Tag Archives: Tudor England

April 2020 Roundup – Reading, Writing and Blogging… #BrainfluffApril2020Roundup

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I’m conscious that I’ve never experienced a month like it in the whole of my life – and I’m not sure I ever will again… Or perhaps I will. Perhaps May and June will continue being in social isolation with lots of handwashing and staying at home. But what has kept my head straight is my love of reading and writing – thank goodness for both! I’ve also loved the wonderful sunny weather – it’s been a joy being able to sit in the garden and watch Spring springing… I’m conscious that I am very blessed. And given that none of us can guarantee if we will survive this, I’ve determined to be as thankful for every coming day as I can be. So despite everything, this has been a very precious April.

Reading
I read eighteen books in April, which isn’t quite as marvellous as it sounds, as one of those was a short story and another was a novella. This is the list:

The Book of Koli – Book 1 of the Rampart trilogy by M.R. Carey
The Last Emperox – Book 3 of the Interdependency series by John Scalzi
Shorefall – Book 2 of The Founders Trilogy by Robert Jackson Bennett
Scythe – Dimension Drift prequel NOVELLA #1 by Christina Bauer
The Silence of the Girls by Pat Barker. This is my EBOOK read of the month
Dead Eye – Book 1 of the Tiger’s Eye Mystery series by Alyssa Day
Arkadian Skies – Book 6 of the Fallen Empire series by Lindsay Buroker
Q by Christina Dalcher
The Hedgeway SHORT STORY by Vivienne Tuffnell
A Little Bit Witchy – Book 1 of the Riddler’s Edge series by A.A. Albright
The Dark Side of the Road – Book 1 of the Ishmael Jones series by Simon R. Green
Firewalkers by Adrian Tchaikovsky
The Mirror and the Light – Book 3 of the Thomas Cromwell series by Hilary Mantel. This is my AUDIOBOOK read of the month
The Case of the Man Who Died Laughing – Book 2 of the Vish Puri series by Tarquin Hall
The Palm Tree Messiah by Sarah Palmer – manuscript read
Witch Dust – Book 1 of the Witch series by Marilyn Messik
Girls of Paper and Fire – Book 1 of Girls of Paper and Fire series by Natasha Ngan
After Seth by Caron Garrod

Writing
I continued working on my Creative Writing How-To Book on Characterisation and I’m pleased with the progress, but I woke up on 11th April with an epiphany about some issues that had been niggling me with Mantivore Warrior – so I dropped my How-To book and immediately dived back into the manuscript to fix it. I’ve learnt from hard experience not to ever put those kinds of moments off – otherwise they pass and I forget!

I have also been working on another project that I’m hoping to be able to discuss in another couple of weeks. I don’t normally flit between so many different writing projects – but right now everything is extraordinary. So it makes sense that my writing patterns would suddenly go AWOL, too… Overall, I wrote just over 43,000 words in April, with just under 17,000 words on my blog and just under 25,500 words going towards my writing projects, which brings my yearly total to just under 180,000 words so far.

Blogging
I have found keeping up with my blog such a source of comfort and encouragement – I know social media can be responsible for some dark acts, but I happen to be fortunate enough to inhabit a really lovely corner, where I meet some of the nicest people on the planet. But that’s not a surprise, because they are readers, or writers, or both. I hope May is a good month for you and that you stay safe. Take care.xxx






Friday Faceoff – Feed your Faith and your fears will starve to death… #Brainfluffbookblog #FridayFaceoffreligiouscovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with RELIGIOUS ICONS/CHURCH OR TEMPLE. I’ve selected Dissolution – Book 1 of the Matthew Shardlake series by C.J. Sansom.

 

This edition was produced by Pan in 2004. While I like the idea and the overall design, I think the execution ultimately lets it down. For some reason, this cover looks very washed out. The font is the strongest aspect – that lovely olden-style font nicely pops against the darker background. However that chatter both detracts from the design by cluttering it up and is difficult to read, as it is white against a light background. Both visually annoying and unsuccessful, it really spoils this one for me.

 

Published in April 2004 by Penguin Books, I think this image of a praying monk is a great improvement. Ideally, I would have liked the image to be just a little less gloomy – Sansom’s Tudor thriller is full of vivid description and tension, while his protagonist pings off the page. This cover doesn’t give an inkling of that – other than that ghastly bright red sticker they’ve plonked onto the artwork, which is a dealbreaker for me…

 

This edition, published by Macmillan in June 2003 is the best effort so far. I prefer the lighter colour palette and find that scene of the monks processing through the hall pulls me into the scene. The ornate title works well and while I’m not thrilled about the chatter near the bottom of the cover, at least it isn’t too intrusive. This is a real contender – I so nearly went for this one…

 

This edition, produced by Penguin in 2004, has gone for the split design. This rarely works well in thumbnail and I don’t think this example is all that effective when full sized, either. It feels as if two designers couldn’t make up their minds as to which image to go for – so decided to add both. I find the top image annoying anyway. The monastery buildings were generally repurposed during and after the Dissolution and only ended up looking like that a great deal later – so it isn’t even historically accurate.

 

This Dutch edition, published by De Fontein in November 2011 is my favourite. I love the ruddy light reflected off the monastery wall – there is clearly a fire nearby. And that sounds all too plausible, judging by accounts of how the monasteries were looted once Cromwell’s men got to work. And in the foreground, an elderly monk is praying… Though I’m dismayed to see even the Dutch insist on plastering their covers with chatter that by rights should be on the back cover. Which is your favourite?