This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is something STRIPED – and I officially declare myself beaten. The only cover I found I didn’t like all that much, anyway. So I decided to play a WILD CARD that Lynn has suggested we use – and I’ve featured a book that I loved – The Stone Sky – Book 3 of The Broken Earth series by the mighty N.K. Jemisin.
This edition was produced by Orbit in August 2017. I love this cover and it’s my favourite. The intense colours are beautiful and the artwork otherworldly and haunting. Small wonder this cover is the default with only a few exceptions. I even like the rather ordinary font, which this time around works well. Of course, it could just be that I was so blown away by the intense reading experience I encountered when diving into this book that I’m somewhat biased.
Published in September 2018 by J’ai Lu, I really like this French edition. The intense blue of the sky, the great orb hanging in the sky below and those stones breaking the soil at odd angles give this cover eye appeal and correlate with the book’s story. What absolutely doesn’t work are those ugly white textboxes bisecting the artwork. The effect looks like two strips of paper with the typewritten information have been stuck across the covers – what a shame!
This Hungarian edition, published by Agave Könyvek in August 2018 has gone back to the colours of the default cover, but taken a less abstract approach. The result is a really cool, very attractive cover. If this had been the cover of my reading copy, I think I would have been more torn, because I think it is very effective. As it is, it comes a close second.
Produced by Subterranean Press in September 2018, this is also a very attractive, powerful offering. I like the way it features the two main protagonists – the mother and her lost daughter and having that beautiful triangular text box slicing them apart works really well. The other thing I love about this cover – Jemisin has clearly written these characters as black and I’m delighted the publishers have featured them as such.
This Chinese edition, published by 天地出版社 in March 2018 is another strong offering. I love the image of the skyscape where it looks as though you could actually step on those clouds in shades of an attractive tangerine. The downside for me is that black textbox slammed across the bottom of the cover, cutting off the rest of the artwork. There also seems to be a great deal of chatter across the cover – but as my understanding of Chinese isn’t worth a nocked nail, it may well be the explanation might be necessary to an audience unused to the genre, so I’ll give them a pass on that.
Which is your favourite?