Tag Archives: Agatha Christie

Friday Faceoff – The hand that writes and having writ moves on…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week the theme is a cover featuring hands, so I’ve selected The Moving Finger – Book 4 of the Miss Marple Mysteries by Agatha Christie.

 

This edition was produced by HarperCollins in 1995. I rather like it – the gloved hand moving over the ancient typewriter evokes a strong period feel, which is well sustained by the author and title font. I would personally have preferred not to have that unappealing black block in the lower third of the cover, which rather spoils it for me.

 

Published in March 2007 by Black Dog and Leventhal Publishers, I also like this cover. The country postbox set in a dry stone wall gives a strong rural feel, with the bright green cloud below gives a strong indication that something is very wrong… Again, the fonts are right for the period. I would have preferred the postbox to have been picked out in bright red, which would have added another splash of colour, thus giving it extra eye appeal.

 

This edition, published by Harper Collins in 2012, is probably my favourite. The black background with the classic Christie signature in red really pops, while the lettering for the title font is simple – but that doesn’t prevent it from being effective.

 

This Bengali edition, produced by সেবা প্রকাশনী in December 2016, certainly catches the eye. There is something very disturbing about that outstretched arm – it looks so horribly vulnerable… And the rose nearby also tells a story. I don’t feel qualified to comment on the font, but this is a cover that stood out in the looong list of options I could have chosen.

 

This Turkish cover, published in June 2014, is the weakest one this week. The idea is okay – but the execution is very clumsy. Why would there be a spatter of blood across a poison pen letter? What compounds this mistake is the fact it looks so false, as no attempt has been to blend it so that it looks as though it belongs on the paper in the typewriter. So which is your favourite?

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Friday Faceoff – ‘Oh, we loves games! Doesn’t we, precious?’

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer and is currently hosted by Lynn’s Book Blog. This week the theme is a cover featuring a puzzle or game, so I’ve selected Cards on the Table – Book 15 of the Hercule Poirot series by Agatha Christie.

 

This cover, produced by Berkley in July 2005 looks as though it’s been knocked up on Publisher for a primary school project. A generic card image is given an orange wash, while the ghastly block featuring the title and the author doesn’t even justify its existence by being easy to read.

 

This edition was produced by HarperCollins Publishers in 2001 and is a far better effort. The tower of collapsing cards gives a sense of movement and drama, with the pale blue background and white font that successfully creates a period feel. I like this cover – in fact it is my favourite by a long country mile.

 

Published in 2007 by Altın Kitaplar, this Turkish edition is another distressingly bad effort. The artwork is clumsy and obvious with the splashes of blood simply plonked over the image of the cards without any attempt to manipulate them to appear as if the cards have been spattered. Poor Agatha Christie!

 

This Romanian edition, published by RAO in November 2010 is another digitally generated cover. Although less dreadful than the previous two efforts thanks to the black background which is effective against the playing cards, it still feels amateurish.

 

This Arabic edition, produced by مكتبة جرير, is the best of the digital covers in my opinion. The wisp of cigar smoke against the black background produces an interesting effort and the grubby, twisted playing card gives a sense of wrongness that is evident in the HarperCollins collapsing card pyramid. Which is your favourite?

 

ANNDDD…

The Writer’s Inkwell has featured an article on General William Norman and an excerpt from Dying for Space.

ANNDDD…

The Genre Minx Book Reviews features another excerpt from Dying for Space.

Friday Faceoff – There’s no place like home…

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This week we are looking at covers featuring abandoned houses and I have chosen Crooked House by Agatha Christie.

 

crookedhouseThis is the cover that caught my eye – published by Minotaur Books in 2002, I think it strikingly evokes a sense of unease and disfunction using a ruined house as a very effective metaphor. This is my favourite.

 

crookedhouse1This offering is also eye-catching with the bright red cover and the stylised font giving the impression of the crooked house. Published in 2011 by William Morrow, I also very much like this cover.

 

crookedhouse2This offering, produced in 2010 by Harper Collins, is a facsimile of the first edition. While I love the beautiful etched rendition of the crooked house in the spooky wood, it is just a bit too muted to really catch the eye on a crowded bookshelf.

 

crookedhouse3This Turkish cover, produced by Altın Kitaplar in 2014 is another atmospheric offering. I like the sepia colour palette, punctuated by the bright red splash in the corner, which emphasises the sense of menace.

 

crookedhouse4This French edition, produced by Livre de Poche in 2010, again has a strong sense of something amiss. The unusual perspective of the house with the brooding storm clouds above is eye-catching and appealing. Which is your favourite?