Category Archives: Lynn’s Book Blog

Friday Faceoff – Every blessing ignored becomes a curse – #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is CURSES. I’ve selected White Witch, Black Curse – Book 7 of The Hollows series by Kim Harrison, a series I recall with great fondness.

 

This edition was produced by Eos in February 2009 and is a typical urban fantasy cover of its time. I don’t particularly love it, yet I don’t hate it, either. The interesting aspect for me is how much the author name is featured, both in the size and bright colouring of the font, demonstrating that Harrison’s name is what sells the books.

 

Published in May 2009 by Voyager, this is the edition that I owned and recall with great fondness. I love the dynamic between the monochrome image and the large purple font – what a wonderful choice of colour! My one grizzle is the chat directly above it, which I think detracts from the artwork.

 

This offering, released in April 2010 by HarperVoyager is certainly more successful than the first effort, I think. I like the urban setting and the knowing expression on the girl’s face as she stares out at us. And while there is still chatter on the front, at least it has been placed in the deepest shade, so as not to get in the way of the artwork. I also really like the fade effect on the title font. This is my favourite.

 

This German cover, published in May 2010 by Heyne, is the plainest of them all and I want to like it more than I do. My problem with it is that it has too much of a horror vibe – and while there is plenty of action going on, there is no way this one can be categorised as horror, or even unduly dark. Too much quirky humour and romance is going on.

 

Produced in April 2012, this Spanish edition from La Factoría de Ideas is the least successful of my selection this week. The cover designer has tried to cram everything into this one – and the resultant mess is just that… a mess. It looks as though they have been having a fun session with clipart – not the type of look that is appropriate for a successful urban fantasy series, I don’t think.

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Friday Faceoff – Season of mists and mellow fruitfulness… #Brainfluffbookblog #FridayFaceoffautumncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is AUTUMN. I’ve selected The Thousand Autumns of Jacob de Zoet by David Mitchell, which I absolutely loved.

 

This edition was produced by Random House in June 2010 and is an extraordinary design. The Japanese landscape is depicted in bold bright colours and for once, I cannot quarrel with the treatment of the font, which has been given a 3-D effect – I suspect so that it resembles those boxed Japanese landscapes you often see depicted in ivory. I love this – it’s quirky and different, yet beautiful, just like the book. This one is my favourite.

 

Published in March 2011 by Sceptre, this edition is another lovely effort, though completely different from the previous cover. The Japanese woman, half turned towards the reader, offering an apple, is both eye-catching and appealing. I love the way the apple contrasts with the muted blue of the kimono and background. The fact they are the same shade shouldn’t really work – but I think they do. And the font lettering is also beautiful. I may be influenced, because this is the cover of the book I owned, signed by David Mitchell. While I don’t love it quite as much as the previous offering, I still find it very appealing.

 

This Serbian edition, published by Laguna in 2013, goes back to the Japanese landscape for inspiration. Another lovely rendition – I do like the shadow effect of the leaves around the sky. And this one is clearly depicting the Japanese trade delegation on the island of Dejima watching the foreigners approach in their boats, so I appreciate the fact it relates directly to the story. Another attractive, well crafted cover.

 

It wasn’t until I saw this Croatian edition, published by Vuković&Runjić in 2014, that I realised how relatively rarely pouring rain features in a landscape. And here it’s coming down in stair rods – that chilly, miserable soaking stuff that drills right through to your bones so that you feel you’ll never be dry or warm again… Again, I also love the treatment of the font – this was so very nearly my favourite.

 

This Thorndike Press edition, published in January 2011, is another gorgeous affair. This is again, a typically Oriental setting with the beautiful fire-red acer trees blazing out amongst the sculpted order of the Japanese garden, with the classic bridge over a stream. The colours are lovely and so is the setting. This one was yet another close contender. This week, there isn’t a dud amongst my selection, so I’m fascinated to see which you will choose as your favourite… unless you dislike all of them, of course!

Friday Faceoff … and it was all yellow #Brainfluffbookblog #FridayFaceoffTheRulesofMagic

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week is featuring a YELLOW COVER, so I’ve selected a book from one on my teetering TBR, The Rules of Magic – prequel to the Practical Magic series by Alice Hoffman.

