Can’t-Wait Wednesday is a weekly meme hosted at Wishful Endings, to spotlight and discuss the books we’re excited about that we have yet to read. Generally they’re books that have yet to be released. It’s based on Waiting on Wednesday, hosted by the fabulous Jill at Breaking the Spine.
This week’s Can’t-Wait offering – The First Binding – Book 1 of the Tales of Tremaine series by R.R. Virdi – release date – 18th August, 2022
#epic fantasy #myths and legends #magic
BLURB: All legends are born of truths. And just as much lies. These are mine. Judge me for what you will. But you will hear my story first.
I buried the village of Ampur under a mountain of ice and snow. Then I killed their god. I’ve stolen old magics and been cursed for it. I started a war with those that walked before mankind and lost the princess I loved, and wanted to save. I’ve called lightning and bound fire. I am legend. And I am a monster.
My name is Ari.
And this is the story of how I let loose the first evil.
This is described as The Name of the Wind meets The City of Brass – and given that I’m a huge fan of both books, I felt this one had to be on my TBR. Anyone else giving this one a whirl?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is SHAPESHIFTERS, so I’ve selected a book from a cracking series I very much enjoyed – World’s End – Book 1 of the Age of Misrule by Mark Chadbourn.
This edition was produced by Millennium in September 2000 – and it was this cover that prompted me to pick this one off the shelves. I love it. That glorious dragon suddenly appearing in the middle of the M4 in the path of a speeding car. The lighting… the rain reflecting the amazing image off the tarmac… a modern landscape in the background… the coruscating light flickering in the sky where the dragon has made his entrance… I think this is a masterful cover and it’s one of my all-time favourites.
Published in April 2010 by Pyr, this is another fabulous cover. If I hadn’t already given my heart to the dragon-themed cover above, this would certainly have been my favourite. The sheer threat and majesty of the magnificent being is so well depicted against the appalled figures silhouetted against that lurid green aura… I also love the title font, which works wonderfully well and holds its own with that amazing image.
On any other day, against normal covers, this effort would probably be my favourite. I love the image of the leaping dragon on this Polish edition, published by Wydawnictwo Dolnośląskie in May 2006. The sheer vicious anger on that dragon face snarling out at us is sufficient to snag my attention – and I also love the beautiful slice of the wing and the way the title is nested within the image – but not quite enough to make this one my favourite…
Produced in June 2011, this French edition has gone for a feeling of menace, with the encroaching darkness held back by the small bubble of light over Stonehenge – what a clever choice for a symbol of ancient Britain – and our group of plucky protagonists silhouetted against that light, with an ominous red moon rising… Very cleverly done and far more understated than the previous efforts. Sadly, I’m not a subtle soul and prefer the clamour and excitement of dragons – because they’re – well, DRAGONS, baby!
This German edition, published by Feder & Schwert in July 2011, takes an entirely different tack and is another excellent example. The fossilised remains of the dragon, all picked out in glorious shades of gold and yellow, draws the eye. I love the slight spatter of blood – as well as giving extra visual drama, it also provides unanswered questions for the prospective reader… The designer has also taken time to consider how to include the textual matter within the artwork, which is fabulously executed. Another one that was so very nearly my favourite – which one do you prefer?
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the theme this week featuring on any of our covers is the word LEGEND. I’ve selected Myths and Legends by Anthony Horowitz.
This edition was produced by Kingfisher in April 1994. I love the Medusan head glaring out at us, but that ugly blue textbox really spoils the whole effect – particularly as the font is so very boringly ordinary. It is entirely in the wrong place, blocking out too much of the cover design.
Published in November 2003 by Kingfisher, we still have the threatening glare by an angry female, but this time she is an Eastern princess. I love the box opening and all the creatures escaping. The title running up the side of the cover works well and allows the attractive design to be properly seen.
This hardback edition, published by Kingfisher in September 1985 demonstrates just what a difference a textbox can make. This version of the first cover is far more effective as we now can see those amazing snakes writhing around. I also prefer the green colour of the textbox as it merges with the overall design, rather than clashing with it – though given the choice I’d do without it altogether.
This edition, produced by Kingfisher in July 2007 has nailed it. Who doesn’t love a dragon – and what a dragon! The vibrant orange hues are glorious, snagging attention and begging for me to pick this one up. The artwork is beautifully detailed without any textbox AND the font has been bevelled and shaded to give an attractive 3-D effect. This is my favourite.
This edition is something of a mystery. Unusually, it appears on Goodreads with no other publication details alongside it, though it does look rather amateurish. The dark background doesn’t work with the deep blue font, to the extent that the author’s name is nearly invisible. That’s a shame, because the shading across the title works quite well. Which is more than can be said for the various creatures floating around the page, as they look like they’ve been selected from clipart and simply plonked there without any overarching design to pull them together. Which of these covers is your favourite?