Tag Archives: Lynn’s Book Blog

Friday Faceoff – The way to heaven is on horseback… #Brainfluffbookblog #Fridayfaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week features riders. I’ve selected Green Rider – Book 1 of the Green Rider series by Kristen Britain. I read this one longer ago than I care to recall, but thoroughly enjoyed it.

 

This edition was produced by DAW Books in April 2000. I love this cover – the wealth of detail with all the movement and drama of the galloping horse is beautiful. But I do dislike all that chat at the top which draws the eye away from the author name.

 

Published in April 2011 by Gollancz, this one is my favourite. Yes… I don’t think the horse has wings in the book, but to be honest – I don’t care. The illustration is absolutely stunning and just works. My one niggle is that the title and author fonts could be just a bit more decorative as they are unutterably dull.

 

This German edition, published by Heyne in December 2008, is attractive and eye-catching. And if you are wondering why there isn’t a scrap of green anywhere, the German title translates as The Magic Rider so it makes sense to have a striking red cover featuring a beautiful black stallion galloping through the middle of the cover. At last the font also is suitably dramatic.

 

This Turkish edition, produced by Kalipso Yayinlari is more about the young rider than the horse. When I saw the teeny-tiny version of this one, I confess that I sighed a little, but now it is larger, I like it more than I thought I would – though I’d prefer her to be wearing gauntlets and less eye makeup. But that sword hilt is gorgeous and I love the wonderful title font.

 

This Czech cover, published in 2012 is another strong contender. In fact, if it wasn’t for that amazing Gollancz offering, this would be my favourite. I love the fact that we are seeing the back of the rider and the horse, while that rich border gives it a suitably otherworld flavour. I love the golden light that effectively throws the rider and horse into relief, though I would personally have used a different colour other than yellow in the title font. What about you – which is your favourite?

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#Friday Faceoff – Clinging and invasive… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week is vines. I’ve selected Forest Mage – Book 2 of The Soldier’s Son trilogy by Robin Hobb. I thoroughly enjoyed this intriguing trilogy, which I think is underrated.

 

This edition was produced by Harper Voyager in August 2006. It’s the cover that best fits the brief and also depicts a really disturbing scene in the story. The artwork is beautiful with lots of detail – I’m not sure it looks the best as a thumbnail, but I really love it.

 

Published in November 2007 by Harper Voyager, again, this is another attractive, atmospheric offering though I don’t like it quite as much as the previous one. The burning forest provides some drama and there is plenty of beautiful detail. I’m not sure, however, if it screams ‘Buy Me!’ when placed alongside a host of other covers, as I do feel the title and author fonts are very dull.

 

This edition, published by Voyager in July 2007, is another beautifully crafted effort. The axe biting into the freshly cut tree stump aptly depicts the damage, while the title and author fonts are beautiful and suitably eye-catching.

 

This edition, produced by Voyager in 2006, is my favourite. I love the sheer scale and awesomeness of the vista. The red rock is vibrantly eye-catching as the design beckons us to examine the amazing landscape further, while the distant horseman nicely demonstrates the scale of the view. My only grizzle is that the title font could be less dull – while I’m aware Hobb’s name is what generally sells books, this one is left trailing in the dust in comparison to the care and attention that has been lavished on the author font.

 

This cover, published in 2008 by HarperVoyager, is my least favourite. In fact, it’s outright dreary in comparison to the other versions. I’m aware this look is part of a series brand – but this time around, I feel insufficient attention has been paid to the font. There could also have been some patterning around the border – but while I have really liked some of the covers produced in this series, this isn’t one of them. What about you – which is your favourite?

While my access to the internet is VERY limited (thank you Sky for your glacial response in replacing my storm-damaged router – a three-legged donkey could have delivered it faster…) I have been PROMISED that I will be back online within the next couple of days, when I will respond!

#Friday Faceoff – Just put one foot in front of the other – and keep going… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. It is currently being nurtured by Lynn at Lynn’s Book Blog. This week the theme is a cover featuring footsteps, so I’ve selected Feet of Clay – Book 19 of the Discworld series by Terry Pratchett.

