I read and really enjoyed Shards of Earth – the first book in this epic space opera adventure, in which Tchaikovsky explores the dynamic of family and the nature of being alien. So I was delighted when I saw this second book pop up on Netgalley.
BLURB: After eighty years of fragile peace, the Architects are back, wreaking havoc as they consume entire planets. In the past, Originator artefacts – vestiges of a long-vanished civilization – could save a world from annihilation. This time, the Architects have discovered a way to circumvent these protective relics. Suddenly, no planet is safe.
Facing impending extinction, the Human Colonies are in turmoil. While some believe a unified front is the only way to stop the Architects, others insist humanity should fight alone. And there are those who would seek to benefit from the fractured politics of war – even as the Architects loom ever closer.
Idris, who has spent decades running from the horrors of his past, finds himself thrust back onto the battlefront. As an Intermediary, he could be one of the few to turn the tide of war. With a handful of allies, he searches for a weapon that could push back the Architects and save the galaxy. But to do so, he must return to the nightmarish unspace, where his mind was broken and remade. What Idris discovers there will change everything.
REVIEW: If you have come across Eyes of the Void without having first had the pleasure of reading Shards of Earth, my firm advice is to put this one back on the shelf and head for the first book. This is a fast-paced, epic adventure where events are unspooling in various locations and features other main characters alongside hapless Idris. Even with the helpful Story So Far and list of Key Characters at the beginning, along with the excellent Timeline of Events at the end – I still think you’d flounder a tad. Apart from anything else, it would be a real shame to miss out on a chunk of this intriguing, layered examination of what it means to be alien.
As a young man, Idris volunteered to become an Intermediary in the face of the planet-wrecking Architects – and was key to stopping them during the terrible battle for survival. Now they are back and this time around, the protection given by mysterious artefacts left behind by Originators no longer work. And when Idris manages to make a connection to the Architect rampaging through the system – he discovers that it isn’t destroying the worlds on some whim, it is being ordered to do so. Which means that unlike the last time, his own pleas go unregarded.
As the situation falls away into a desperate scramble for survival, the precarious peace between the major factions splinters. I loved this particular aspect of the book, which absolutely rings true. I enjoy epic space opera when done well – but it’s difficult to pull off. Inevitably, characters can’t be written with the depth of protagonists featured in smaller settings. So writers have to know and understand all their main characters profoundly well to be able to convey that complexity with a shorter word count – and understandably, that doesn’t always happen. Not so with Tchaikovsky. His writing in this story effortlessly expands in breadth and heft to encompass the big questions hovering behind the adrenaline-fuelled action – exactly what defines difference? Is it the engineered human whose brain now functions so differently? Or is it the vat-grown women warriors designed to protect Earth, whose culture now seems so threatening? Surely, it must be the Architects with their terrifying ability to rework planets… asteroids… space station… into twisted, lifeless caricatures of what they once were? And the mysterious Originators, who appear to have designed the passages through unspace, allowing FTL travel – they are the ultimate aliens, aren’t they? He also examines the nature of family and identity. As worlds fall and humanity faces extinction, how do we ultimately define ourselves when facing our own ending?
While these questions are raised, an epic story of tragedy and ruin, rescue and compassion pulled me in and held me throughout. Though, due to my own fragile health and shaky wellbeing, I needed to take several breaks from the intensity and immensity of the story which is in no way a reflection on the writing. Highly recommended for fans of well-written epic space operas. While I obtained an arc of Eyes of the Void from the publishers via Netgalley, the opinions I have expressed are unbiased and my own.