Tag Archives: Marianne de Pierres

Review of Mirror Space – Book 3 of The Sentients of Orion by Marianne de Pierres


Araldis is still under occupation by hostile forces, and with the Orion League of Sentient Species seemingly unable – or unwilling – to help, Mira Fedor is forced to turn to the mercenary captain, Rast Randall, if she is to save her planet.

mirrorspaceBut while Rast’s contacts may be free of political constraints, what they lack in red tape they more than make up for in ruthlessness. As some of their hidden strategies are revealed, others become even more opaque. Why have the philosophers of Scolar been targetted? How far does the Extropist influence extend into Orion space?  From Lasper Farr, the Stain War veteran and ruler of the junk planet Edo, to the Sole initiates at Belle Monde to Rast herself, everyone is pursuing their own agenda. But are they really separate goals? Or are events rushing to a single, terrifying conclusion . . . ?

Of course, if you’re intelligent about your reading, you will have already read Dark Space and Chaos Space, the first two books in this series, so that the above synopsis will mean something to you. If – like me – you’re a such a space opera junkie that a cool spacescape cover and promising first page prove to be irresistible, then you’re probably scratching your head. My strong advice is not to read this book before the first two in the series. Some multi-book series are constructed so the story arcs more or less tie up a number of loose ends in each book, while leaving a few dangling to keep you reading. This isn’t one of them. Each volume is thoroughly embedded into the narrative, so that I was frankly floundering for a while. However, I didn’t really care too much.
Pierres’ cast of eccentric characters found themselves in such a range of fascinating situations that I was prepared to relax and go with the flow. This is largely down to the punchy writing style which was a joy to read, as sampled in the opening of the book:-
Falling in love was like being shot out into space wearing an EVA suit with five minutes’ air supply left. At least that was the analogy Jo-Jo Rasterovich applied to it – having experienced both.

And there I was, hooked. I’m now going to backtrack to Dark Space and start from the beginning, before moving through the rest of the series, which is the sensible way to read any multi-book narrative.

Despite the fact that I crashed mid-series into this world, and spent a while getting my bearings, it didn’t prove to be too difficult. While the pace isn’t leisurely, neither is it so flat-out that the characters and their role in the story became buried, which was something of an issue when I pulled Code Noir off the shelf without reading the first Parrish Plessis book. Indeed, I am impressed at the steep improvement in Pierres’ overall writing style from Code Noir to Mirror Space. She has the balance between character development and action far more satisfactory and the pacing is better judged with a few pauses for breath, before plunging us into yet another piece of action. And in smoothing out some of the crinkles, I’m delighted to report that she hasn’t lost her sharp, highly readable prose style. All in all, she is shaping up to be a real player in this genre and I am definitely starting a campaign for the first two books as early Christmas presents… please!

Review of Code Noir – Book 2 of the Parrish Plessis series by Marianne de Pierres



It took me a while to get into this cyberpunk thriller, partly because it is the second in the series and I haven’t read the first book. With no ‘Story So Far’, I found it difficult to get my bearings as de Pierres clearly expected those of us reading Code Noir to have already read the first book.

codenoirThe other issue is that the pace is breathless. So much so, that it took some time before I warmed to Parrish, which is unusual because I’m generally a real sucker for your gutsy, tough-but-misunderstood-heroine. Having for more years than I care to recall, waded through books with female characters either adorning the hero’s arm or providing action in the sex scenes, it’ll be sometime in the next century before I tire of heroines punching/shooting their way into and out of more trouble than you can aim a neuron disrupter at… So I thought, anyway. Parrish came perilously close to exhausting my patience.

I think the problem is that so much is going on, she never stops long enough to allow the reader to get properly acquainted with her until about halfway through the book. Eventually, however, I got drawn into the action, which is set in Australia making an intriguing change both culturally and scenically from the majority of such books.

The Tert War is over and Parrish Plessis had landed a big share of the spoils. Not bad for a girl with a price on her head and an uncanny ability to attract trouble. Problem is, power and territory mean responsibilities. And obligations. Like the small matter of her blood debt to the shadowy and dangerous Cabal Coomera. They need Parrish for a little rescue mission – one that’ll take her into the heart of teckno-darkness, the slum town of Dis. In return they’ll let her keep on living. Assuming she survives.

Once I did bond with the character and catch up with what was going on, I really enjoyed myself. I applaud de Pierres for giving her heroine a major facial injury. Unlike one or two other female protagonists sporting such trophies, I could fully believe that Parrish wouldn’t bother to get any sort of cosmetic surgery done to repair the damage. In these days with increasing pressure on girls to look ‘hot’, it was a shame, I felt, that the girl on the cover didn’t display her crooked nose and caved-in cheekbone. However, I’m not going to hold that against the author. It’s a pity that Orbit didn’t reflect more accurately what was going on between the covers when designing the jacket.

Meantime, I’m definitely going to get hold of the other major series de Pierres has written, Sentients of Orion. This time, though, I’ll take care to start with the first book.