Tag Archives: Dagmar Shaw

Review of The Fourth Wall – Book 3 of the Dagmar Shaw series by Walter Jon Williams


This book is told in first person present tense and this time, we are not in Dagmar’s viewpoint. The protagonist in this story is Sean Makin, ex-child star who at the height of his acting career was a household name and earned millions – which his parents have all taken. So as a failed adult actor, he is reduced to humiliating himself in shows like Celebrity Pitfight – think of Gladiators crossed with I’m A Celebrity Get Me Out of Here

4thwallWhen he meets Dagmar Shaw and is considered for the lead part in her latest film project, he thinks his dreams have come true. However, what Sean doesn’t know is that people often have a shortened life expectancy around Dagmar. Perhaps he should have paid more attention to the SUV that nearly knocked him down…

I’ve read all three books in this series. One of its strengths is that you don’t have to read any of the others to fully enjoy this particular book, where we have moved on. However, having read the first two, one of the pleasures was to see Dagmar through the lens of someone else – someone so essentially self-absorbed that she wasn’t particularly important to him. Until the end, that is…

So, change of protagonist; change of viewpoint and tense; complete change of scenario – gone are the politics and world-awareness of the first two books. Sean is only vaguely conscious there is a vicious war going on, as all his attention and energy is focused on Hollywood and events unfolding around him. Does it work?

Oh yes – this is an absolute joy. This is the book where Williams really hits his stride – and confirms for me just how uncomfortable he was with Dagmar as the main protagonist. Because Sean is inspired – there are layers in his characterisation that are wonderful, both tragic and hilarious. There were always occasional shafts of dark humour lancing through Williams’ other two books in the series – but in the character of Sean, Williams has given his readers an intimate and unforgiving insight into the life of a Hollywood actor. It is pathetic, funny and shocking by turns – all delivered in Sean’s pinpoint-sharp voice. The whodunit running through the filming is entertainingly twisty – I enjoyed the unexpectedness of the deaths and trying to work out who was the perpetrator.  And the fourth wall of the title?  This is the invisible barrier that the actors have to reach through in order to reach their audience.

There has been some criticism that the final denouement was something of an anti-climax. Which had me scratching my head, wondering whether we’d been reading the same book. I thought the ultimate twist provided by Dagmar was an amazing conclusion to the story – although I’ll concede that the whodunit discovery was slightly workaday. But surely, isn’t that the point? Isn’t that Williams playing a game with his readers – giving them a relatively bland payoff, as a caricature of a Hollywood-type ending? If he’d left it at that, then I think they have some cause for grumbling – but he doesn’t. He goes on to produce the real ending, which delivers an almighty punch.

All in all, this is one of the best books I’ve read in 2012. Sean is a wonderful creation and I’m hoping that Williams hasn’t done with him – I’d love another slice of Sean’s life. Please?

Review of Deep State by Walter Jon Williams


This is the second book in the Dagmar Shaw series, exploring the cyberworld and its potential to change reality. This Is Not A Game started the trilogy off with a bang, when Dagmar, an alternate reality games designer, found herself in the middle of a violent revolution in Jakata which was the start of a series of brutal events that sucked her into a world of violence every bit as frightening as anything she has ever designed…

So – the question is, does Deep State deliver the same smart, cyber-cool storyline and enjoyable slices of humour?

deepstateDagmar Shaw is one of the world’s hottest designers of alternate reality games. She is the Puppetmaster and thousands of gamers are dancing on her strings. But when the campaign she is running in Turkey comes into conflict with the new, brutal regime, she realises that games can have very real consequences.

