Tag Archives: Guy Gavriel Kay

Friday Faceoff – The lion will lay down with the lamb, but every morning they’ll have to provide a new lamb… #Brainfluffbookblog #FridayFaceofflioncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with LIONS. I’ve selected The Lions of Al-Rassan by Guy Gavriel Kay.

 

This edition was produced by Voyager in March 2012 and is an excellent effort. I love the embossed, highly stylised lion in gold against the lush red background. My main reason in not making this my favourite is that I think the author font is rather overbearing and unbalances the cover. I get that Kay’s name is the selling point on the cover, but I do feel the size and heft of it, in comparison to the title and design is too much.

 

Published in June 2005 by Harper Voyager, this cover is another attractive offering, with a pleasing feel of historical adventure. I really like the warm tones of this cover and I think the artwork and design is appropriate and eyecatching – that pattern works well. While the author font clearly denotes this is the reader magnet, I think the balance between the title and author name is far better than the previous cover. I could have done without the title textbox taking up nearly a third of the cover, though.

 

This edition, published by HarperCollins in May 1996 is also a strong contender. I like the strong nod to the Middle Ages in the artwork, which is striking and attractive and I particularly love the title font. And for once, I don’t mind the textboxes… In trying to work out why they don’t irritate me with this book design, I’ve come to the conclusion that the artwork is exactly the right dimension for the design and subject, therefore I don’t resent the fact it isn’t larger.

 

This edition, produced by Viking Canada, is the least effective of all the covers, which is a shame, because that artwork is absolutely beautiful. I love the fact the characters are all looking at something we can’t see. But this one doesn’t work all that well in thumbprint, as it is rather dark. And despite loving some of the detail of the font used in both the title and author font, it is too faint against the strong colours of the artwork.

 

This French edition, published by J’ai Lu in 2005 is my favourite. I love the whole design with that fabulous lion profile against the marvellous medieval Spanish building in the background, looking very like the Alhambra Palace in Granada. While the title and author fonts are a mess – not remotely suitable for the genre, or the right size and design – I’ll overlook that sin for once. Which is your favourite?

Friday Faceoff – When a knight won his spurs…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring medieval times, so I’ve selected Tigana by Guy Gavriel Kay, who sounds as if he should be joining in the jousting with a name like that…

 

To be honest, this cover produced by Roc in December 1999 is rather underwhelming. It is very brown with an embossed emblem of something that looks as though it belongs on a shield. I’m not overly struck with the rather spindly font, either. Given this is a book about a particularly colourful time, the cover seems to be expending a great deal of energy just to blend into the general background of the shelf this book will be sitting on.

 

This edition was produced by Roc Fantasy in October 1991 and is far more attractive and lively. The gold font upon the red is much more in keeping. However, my main worry is on behalf of the long-suffering queen or princess… no wonder she is looking so grumpy. I’d be looking a tad fed up if I had an halberd handle sticking out of my left ear, too.

 

Published in April 2005 by Penguin Canada (APB), I like this one. The gold colour sings out and the distant city in the distance looks invitingly different – an impression reinforced with the two moons in the sky. I like the attractive pattern bordering the vista, which gives a suggestion that this might be an embroidered depiction after the style of the Bayeux tapestry.

 

This Italian edition, published by Sperling & Kupfer in 1992, has very much gone for the fantasy feel. The moonlit scene – featuring two moons – is beautifully conveyed and unlike the queen in the Roc Fantasy offering, this monarch is unhampered by any weaponry protruding from her ears. She is beautiful and focused – and I want to pick up this book and find out why. This is my favourite cover.

 

This edition, produced by Penguin Canada in June 2016, is another dun effort. This time we get the edge of the shield, as if we are peeping over it to snatch a view of the city in the distance – also brown. I’m not quite sure why, because it isn’t remotely appealing. However, that’s just my opinion – which cover do you like best?