 

This edition was produced by Corgi in May 1997. I love it. I love the brightness, the detail and the quirky oddness that encapsulates what Pratchett’s writing is all about. I’m also conscious that in the world where books are often sold in ebook form these days, it isn’t a cover that does well as a thumbnail. The main reason why this isn’t my favourite is that ugly blue box containing the title and author plonked right in the middle of that glorious artwork.

 

Published in February 2004 by Hartorch, this cover lacks the charm and bustling humour of the previous offering. However, I do like the footprints running up the side and the quirky title font – I just wish that blue wasn’t so drab or the head with glowing eyes didn’t look as if this is horror – Pratchett’s work can be thought provoking but isn’t remotely creepy.

 

This edition, published by Gollancz in June 2014 is another one that looks as if this book is in the horror genre. The dark figure with glowing red eyes and white swirls looks really threatening. I do like how they have handled the title and Pratchett’s name, however.

 

Produced by Turtleback Books in February 2004, this edition certainly gives a sense that this is a humorous novel. I love the bubbles, along with the footprints featured in the centre of the cover. The font is also quirky and offbeat, giving a clue about the genre. This is a better effort than the previous, gloomy offering, I feel.

 

This French cover – which hasn’t any other details on Goodreads – is my favourite. The characters draw on those marvellous Josh Kirby and Paul Kidby covers with some lovely detailed artwork that still looks effective when shrunk down to thumbnail size. The title and author fonts are also well handled. Which is your favourite?

Friday Faceoff – I’m freeeee… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog. This week the theme is a Freebie, where we choose our favourite cover, so I’ve selected Traitor to the Throne – Book 2 of the Rebel of the Sands series bys by Alwyn Hamilton. I loved the story – but I loved the covers even more…

 

This edition was produced by Viking in March 2017. It’s not my favourite, but it’s still a cracking cover. The female archer featured on the cover clearly means business – I like the fact she is shooting straight at us. But what lifts this is that stunning sky and the background with the flock of birds and the city in the distance.

 

Published in February 2017 by Faber and Faber, this is my favourite. I love the eye-catching pink, with that lovely Eastern fretwork acting as a window into this exotic, dangerous world. The distant cityscape is picked out beautifully and I love the night sky with the sickle moon which perfectly complements that wonderful title font. This cover actually made me tingle when I first saw it…

 

This Polish edition, published by Czwarta Strona in July 2017, is another gem. Those lovely swirling patterns and that wonderfully detailed desertscape featuring the silhouette of our plucky heroine and her horse is simply beautiful. For me, what slightly lets it down is the title font, which is rather ordinary by comparison.

 

This Spanish edition, produced by Destino in October 2017 is certainly a lot different to the other covers. Initially I disliked it – but apart from the figures which I still don’t like all that much, the rest of the lovely detail has really grown on me. There is a wealth of lovely detail in the artwork all over the book that has me repeatedly looking at it as every time I do, I see something more.

 

This Serbian cover, published in June 2017, is another attractive, eye-catching offering. The colours are lovely and though it lacks the detailed gorgeousness of the other efforts, the stylised, more simplistic approach has been very well done. It also works effectively as a thumbnail, which is an important consideration these days. So… which of these covers do you like best?

#Friday Faceoff – I was asleep when the dinosaurs roamed the earth… featuring #West of Eden #Brainfluffbookblog #Fridayface-off

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which we prefer. Lynn and Lynn’s Book Blog nurtures it at present. This week the theme is a cover featuring dinosaur, so I’ve selected West of Eden by Harry Harrison.

 

This cover produced by iBooks in June 2004 isn’t my favourite. I rather like the font, but the image looks like a still taken from Jurassic Park, rather than a specifically designed piece of artwork for a book. There is also far too much chat along the bottom of the book.

 

This edition was produced by Spectre in June 1985 and at least shows evidence of a cover having been designed with more thought. Though I really dislike those great blocks of brown that squeeze the image into a narrow strip so it’s difficult to make out exactly what is going on – which is a shame, because it looks quite interesting…

 

Published in July 1984 by Bantam, this is the first cover that I really like. We get a clear idea of what is going on. And I very much like the way the sun is gleaming through the title font, which is rather funky.

