I put this one down with very mixed feelings. The opening sequence of Velocity Weapon has to be one of the best opening scenes I’ve read in space opera for years. I was blown away by it – unfortunately, I didn’t find the rest of the book quite matched up to that promise. Would Chaos Vector manage to fulfil that flash of awesomeness?
BLURB: Sanda and Tomas are fleeing for their lives after letting the most dangerous smartship in the universe run free. Now, unsure of who to trust, Sanda knows only one thing for certain — to be able to save herself from becoming a pawn of greater powers, she needs to discover the secret of the coordinates hidden in her skull….
REVIEW: The rest of the blurb is a bit too chatty for my taste, so I’m leaving it there. Ironically, while the beginning of the first book was the high point for me, I was badly struggling for the first 20% of this one to really care all that much. I’m not a fan of pages of info-dumping – and that’s what we got, as the author went into lots of detail about the world, leaving the characters waving in the wind in the process.
There were times when O’Keefe seemed a tad overwhelmed by the scope and scale of her world and range of her characters. Fortunately, we had Sanda and Biran, and once the story got going, these two main characters with their attendant plotlines pulled the book back on track. But I thought Jules was something of a cliché, and that the book suffered because we didn’t see anything like enough of Tomas. Given what a vital role he played in the first book, we got far too little of him in this one – especially as there was a plot twist involving him that I found plain irritating, as I immediately realised how it was going to play out.
Despite these hiccups, the story was an entertaining read with plenty going on and a detailed, nuanced world, whose murky history is coming back to bite the Protectorate in the bottom. Some of the flashbacks were unnecessary – the information we needed could have been depicted within the narrative timeframe without breaking the flow of the story. But I did enjoy the politicking among the Keepers and I love Sanda’s character. This one finished on something of a cliffhanger, so I’m hoping we won’t be waiting too long for the next book in the series. Recommended for fans of epic space opera with plenty going on. While I obtained an arc of Chaos Vector from the publisher via Netgalley, the opinions I have expressed are unbiased and my own. 7/10
I was rather taken by both the quirky cover and the even more quirky blurb at a time when reading about anything remotely similar to what is going on around us was unbearable. So I was really pleased to be approved to read this one.
BLURB: 10/10 Jared does not have friends. Because friends are a function of feelings. Therefore friends are just one more human obligation that Jared never has to worry about. But Jared is worrying. Which is worrying. He’s also started watching old films. And inexplicably crying in them. And even his Feelings Wheel (given to him by Dr Glundenstein, who definitely is not a friend) cannot guide him through the emotional minefield he now finds himself in.
REVIEW: The blurb rambles on for a bit longer – but to be honest, I don’t think it is particularly helpful as it manages to omit the bit that is important. Jared is a bot, built and designed to be a dentist – a job the humans in our future society don’t particularly want to do. This is set in the near future, where bot labour does most of the dangerous, difficult tasks. But most bots are encased within fast-growing human bodies and able to communicate fluently and reasonably naturally. The big difference is that they don’t have any feelings – don’t experience boredom, loneliness or unhappiness, or love, friendship and delight. As they are programmed to put human lives above their own, they are ideal as construction workers, firefighters and… dentists. While humans concentrate on creative and artistic pursuits, rather than the soul-sapping jobs they used to do. Except that Jared starts to feel emotions… The story is told in first-person viewpoint and I absolutely loved the quirky voice of the bot, which I found absolutely enchanting. Though I’m aware it is something of a risk, because if that highly individual voice annoys a prospective reader, it would be impossible to get through this one. As it happens, I fell in love with it.
Naturally, Jared finds the world around him becomes quite a different place, as he learns to navigate the odd sensations assailing him, using the Feelings Wheel that Dr Glundenstein, his sympathetic human friend and neighbour gives him. Dr Glundenstein advises him to go the movies and watch films – not the modern rubbish which is all about killer bots on the rampage – but older films which get shown in small, shabby little cinemas. One of the ongoing delights is trying to identify classic films from Jared’s quirky descriptions throughout this story. As I cared about Jared, I quickly became invested in his story.
It won’t be a huge surprise that this book is actually an exploration of what makes us human, as well as what happens when we start to regard other folks living among us as less than human. While this is an oft-trodden favourite science fiction trope, I thought this particular take on the whole subject interesting and immersive. And while I was grinning through a lot of the book – there were also moments of great tenderness and sadness, with moments of lovely poetic beauty. All in all, this is a real gem and one of my favourite reads of the year so far. Highly recommended for fans of well-told A.I. tales. The ebook arc copy of Set My Heart to Five was provided by the publisher through NetGalley in return for an honest opinion of the book. 10/10