When an old friend approaches Dagmar with a project so insane, so ambitious, she can’t possibly say no, she is plunged into a world of spies and soldiers. As a nation hangs in the balance, the bullets become real and gamers start dying. In this world of intrigue and betrayal, the master player must face the possibility that she has, herself, been played…

Williams has certainly fixed the slight wobbles in Dagmar’s characterisation apparent in This Is Not A Game – I found her a much stronger, more believable protagonist this time around. I particularly liked the fact that despite her evident skills and charisma, she has been left with post-traumatic stress syndrome after events in This Is Not A Game. A pleasant change to find violence causing such believable mayhem in a fictional character…

As for the storyline – there were some clear parallels to the way social media was used during the Arab Spring and how Williams’ fictional characters decide to harness the likes of Twitter and Facebook to attempt to overthrow the brutal regime. However, this is a work of fiction and the fact that those similarities quickly break down under closer examination doesn’t particularly detract from the book, as far as I’m concerned. As long as Williams’ world persuaded me to suspend my disbelief for the duration of the novel, then I was more than happy to go along with the proposition that various staged gaming events could pose significant problems for a military regime unaccustomed to dealing with flash mobs.

I also found the violent response all too believable – along with the evident ramping of tension, consequences and costs. Another feature of this book I thoroughly approve of – is that when people die, it is treated as a major event that leaves everyone shaken and upset. There are still the gamers and their response to what is going on – although it did occur to me that if you hadn’t first read This Is Not A Game, you may be slightly scratching your head at their appearance, which is a lot more piecemeal and less coherent in this novel. However, unlike many series, I do think that you could comfortably read Deep State without having read the first Dagmar Shaw adventure.

All in all, this is an entertaining slice of near-future action that may have some similarities with totalitarian regimes and their reluctant populations. However, I don’t recommend it on the grounds that it has any political significance – I’m not convinced enough that Williams’ has sufficiently nailed the underlying tensions and sheer complexity of Turkish society for that to be the case. But as an enjoyable piece of fiction, it is certainly worth reading – and is far more than a placeholder that second volumes all too frequently end up being.

Review of This is Not a Game by Walter Jon Williams


This near-future thriller has a feel of Charles Stross’s Halting State – apart from the second person viewpoint and constant dry humour. There is the same sense of everything teetering on the edge of precipice, ready to slide into chaos at a few keystrokes from the wrong sort of people…

Dagmar is a game designer trapped in Jakarta in the middle of a revolution. The city is tearing itself apart around her and she needs tothis is not a game get out. Her boss Charles has his own problems – 4.3 billion of them to be precise, hidden in an off-shore account. Austin is the businessman. He’s the one with the plan and the one to keep the geeks in line. BJ was there from the start, but while Charlie’s star rose, BJ sank into the depths of customer service. He pads his hours at the call centre slaying online orcs, stealing your lot and selling it on the internet.

They all knew each other at college. They all promised to keep in touch. But when one of them is caught up in an international emergency, they are all sucked into a series of events that changes everything.

This enjoyable adventure comes with a caveat – stick with it. The start is rather a slow burn, but once you get fully into Dagmar’s point of view, the pace picks up and the narrative voice starts to convince. The bursts of violence are wholly believable because of the horror experienced by the protagonist. All too often in such books, a major character pickforked into a shocking situation seems to take it far too much in her stride – not so here. Williams manages to make me feel the enormity of the events as they unfold and by the end, I was reading late into the wee small hours to discover exactly who was doing what – and had a thorough blast with the denouement and climactic ending.

It is the voice and pacing that slightly slips at times and I get the impression that Williams isn’t entirely happy writing from a feminine point of view. However, the story and scenario are sufficiently compelling that I was prepared to overlook the slight unevenness in the main protagonist. For those of you who don’t know my tastes – this is a big Get-Out-of-Jail card, as I’m a gal who zeroes in on characters all the way, and is a testament to the pulling power of the plot. While I’ve concentrated on the thriller aspect of this book, there are some really enjoyable touches of humour – Williams’ has great fun with his gamers and their responses to the unfolding drama – which both manages to give some welcome relief to the gritted tension elsewhere, yet also highlight the gravity of the underlying situation. It’s a neat trick to pull off.

This is the first in a trilogy and I’m delighted to have managed to track down the other two books in the series, Deep State and The Fourth Wall and shall be shortly tucking into them. Watch this space for more Williams’ adventures.