Tag Archives: FREEBIE

Friday Faceoff – There’ll be blue skies over the white cliffs of Dover… #Brainfluffbookblog #FridayFaceoffWWIIcovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week I am electing to play my FREEBIE card, as today is the 75th Anniversary of V.E. Day. There were to be widespread celebrations throughout the country today – but we all know what happened to those plans… Nonetheless, I want to mark it by featuring a book by one of my all-time favourite authors – Requiem for a Wren by Nevil Shute. It broke my heart when I first read this book as a teenager, and it still holds a special place in my soul.



This offering was produced by Vintage Classics in September 2009. It has the advantage of at least being clear and with the styling, gives a flavour of the 1940s and as most of the action takes place in 1944, that is a plus. I also like the fact that her dog is featured on the cover. It isn’t my favourite, but it is at least a contender. There are some truly dreadful covers for this book, which I decided not to inflict upon you.

 

Published by William Morrow, this edition is listed under the US title The Breaking Wave. I’m guessing they changed the title, because it’s likely that Americans wouldn’t know that Wrens are the female branch of the Navy, though they didn’t get to serve on ships during combat alongside their male colleagues during WWII. This cover is my favourite. I love the styling and the artwork, which is spot on for the period – that duffle coat and hairstyle, for instance. And once again, we have Janet’s dog on the cover. This actually is taken from a scene in the book and is my favourite.

 

This edition, published in August 2010 by Vintage International, is a split cover, featuring a gun turret on a battleship (I think) in the upper half and a romantic moment between Janet and the love of her life, Bill, in the lower half. To be honest, I think this cover is a bit of a mess. I don’t know why the font had to be quite so large and blocky and blast across the artwork so intrusively – almost as if the designers are trying to cover it up.

 

This edition, published in June 2018 by Createspace, is a fairly typical self-published cover. It’s not dreadful, but it isn’t that brilliant either and that is clearly some random photo of the time, completely unrelated to the book. The font, in particular, lets it down as it all but disappears in thumbnail.

 

This edition, published by House of Stratus in July 2002, is another clumsy effort. I’m guessing in amongst the artful blurring and sparkles (goodness knows what that is supposed to represent) that Janet is in uniform and staring out to sea. I quite like the tones, but why on earth anyone thought it a good idea to use a wussy font like that to run right across the middle of the artwork, I can’t imagine. Needless to say, the title and Shute’s name are completely invisible in thumbnail. Has anyone else read this hauntingly beautiful book? And which cover is your favourite?


Friday Faceoff – When darkness falls, beauty is lit from within… #Brainfluffbookblog #FridayFaceoffFREEBIEcover

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is now being nurtured by Lynn’s Book Blog and this week we have been given the chance to feature whatever we like. I’ve gone for a wonderful science fiction read about an autistic young man set in the future called The Speed of Dark by Elizabeth Moon…

 

This edition was produced by Del Rey in June 2005 and is a real contender. I love the image of the haunted-looking young man – the blurring effect of the light and the quirky positioning of the title. My main grizzle is the chatter in the bottom left of the cover which I think compromises the design, though at least it has been positioned with some thought.

 

Published in May 2004 by Ballantine Books, this Tenth Anniversary edition is another effective cover. The interlocking pieces making up the whole image, which is still off-centre creates an eye-catching, arresting effect. However, the title font is underpowered and boring, while that ugly textbox is completely out of place, especially given the strong colour draws the eye away from the otherwise muted design palette.

 

This offering, published by Ballentine Books in March 2004, is the least successful effort. The child’s windmill is evidently supposed to look as if it’s spinning at speed, but ends up looking like a poorly executed blur. This effect is emphasised in thumbnail, where the binary sequencing manages to make the whole cover look out of focus. I don’t like the limp title and author fonts, or the chatter cluttering up the design, either. A book this awesome deserves a far better cover.

 

This next cover was released in December 2010 by Hachette. I love the drama of the splinters of light flying off across the cover, while the dark purple corona against the black background looks beautiful. This cover certainly stands out from the others with the sheer visual drama. For once, both the title and author fonts are substantial enough to stand out from the design to be easily read, which surely ought to be their purpose, anyhow. This is my favourite.

 

This Polish hardback edition, released in May 2005 by ISA, is also a contender. I love the purple image of the young man with the silvered eyes, while the play of light in the background is beautiful and eye-catching. This one was so very nearly my favourite – which is yours?