 

This edition was produced by Simon Schuster in October 2017 and as soon as I read the subject for this week, it was a no-brainer. This is a beautiful cover that has me yearning to jump into this book. The sparkles… the face behind it… and for once I won’t be grumbling about the plain black font – it works brilliantly against the brightness of that cover. This is my favourite.

 

Published in November 2017 by Simon Schuster – what a difference a hardback makes! I confess to being rather puzzled as to why this edition is so completely different to the previous offering. Nevertheless, I do think it charming. My grizzle is with the font – why pink? And if you have to have pink – why Barbie pink?

 

This edition, published by Scribner in August 2018, is also beautiful. The amber colour of the cover is just lovely and I particularly like that you cannot see the girl’s face, while the detail of her hair, neck and shoulder is lovely. As for the font… rather ordinary and underwhelming, which is why this isn’t my favourite – but it is a close-run thing!

 

Produced by Uitgeverij Orlando in February 2019, this Dutch edition is also an eye-catching cover. I just love the freckle-faced girl glaring out at me in amongst the sunflowers. I particularly like the fact that she isn’t plastered in make-up. But I find the flat font very disappointing.

 

This Russian edition, published by Эксмо in October 2017 is the second cover with an abstract floral design – and in my opinion this is by far the more successful. I love the symmetry and striking colours – the dark purple background, with the teal leaves and orange/golden flowers is eye-catching and beautiful. While the title and author fonts are plain and on the dinky side of small, at least they look as if they are nested within the design, rather than slapped across the top of it. So… which is your favourite?

Friday Faceoff – The book is a film that takes place in the mind of the reader… #Brainfluffbookblog #FridayFaceoffmovietieincovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is MOVIE TIE-IN. I’ve selected Catching Fire – Book 2 of The Hunger Games series by Suzanne Collins. Mostly because I think both the book and film are more successful than most notoriously difficult second-in-the-series efforts.

 

This edition was produced by Scholastic Press in September 2009 and is a strong design that catches the eye on the shelves (I know – I bought this edition, having seen it on said shelves). Red and gold are always a strong colour combination and the design and the unusual bird give a sci fi feel to this cover. If I have a moan, it’s that blocky, rather uninspired font.

 

Published in November 2011 by Nemira, this Romanian edition is very effective, with the face half-hidden by those red leaves. The detail of the raindrops beading the leaves gives a nice three-dimensional aspect. But then they went and botched it by plonking the title font bang in the middle of the cover in the same shade of red. It both clutters the overall design and is difficult to read – hard to imagine how they could have made more of a mess of it, really.

 

This edition, published by Scholastic in October 2014, goes for a different suite of colours no less eye-catching than the red and gold. I love the treatment of the font which is both attractive and imaginative. However, that negative effect on the mockingjay makes it look like a fossilised pterodactyl, which isn’t an accurate portrayal of the book. I suppose I can give them a pass on this one – by 2014 you’d have to be living under a rock not to have heard of The Hunger Games, but it goes against the grain to have a cover that doesn’t accurately reflect the book’s genre.

 

This movie tie-in edition, produced by Scholastic in October 2013 is an underwhelming effort. It certainly doesn’t work all that well in thumbnail – all you see are those roiling clouds. Katniss merely blends into the background wearing her hunting attire. I think this is the least effective of all the covers.

This Scholastic Singapore edition, published in October 2014, is my favourite. Just look at the bird on fire against the black background. Gloriously simple and yet so beautiful and visually compelling. It is also one of the movie tie-in covers and if you’ve seen the film, you’ll know it works really well as a nod to that terrible scene when it all does, indeed, catch fire… Which is your favourite?