 

This edition, published by Panther Books Limited in July 1985, is my favourite. We get a clear idea that the dinosaurs featured are intelligent with some civilisation – part of the premise of this intriguing fantasy series. I love the warm colouring of the sky which gives us a sense of difference in this alternate history.

 

This Italian edition, produced by Nord in February 1989, provides another interaction between the fearsome lizards and the humans cowering in the forefront of the cover. You get a sense the dinosaur is talking to them, or is he about to eat them? I don’t like the chatter scattered across the artwork – or the border as I can’t see the point and it is particularly unappealing and drab. Which is your favourite?

Friday Faceoff – The grass is always greener over the septic tank…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring grass, so I’ve gone with The Long Earth – Book 1 of The Long Earth series by Terry Pratchett and Stephen Baxter.

 

This cover, produced by HarperCollins in June 2012, is the version I read. As a result, I have a real soft spot for it. I love the worlds lined up in the sky, which give a strong sense of the content and the world depicted looks very unspoilt and free from mankind – until now, that is. My one grizzle is that the author names, along with the title do tend to sprawl across the image rather intrusively.

 

This French edition was produced by L’Atalante in June 2013. Again, sweeping grassland features, although this is a world where humanity has already got a foothold with tracks, fencing and an airship. Again, those other worlds are lined up in the sky. I like the fact that the title and author is clumped neatly in one corner, which gives a far better sense of the immensity of the landscape.

 

Published in April 2016 by Nemira, this Romanian cover is my favourite. I love the solitude of the figure on the outcrop, staring up at the other worlds lined up in the sky. As well as the lovely landscape, there is also that stunning spacescape – this one has it all, in my opinion.

 

Produced in 2013 by Prószyński i S-ka, this is another effective cover. While I prefer the figure just standing, a little stunned, in the previous cover, the running man in this one is also striking and once again, the sky full of different versions of Earth is beautiful. It is very close contender for the favourite.

 

This Turkish offering, published in February 2014 by İthaki Yayınları, is another lovely cover with those wide vistas and multi worlds, but what spoils this one is the writing sprawling across the whole image, which is the same peeve I have with that first cover. However, all in all, I think Terry and Stephen were very lucky to have such a lovely lot of different covers. Which is your favourite?

Friday Faceoff – It’s only words, and words are all I have…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring words, so I’ve gone with Room by Emma Donoghue.

 

This cover, produced by Little, Brown in September 2010, is very simple. Just the single word crayoned across the cover in different colours. But it is sufficiently different to make you stop and look twice – and when you know the protagonist is five years old, then it makes sense. I think it’s clever and eye-catching.

 

This edition was produced by Picador Classic in June 2015 as a Kindle edition, so I appreciate that this one needs to sing out as a thumbnail, but my problem with it is that the pale blue with the reflected sunlight gives a light, airy feel. And when you read Jack’s account – even the five year old is describing a cramped, cold and damp place without much light. However, that doesn’t prevent it being eye-catching and attractive.

 

Published in August 2010 by Picador, this cover is just boring. Especially as it ruins the simplicity by covering the blue backdrop with lots of blurb, clearly showing that not even the publishers felt the cover stood on its own merits. This is the one I really dislike.

 

Produced in 2012 by Picador 40, this black and white cover is very effective. I far prefer the image of the mines and stone walls surrounding the little shed to the pale blue of the other covers. I think the black and white is striking and would certainly grab my attention on the bookshelves. This one is my favourite.

 

This Picador offering, published in July 2010, has the small shed that features in the failed attempted above, but also has a blurred image of a small boy sitting on the floor. This addition makes all the difference, I think. There is something very poignant about it and turns the idea from something implied to the reality of imprisoning a child. Which is your favourite?

Friday Faceoff – Man is a knot into which relationships are tied…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a knot or knots, so I’ve selected Daughter of the Forest – Book 1 of the Sevenwaters series by Juliet Marillier.

