Tag Archives: classic

Friday Faceoff – Only do what your heart tells you… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is HEART, so I’ve selected a classic book that I read another lifetime ago – when I was a teenager – Heart of Darkness by Joseph Conrad.

 

This edition was produced by Prestwick House in September 2004 and I think this cover is amazing. Classic books often have rather boring covers – but this one is nothing of the sort. This African coastline also incorporates the face of the protagonist in a psychedelic way and it’s also avoided the dreaded textbox. This one is my favourite.

 

Published in May 1995 by Penguin, this cover is a little more traditional – but nevertheless manages to be both attractive and exotic, providing the kind of illustration that most people contemporary with Conrad would envision Africa looking like. Sadly there is a textbox, but at least it has the good manners to be reasonably small with an inoffensive font.

 

This edition, published by Penguin in 1983, is even more traditionally classic with a sepia-shaded drawing that looked aged from the moment the paint dried. The obligatory textbox is splatted across the top of the cover like a big black carbuncle. Oh well.

 

Produced by Newton and Compton in July 2013, this Italian edition is more like it! I love the bright green and yellow cover with the tropical leaf design bordering the edge and featuring the small plant, complete with roots. The yellow heart marked up with the roots of that little plant is so very effective that I very nearly had this one as my favourite – what stopped me from choosing it was that nasty little blob advertising a special low price bang in the middle of the artwork *sigh*.

 

This edition, published by Enhanced Media Publishing in November 2016, is an arresting and attractive design and was the one that made me choose this book. I love the contrast of the bright red heart splitting apart against a black background. No textbox – yippee! And I love the lovely flowing title font. Which is your favourite?

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Friday Faceoff – Last night I dreamt I went to Manderlay again… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is MYSTERY NOVEL, so I’ve selected Rebecca by Daphne du Maurier.

 

This edition was produced by Little, Brown and Company in December 2013. Initially I didn’t like it – too gloomy and odd. But it is a cover that has grown on me. There is a lot going on despite the preponderance of black – the glamorous woman hugging herself, clearly in trouble. For once, I even think the textbox featuring the title is well done – though I generally hate them – as it gives a sense of the period in which this classic was written.

 

Published in 2006 by HarperCollins, this is a classic case of more is less. The sepia image of the steps, presumably leading to Manderley, are suitably appropriate. Granted, the very plain white font is rather bald and could have done with a bit of texture or shadowing to lift it – but then scrawling a fancy R over the whole thing in a mismatched colour just shouts that some big boss looked at it and decided it ‘needed something’. He was probably right – but definitely not the odd scolling either side of that very plain font, or that R…

 

This edition, published by Virago in December 2007 is more like it. Those wrought-iron gates with the ominous glow in the background, echoed in the sky above the author’s name leaves a sense of menace without giving the impression it’s horror. I quite like this one, though once again, I think the title and author name are rather too plain.

 

Produced by Virago Modern Classics in 2015, this is my favourite. For starters, unlike any of the others to date, this cover is actually beautiful. The scrolling of the wrought-iron gate, the looping font for both the author and the title are eye-catching and visually appealing. And yet… those hectic red flowers shout that something is amiss – maybe dangerous.

 

This edition, also published by Virago, though in July 2015, is another excellent effort. You can see echoes of the previous design (I’m not sure which one came first) in the styling of the author and title font, but the colour is different. The silhouettes of Manderlay and the second Mrs de Winters – or is it Rebecca? – stand out really well against the black background. This one is a very close second, though the previous cover still just edges it for me. Which is your favourite?