Friday Faceoff – Yo ho ho and a bottle of rum… #Brainfluffbookblog #FridayFaceoffpiratecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is PIRATES. I’ve selected How to Be a Pirate – Book 2 of How To Train Your Dragon by Cressida Cowell, which is one of my favourite children’s series ever…

Yes, for the second week in a row I’m featuring a children’s book. This year I seem to be reading rather a lot of them – just as I’d given up on making children’s fiction part of my reading challenge as I’d failed to read a reasonable number for the past three years in a row…

 

This edition was produced by Brown, Little and Company in May 2005. It is suitably quirky with a Viking-cum-pirate character clearly somewhat intellectually challenged as the main image on the cover. I like the background of planked wood, the quirky font and – unusually for me – I love the textbox looking like a treasure chest’s key plate and the dagger for the author name. However, that main image is rather unwhelming, I feel.

 

Published in February 2010 by Brown, Little and Company, I think this cover is more visually appealing, while keeping a lot of the successful aspects of the previous cover. I love the more eye-catching teal background colour and the fact that the textboxes are still enjoyably part of the overall design. However that image in the middle actually features a boat, a worried-looking Hiccup and a threatening dragon emerging from the waves… We get a sense that this is a proper adventure as well as being very funny.

 

This edition, published by Hodder Children’s Books in June 2017 was all set to be my favourite. I love the scaled background, the way the Viking longship bursts from the middle of the cover on a surfing wave – so clever and eye-chatching. And then I paused to take in the actual wording of the quirky font. And changed my mind… I’ve been listening to the series recently and frankly, it’s doing my head in. There are twelve books – and not one of the modern covers sees fit to inform the reader where in the series they come. In fact, the actual title of the book is dwarfed by the series name emblazoned across the top – very annoying! It’s a dealbreaker for me – so this isn’t my favourite, after all.

 

This Spanish edition, produced by SM in August 2006, demonstrates what a huge impact changing the backdrop can have. This cover features the same main design of the first cover – but what a difference. I don’t much care for it – that interlinking pattern doesn’t shout Viking to me and tends to give the whole cover a rather cluttered feel, which isn’t a good look for a children’s cover.

 

This German edition, published in June 2014, has decided to feature the dragon – I love that fantastic image of those two dragon eyes, snout and fangs peering out at a small Viking boy, presumably Hiccup. BUT that large title across the top of the cover is the series title – and once again there is no indication that this is Book 2. Without these issues, this would be my favourite alongside the Hodder edition – but this is such a major omission, I am going to have to plump for that second cover, which gives all the necessary details for a reader. Which is your favourite? Do you mind if a cover doesn’t provide all these details, so long as it looks good? I’d love to get your opinion on this issue!

Friday Faceoff – Adults are just outdated children… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is CHILDREN. I’ve selected Frozen in Time by Ali Sparkes, which is one of my favourite children’s books ever…

 

This edition was produced by Oxford University Press in January 2009 and is my favourite. I love the halo of supernatural light as the four children emerge from the underground bunker. If you look closely at the three children you can see clearly, you’ll see that two of them are dressed quite differently from the middle boy. I really like the fact that the artist has taken the trouble to depict the difference in their clothing, given it features so much in this timeslip adventure. I think it is plain from the cover that this is a science fiction adventure – another pluspoint for this polished, classy offering. It doesn’t hurt that this is the cover that I recall features on the audiobook, either.

 

Published in June 2013 by Oxford University Press, this retread isn’t quite so successful. While I like the artwork – I think it’s a real shame that over a third of the cover is given over to that intrusive, ugly text box. That marvellous font could easily have stood out against the forest canopy and looked more contemporary and interesting as a result.

 

This US edition, published by EgmontUSA in May 2010, so very nearly became my favourite. I love the fact that this one depicts the dramatic scene where the modern pair encounter their great aunt and uncle in suspended animation… But it’s a daft expression on Freddy’s face as he slowly surfaces in the chamber that ruins it for me. Other than that, I love the funky font and the marvellous artwork. This is definitely a contender…

 

This German edition, produced by Fischer KJB in November 2012, seems to have got their genres muddled. While there are some genuinely creepy moments in this fast-moving adventure, it is not a horror story – it is definitely a science fiction timeslip adventure with generous dollops of humour and some interesting things to say about how life has changed for children over the last fifty years. And this cover doesn’t give a hint of that.

