Welcome to another helping of Covet the Covers. This week I’m featuring Nevil Shute’s books. Last week I featured A Town Like Alice on my Friday Face-off, which reminded me just how much I loved his books. I’ve gone for the older covers, though there are lots of options for each of these titles. I absolutely loved Requiem for Wren, which I cried buckets over, and In the Wet (published in 1953) which goes forward in time to 1983 – and had nightmares about On the Beach. But I loved all his books. What about you – have you read any of these and if so, which are your favourites? And which of these covers do you like best?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week I am electing to play my FREEBIE card, as today is the 75th Anniversary of V.E. Day. There were to be widespread celebrations throughout the country today – but we all know what happened to those plans… Nonetheless, I want to mark it by featuring a book by one of my all-time favourite authors – Requiem for a Wren by Nevil Shute. It broke my heart when I first read this book as a teenager, and it still holds a special place in my soul.
This offering was produced by Vintage Classics in September 2009. It has the advantage of at least being clear and with the styling, gives a flavour of the 1940s and as most of the action takes place in 1944, that is a plus. I also like the fact that her dog is featured on the cover. It isn’t my favourite, but it is at least a contender. There are some truly dreadful covers for this book, which I decided not to inflict upon you.
Published by William Morrow, this edition is listed under the US title The Breaking Wave. I’m guessing they changed the title, because it’s likely that Americans wouldn’t know that Wrens are the female branch of the Navy, though they didn’t get to serve on ships during combat alongside their male colleagues during WWII. This cover is my favourite. I love the styling and the artwork, which is spot on for the period – that duffle coat and hairstyle, for instance. And once again, we have Janet’s dog on the cover. This actually is taken from a scene in the book and is my favourite.
This edition, published in August 2010 by Vintage International, is a split cover, featuring a gun turret on a battleship (I think) in the upper half and a romantic moment between Janet and the love of her life, Bill, in the lower half. To be honest, I think this cover is a bit of a mess. I don’t know why the font had to be quite so large and blocky and blast across the artwork so intrusively – almost as if the designers are trying to cover it up.
This edition, published in June 2018 by Createspace, is a fairly typical self-published cover. It’s not dreadful, but it isn’t that brilliant either and that is clearly some random photo of the time, completely unrelated to the book. The font, in particular, lets it down as it all but disappears in thumbnail.
This edition, published by House of Stratus in July 2002, is another clumsy effort. I’m guessing in amongst the artful blurring and sparkles (goodness knows what that is supposed to represent) that Janet is in uniform and staring out to sea. I quite like the tones, but why on earth anyone thought it a good idea to use a wussy font like that to run right across the middle of the artwork, I can’t imagine. Needless to say, the title and Shute’s name are completely invisible in thumbnail. Has anyone else read this hauntingly beautiful book? And which cover is your favourite?