I’d heard a lot about this series and so was delighted when I spotted this one on Netgalley.
As a child, Rose Franklin made an astonishing discovery: a giant metallic hand, buried deep within the earth. As an adult, she’s dedicated her brilliant scientific career to solving the mystery that began that fateful day: Why was a titanic robot of unknown origin buried in pieces around the world? Years of investigation have produced intriguing answers—and even more perplexing questions. But the truth is closer than ever before when a second robot, more massive than the first, materializes and lashes out with deadly force. Now humankind faces a nightmare invasion scenario made real, as more colossal machines touch down across the globe. But Rose and her team at the Earth Defense Corps refuse to surrender. They can turn the tide if they can unlock the last secrets of an advanced alien technology. The greatest weapon humanity wields is knowledge in a do-or-die battle to inherit the Earth . . . and maybe even the stars.
I make a regular habit of crashing series midway through and most of the time it is absolutely fine. However, I have a real sense that I would have enjoyed this book a whole lot more if I had read Sleeping Giants first as there didn’t seem to be a particular moment for the reader to bond with the main protagonists before the action all kicked off again. There was certainly plenty going on – those huge robots were suitably mysterious and chilling.
As I hadn’t read the first book, it took me a while to work out what exactly what happening with Themis and why only a very select number of people could control it. I was certainly startled when one of the main characters died – but there was a fair amount of mayhem and destruction, which was well depicted. It’s a tricky proposition to portray widespread annihilation and get the readers to really care for the thousands who have died, but this was one of most successful parts of this book. I was genuinely shocked at the sudden outbreak of violence and the extent of it. The deaths were also very well handled.
However, I didn’t really care as much for the main characters and their fates as I felt that I should and the narrative told in the form of recorded files meant that it read in places far more like a play. I suspect that this book is brilliant in audio form – but I missed the layers and nuances you get with characters’ gestures, given they were little more than talking heads throughout. That said, there was never any risk of my not completing it – the action was far too engrossing. While I obtained the arc of Waking Gods from the publisher via NetGalley, this has in no way influenced my unbiased review.
My debut novel Running Out of Space is featured today by those nice folks at the Daily Waffle, complete with an excerpt from the book.
I read the premise, saw the awesome cover and immediately requested it from Netgalley – and my hunch paid off.
BRITTLE started out his life playing nurse to a dying man, purchased in truth instead to look after the man’s widow upon his death. But then war came and Brittle was forced to choose between the woman he swore to protect and potential oblivion at the hands of rising anti-AI sentiment. Thirty years later, his choice still haunts him. Now he spends his days in the harshest of the wastelands, known as the Sea of Rust, cannibalizing the walking dead – robots only hours away from total shutdown – looking for parts to trade for those he needs to keep going.
This book drew me in from the very first page and did not let go until the end. I think the secret to this book is the very strong first-person narrative. We see the world through Brittle’s eyes as robots now rule the world, and she struggles to survive as a freebot. Constantly on the run with other surviving stragglers, Brittle also has to ensure she has sufficient spare parts to keep going. Given that during this savage civil war she has no access to any manufacturing plant, she is reduced to preying on other desperate robots scavenging in the sea of Rust – a desert graveyard where robots end up dying while trying to find the parts they need to keep going.
The world building is chillingly plausible as in between the ongoing action Brittle recalls how the world got in this mess in the first place. The overall tone is gritty and the action full on but this post-apocalyptic dystopian landscape is prevented from being unbearably bleak by the spiky point of view. I love Brittle! It also doesn’t hurt that the storyline is gripping and the writing exceptionally good.
While the book is packed with foot-to-the-floor action that had me zipping through the pages, holding my breath, there are also lyrically beautiful passages where Brittle is recalling the past. I thoroughly enjoyed the various plot twists, which I mostly didn’t see coming – I certainly didn’t predict the end. In fact, I thought we had already reached the end and was slightly startled when I turned the page to realise the story was continuing. I have to say that I am slightly ambivalent as I thought that first conclusion worked very well. However, it didn’t detract from my enjoyment of cracking read and I think this is one I shall be remembering a long time to come. Recommended for fans of apocalyptic and post-apocalyptic stories as well as folks who enjoy reading well-written science fiction.
While I obtained the arc of Sea of Rust from the publisher via NetGalley, this has in no way influenced my unbiased review.
This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is bridges, I’ve chosen The Bridge by Janine Ellen Young.
This cover, produced by Aspect in September 2000 is rather gloomy, with its sepia tones and rather hefty medieval styling – which is odd, given this is supposed to be a bridge through space. Frankly, I think this one is underwhelming – even the font is boring. And it’s a real shame, because the book isn’t anything of the sort.
This UK edition, produced by the now defunct Earthlight, has a far better cover in every way. The bridge is a wonderful construction that also closely resembles our DNA, which is a clever double reference to the plague that sweeps through humanity in this apocalyptic science fiction adventure. Even the font pops and fizzles. Needless to say, this one is my favourite. What about you – which one do you like?
I love Sullivan’s writing – read my review of Lightborn here – and it doesn’t hurt that she is a lovely person. I met her fleetingly at Eastercon a few years ago during a Kaffeeklatsch session (which is when you can sign up for a session where numbers are restricted so you get to have a chance to talk to your favourite author over coffee and biscuits) and she came across as charming, clever and very modest. So I was delighted when I came across this offering.
A woman with wings that exist in another dimension. A man trapped in his own body by a killer. A briefcase that is a door to hell. A conspiracy that reaches beyond our world. It starts with the mystery of a woman who barely knows herself and ends with a discovery that transcends space and time. On the way we follow our heroine as she attempts to track down a killer in the body of another man, and the man who has been taken over, his will trapped inside the mind of the being that has taken him over. And at the centre of it all a briefcase that contains countless possible realities.
Yes… I know it sounds mad and a complete mess. But Sullivan’s superpower is that her writing is so solid and strong, she immerses you in her worlds alongside her amazing characters doing amazing things and it seems utterly normal. Pearl is a fantastic character – it’s never easy to write from an alien or ‘other’ viewpoint, because if they are sufficiently different, it is often difficult to sufficiently care for them. But Sullivan manages to make Pearl vulnerable enough that we do bond with her.
Initially I thought she was some sort of fallen angel – but that is far too predictable for Sullivan’s fervid imagination. She writes the unusual brilliantly with wonderful descriptions that are punchy and to the point. Just as importantly, there is a strong structure and causality underpinning her original take on what powers the universe. Wild it may be, but there is nothing loose or wafty about the theory behind her worldbuilding.
As for the main players in this story – while Pearl, the main protagonist, was my favourite by a long country mile, the cast of supporting characters also leap off the page. There is Dr Sorle, conflicted and suffering, who is literally pulled in two directions; the corrupt dying plutocrat; and Alison, a stroppy vet. And in the midst of all this amazing story are regular shafts of humour – not jokes or comedy set pieces, but the kind of manic funniness that often occurs when we are pushed to our extreme.
This story grabbed me from the first page and wouldn’t get go – I was beguiled, challenged, amused and thoroughly entertained. Another outstanding read of 2017.