 

This cover, produced by Tom Doherty Associates in February 2002, has a lovely Celtic feel about it – and the reason why I’ve selected it, is for the Celtic knot detail on the F. I really like this cover, as the cover content and overall feel aligns well with the beautifully told story. The only thing that spoils it is that ugly red text box running along the bottom.

 

This Portuguese edition was produced by Bertrand Editora 2002 has a similarly lyrical feel. The artwork is lovely and I particularly like the moody colour palatte of greens and blues, while the Celtic knotwork and the swan motif top and bottom is delightful. My only grumble about this one is the bright orange font, which is jarring. Despite that, this is the one I like best – although this week there aren’t any I dislike.

 

Published in 2001 by HarperCollins, this cover features a forest exactly as I’d envisaged the one within the book – dark and full of gnarled tree roots and tangled vegetation. It’s nice to have the brothers on the river bank, too. While I appreciate why we have the scene with the swans flying above the knotwork, I do think it gives the cover a rather odd appearance.

 

This HarperCollins edition, published in October 2015, is clearly going for a more modern feel with the plain black cover featuring the swan. It is certainly eye-catching, but if I didn’t know this wonderful book is the first in an awesome series, I don’t think I would pick it off the shelves.

 

This German edition, produced by Knaur in April 2011, is also lovely. The golden suffused light as the backdrop works really well and I like the fact that Sorcha is in the background, with the swans in the foreground swimming towards her. The only thing that isn’t quite right is her reflection. Which is your favourite?

Friday Faceoff – I must go down to the sea, again…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a scene under the sea, so this week I have selected Goddess of the Sea – Book 1 of The Goddess Summoning series by P.C. Cast.

 

This cover, produced by Berkley Sensation, was published in October 2003. This is a lovely design, with the murky image of the mermaid overlaid with the classy title font. It is the most straightforward of the covers, but I especially love the warm richness of the colouring.

 

This edition was produced by Berkley in October 2008. It is an interesting cover, with its green tint suggesting we are underwater, but there is no fish tail. Instead, the girl is wearing fishnet stockings, with a trident design shining on her shoulder and the suggestion of scales in the backdrop. I like the clever visual clues that the girl facing away from us is a mermaid. However, what lets down the cover for me is the drearily ordinary font which is at complete odds with the visual hide and seek going on.

 

Published in 2011 by Ediçoes Asa, this Portuguese edition suggests the girl is underwater. Again, there are a few visual games – the hair decorations that look like air bubbles. I like this one – the play of lighting across her face is beautiful.

 

This German edition, published by Fischer Taschenbuch Verlag in May 2012 is the worst effort, in my opinion. It looks as though the marketing intern has been let loose with Photoshop. The moody girl with the heavy, gothic makeup peers knowingly at us, looking as if she is setting off for a nightclub, rather than transforming into a mermaid. While the backdrop looks more like black flock wallpaper…

 

This Polish edition, produced by Książnica in June 2011, is the best cover in my opinion. The classic mermaid pose, leaning clear of the water, is given depth and interest by the play of light and scattered water droplets. The bodice, dripping with strings of pearls and in the process of falling from her body, adds movement and interest to the image. While I think the font is too large, at least an attempt has been made to soften it. Which one is your favourite?

Friday Faceoff – If music be the food of love, play on

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a musical instrument, so I’ve selected a real gem – The Future Falls – Book 3 of The Enchantment Emporium series by Tanya Huff.

 

This cover, produced by Titan Books in November 2014 seems to be the default cover. I like it well enough – it’s classy with the gold on red. But it gives little hint of the naughty, sharp-edged fantasy story that lurks behind those thick red curtains…

 

This edition was produced by Daw in November 2014 and I far prefer it as it gives an idea of the story. Both the dragon and the musician feature heavily in the adventure and I think particularly like the fact we get to see only bits of the dragon – but what we do see lets us know that he is magnificent. There are only the two choices this week – which one is your favourite?

ANNDDD…

La libreria di Beppe is featuring Dying for Space as part of the blog tour