow. I also like the way the red is also introduced into the title font, mirroring the artwork. The overall effect is both eye-catching and eerie – just what you want with a murder mystery set in Alaska.

 

This edition, published by Gene Donovan Books in March 2011, is frankly a mess. Those ugly blocks top and bottom overlaying the artwork merely have me peering through them to try and work out what is going on underneath, thus ignoring the vital author and title font. And when I do focus on the narrow strip in the middle – it’s not even a coherent image. There is a bisected face of the protagonist chopped in half to make way for a vista of a snowy mountain landscape. It seems they are trying to cram onto the cover far too much without executing any of the elements with much thought or care.

 

This Italian edition, produced by Newton Compton in 2011, is certainly a lot better than the previous effort, but has evidently decided to play upon the popularity of the CSI franchise on TV. That would be a smart move if this book was a police procedural with a heavy emphasis on the forensic details of the crime – but it’s nothing of the sort. Instead it focuses on Kate Shugak, an Innuit ex-police officer struggling to cope after a traumatic incident left her professional career in tatters… As a result all that emphasis on CSI merely gives readers the wrong impression about this enjoyable, well-written whodunit. At least the image is suitably eye-catching and effective.

 

This edition, published in December 1998 by Book on Tapes Inc., is my second favourite. I love the simplicity of the cover, which nonetheless conveys the stark setting and Kate Shugak’s isolation really effectively. The font is well designed to be part of the overall artwork and as a result, looks stylishly classy and eye-catching. Which is your favourite?