Tag Archives: book cover

Friday Faceoff – Bears are not companions of men, but children of God… #Brainfluffbookblog #FridayFaceofffurrycreaturescovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with pictures of furry creatures. I’ve selected Shardik – Book 2 of the Beklan Empire by Richard Adams.

Overlook Duckworth, Nov 2004

This edition was produced by Overlook Duckworth in November 2004, and is one of the default cover designs for this book, which originally came out in May 1974. I really like it – the fact that the bear’s head is made up of the buildings of the main city is spot on, as the story is about what the bear represents to this civilisation. I also appreciate the punchy title and author fonts, which are easily read even in thumbnail. I think this is a successful, eye-catching cover.

Penguin Books, Jan 1976

Published in January 1976 by Penguin books, this is the cover on the book that I owned. It’s one of my most memorable reads – along with the very disturbing The Girl in a Swing – there is something about Adams’ writing that got right under my skin, so it brings back happy memories. I love the image of this bear, huge and savage – just look at the length of those claws. But reluctantly, I don’t like it as much as the previous cover.

Oneworld Books, Nov 2014

This edition, published by Oneworld Books in November 2014, is a reworking of the first cover – and while I like that one, this is my favourite. I think it’s because there is so much here that relates to the story. The profile of the bear in red is apt – Shardik’s appearance triggers a series of violent events. The wooden boards that act as backdrop represents his imprisonment, while I particularly love the fir trees as his teeth in his upper jaw, meeting the cityscape in his lower jaw. Which is a really clever pictorial depiction of the tension between the wilderness and what he represents to the Belden civilisation. I just wish more covers were designed with such respect for the story.

Danish edition, 1977

This Danish edition, produced by Gyldendals Bogklubber in 1977, also features Shardik up on his hind legs trying to outrun the fire that has destroyed the forest where he used to live. Look at the clouds of ash as he moves and the wisping, ashy remains of grass right in the foreground… Again, this is a scene right from the book and works really well as a cover. I like the fact that we are looking up at the bear, emphasising his huge size.

Italian edition, 1976

This Italian edition, published by Biblioteca Universale Rizzoli in 1976 is probably the most attractive of all the covers. The artwork is detailed and beautifully executed, though I don’t get the sense of Shardik’s power and size from this image, unlike the other covers. And it also features an unnecessarily large textbox, which I hate. That said, I still like it even if it isn’t my favourite. Which one do you prefer?

As promised – here is the shiny new cover for Dying for Space!

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As I mentioned a couple of weeks ago – I now have a new cover for Dying for Space. But in addition to the revamped face where Lizzy is clearly not dead OR inappropriately enjoying herself – there is an exploding spaceship!

Getting the cover right for this series has been something of a journey – and now that Running Out of Space is finally on track, it’s great to be able to offer the companion cover for the Dying for Space in the Sunblinded series. If you missed the free offer for Running Out of Space and would like to give it a go without risking your hardearned cash, it is now available here for free via Instafreebie.

Friday Faceoff – There’s no place like home…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week we are looking at covers featuring abandoned houses and I have chosen Crooked House by Agatha Christie.

 

crookedhouseThis is the cover that caught my eye – published by Minotaur Books in 2002, I think it strikingly evokes a sense of unease and disfunction using a ruined house as a very effective metaphor. This is my favourite.

 

crookedhouse1This offering is also eye-catching with the bright red cover and the stylised font giving the impression of the crooked house. Published in 2011 by William Morrow, I also very much like this cover.

 

crookedhouse2This offering, produced in 2010 by Harper Collins, is a facsimile of the first edition. While I love the beautiful etched rendition of the crooked house in the spooky wood, it is just a bit too muted to really catch the eye on a crowded bookshelf.

 

crookedhouse3This Turkish cover, produced by Altın Kitaplar in 2014 is another atmospheric offering. I like the sepia colour palette, punctuated by the bright red splash in the corner, which emphasises the sense of menace.

 

crookedhouse4This French edition, produced by Livre de Poche in 2010, again has a strong sense of something amiss. The unusual perspective of the house with the brooding storm clouds above is eye-catching and appealing. Which is your favourite?

Friday Faceoff – Hell is Empty and all the Devils Are Here…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week we are looking at covers featuring demons. I have chosen The Amulet of Samarkand – Book 1 of the Bartimaeus Sequence by Jonathan Stroud. Though strictly speaking Bartimaeus is a djinni, not a demon…

 

theamuletofsamarkandThis offering was published by Disney-Hyperion in 2003. You get a sense of the creature’s age (he is 5,000 years old) and his sharp, sly humour that pings off the page. I love the fact he is sideways on and evidently taunting us with the precious amulet. Pity about the lettering.

 

theamuletofsamarkand1This version was produced by Corgi Children’s in 2004. Again, Bartimaeus dominates, this time looking very much like a gargoyle. I’m not sure I like the sepia look, but I do love the lettering on this cover.

 

theamuletofsamarkand2This edition was published in 2004 by cbj Verlag. The overall design is the same as the previous version, but I far prefer the dark colour palette, which I think gives the cover more eye appeal, though this time around I think the font is disappointing.

 

theamuletofsamarkand3This edition was published in 2007 by Le Livre de Poche. This is the runner-up for me. I love the drama of the backlighting and the backdrop of the library as Bartimaus appears in Nathaniel’s circle for the first time. My favourite is the first cover – it’s the wicked grin that sells this one for me. A suitably memorable cover for a wonderfully memorable series. Do you agree?