Last year, I read and thoroughly enjoyed Phil’s Ordshaw series – see my reviews of Under Ordshaw, Blue Angel and The Violent Fae – so when he contacted me and asked if I’d like the opportunity to read and review his latest book, I jumped at the chance.
BLURB: Reece’s gang of criminal jazz musicians have taken shelter in the wrong house. There’s a girl with red eyes bound to a chair. The locals call her a devil – but Reece sees a kid that needs protecting. He’s more right than he knows. Chased by a shadowy swordsman and an unnatural beast, the gang flee across the Deep South with the kid in tow. She won’t say where she’s from or who exactly her scary father is, but she’s got powers they can’t understand. How much will Reece risk to save her?
On the other side of the world, Agent Sean Tasker’s asking similar questions. With an entire village massacred and no trace of the killers, he’s convinced Duvcorp’s esoteric experiments are responsible. His only ally is an unstable female assassin, and their only lead is Ikiri – a black-site in the Congo, which no one leaves alive. How far is Tasker prepared to go for answers?
REVIEW: While this book is a spinoff from the Ordshaw series and set in the same world – it deals with a separate threat. So you don’t have to have read any of Phil’s previous books to enjoy this one. There are two main narrative threads – those of the Cutjaw gang, who encounter Zip while on the run from successfully pulling off a heist; and the exploits of Sean Tasker, who teams up with unhinged desperado Katryzna while trying to find answers to a series of horrible and mysterious killings taking place across the globe. While I enjoyed Phil’s Ordshaw series, this one impressed me with the sheer intensity and skill of the writing.
It starts with a bang and doesn’t let up. Normally action-led adventures tend to be a tad lighter on scene setting and characterisation, which is fair enough, given that a narrative that powers forward at full tilt simply cannot hang around for too much description or nuanced, complex characters. Not so in this case. Reece, Leigh-Anne and Zip ping off the page, full of personality. As for Sean and Katryzna – those of us who have had the pleasure of reading the Ordshaw series can see definite similarities between Katryzna and the psychotic fairy Lettie… Phil writes damaged characters with tenderness and passion so that folks whose behaviour would normally repel me, instead pull me in and make me care. It’s harder to achieve than Phil makes it look. The same dynamic applies to the scene setting – it was a pleasure to be taken across the US, or a certain village in Norway and then into the swamps of Louisiana and the jungle of the Congo.
But what really impressed me was the gothic slant that Phil gave to a mill in the heart of the English countryside. It should have been a quaint, cosy setting – and proved to be nothing of the sort. While this story isn’t full-on horror, it is definitely on the dark side of urban fantasy and once again, Williams gives it his particular spin. I’m delighted there is more to come with these characters – they get under the skin and won’t let go. Recommended for fans of high-octane, contemporary fantasy with strong characters and a swift-moving story.