I’m a fan of Miles Cameron’s writing – see my reviews of The Traitor Son series – The Red Knight, The Fell Sword, The Dread Wyrm and The Fall of Dragons – as well as his space opera adventure Artifact Space, which I very much hope he is going to continue. So when I saw this one on Netgalley, I was delighted to be approved for it.
BLURB: The gods play their games, looking down on the mortal realm and moving men as pawns. Sacrificing lives, towns, even civilisations as they make moves against each other, oblivious to and uncaring of the suffering it causes. They are above it all: worshipped, emulated and admired.
Yet there is one among them who exists to sow chaos, to challenge the way of things, and to stir up trouble. One who sees the gods growing indolent and contented and selfish . . . and who is ready to meddle in the world of men. Not as part of the immortal game, but because they believe it’s possible for men to challenge . . . and even topple . . . the gods themselves.
REVIEW: I’ve seen this book compared to Madeline Miller and her novels set within the Greek pantheon and I’m rather uncomfortable with that comparison – this one is far closer in tone and style to Dan Simmons, the other author cited in the strapline. While the Greek gods are certainly a self-absorbed lot, who don’t treat their mortal worshippers with much regard – they are frankly paragons of virtue when set against the sorry lot who feature in Cameron’s Heaven. Every single one of them is busy plotting to gain power or in revenge against another of their number. Most look upon humanity as merely insects to be disposed of with as little thought or care. And some of the bloody deeds that are suffered by said humanity are horrible – all the more so because the gods simply don’t care.
It took me a while to get through this one, despite it being well written with an engrossing plot – because I found the sheer bloodiness a bit of a problem at times. I’m well aware that is probably more about my own mindset at present, rather than an issue with the storytelling. But I’m giving it a mention because if you are a tad squeamish about scenes of senseless brutality and torture, then this one might not be for you. That said, out of the carnage stagger a number of characters who somehow survive the sacking of a city and terrible punishments designed to act as a deterrent. There is a dancer, an orphan boy and his donkey, a warrior, a former warlord and a scribe who end up on a boat managed and crewed by a merchanting family who belong to a sect of pacifists. And when together, there is a fair amount of humour within their interactions, albeit sometimes on the grim side. Some of these characters also have magical abilities they can wield with varying amounts of skill and strength. I do like the fact that any magic is very draining and can only be wielded for a finite amount of time, before it uses up the practitioner. They also have an extraordinary passenger – one of the Bright Ones, who often attack and kill travellers in the desert, except this creature seems intent on saving their lives.
This unlikely group are plunged into all sorts of extreme adventures which are described with verve and vividness. No one writes battle scenes better than Cameron, who is also an experienced historical battle re-enactor who has fought in armour. As the story gained momentum, I got to a point when I found this one difficult to put down – but do be warned, it does end on a cliff-hanger with a number of important plot points left dangling. Recommended for fans of epic fantasy stories featuring gods and plenty of action. While I obtained an arc of Against All Gods from Netgalley, the opinions I have expressed are unbiased and my own.