 

This French edition, published in December 2016 by Bayard Jeunesse, has the feel of the old Enid Blyton books, which given the age of a couple of the children is more relevant than it might seem. What worries me is that I’m not sure this cover would attract modern independent readers as there is no sense of the smart, funny, thought-provoking writing in the artwork. Which is your favourite?

Friday Faceoff – The world is wrong side up… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and this week we are featuring on cover that is UPSIDE DOWN, so I’ve selected The Opposite House by Helen Oyeyemi.

 

This edition was produced by Nan A. Talese in June 2007 and is my favourite and the reason why I selected this book. It is striking and clever, as well as being beautiful with plenty of intriguing detail. Though if I were to be picky, I would add that in thumbnail the title and author font are all but invisible.

 

Published in May 2008 by Bloomsbury, this cover has grown on me. Initially I was rather underwhelmed, but that young woman’s gaze is mesmerizing. I like the bold title font which works well in thumbnail and the warm colour is enticing and adds to the charm of this accomplished effort. My chief grizzle is that there is far too much chatter scattered across this cover which compromises the artwork.

 

This edition, published by Bloomsbury in July 2007, is quite different from the previous offering. While I like the idea of the title looking like lighting, it doesn’t work well in thumbnail and that strong teal background somehow swallows the white. I think the pink flowers look striking, but for the life of me – I have no idea what is going on at the bottom of the cover. Is it an arm? An arched back? Please give me your suggestions – the fact I cannot make it out is indicative that whatever effect Bloomsbury were going for, it hasn’t worked all that well.

 

Produced by Bloomsbury Berlin in September 2007, this monochrome offering offers yet another contrast to all the previous designs. Rarely have I come across a book with such a wide disparity in design approach… The blurred nightie floating out of the window gives this a strong horror vibe, though I don’t get that impression from any of the other covers. I think the title font is far too thin and tentative – it gets swamped by the backdrop and is impossible to read in thumbnail. I am conscious that I have given you quite a disparate selection – so which is your favourite?

Friday Faceoff – What would it be like to live in a universe with two dimensions of space and two of time? #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and this week at least one of our covers has to be grainy or look like WHITE NOISE, so I’ve selected Dichronauts by Greg Egan.

 

This Kindle edition was produced by Greg Egan himself in March 2017. I love the design, which is also a visual manifestation of the physics behind this amazing world that Egan has constructed. It is both beautiful and eye-catching. Despite the nasty orange font for the title and author, this is by far the most details and awesome depiction of this design and is therefore my favourite. By the way, if you are interested in exploring the physics behind the world of the dichronauts – this is a LINK to Egan’s site explaining his ideas.

 

Published in July 2017 by Night Shade, this cover is a close reworking of the original. I miss those beautiful colours in the centre of the hyperboloid, and the author name and title have been better handled. I also wish there was less distracting chatter so readers could better appreciate the beauty of this remarkable design.

 

This audiobook edition, published by Tantor Audio in July 2017 doesn’t go in for the whole shape, but gives just a slice of it. I think it’s a shame that the beauty of the whole hourglass has been chopped down – but I’m guessing it’s because of the different size and scale of the cover.

 

Produced by Night Shade Books in July 2017, this edition so nearly gives us the original Egan design completely unadorned. While I do love the notion of providing the whole design without messing it up with details like the title and author, there isn’t quite the beauty and depth of the Egan offering. Which is your favourite?

 

Obviously, this cannot count, because it isn’t a book cover – but it is the gif of the dichronaut world that Egan is depicting. I think it’s lovely…

Friday Faceoff – Wrap your mind around my thoughts as I wrap my soul around your heart… #BrainfluffFridayFaceoff #FridayFaceoffWraparound

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week is a WRAPAROUND cover, so I have selected Harry Potter and The Prisoner of Azkaban by J.K. Rowling because it’s just lovely. I hope you like it, too😊

 

Friday Faceoff – There is no friend as loyal as a book… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is something STRIPED – and I officially declare myself beaten. The only cover I found I didn’t like all that much, anyway. So I decided to play a WILD CARD that Lynn has suggested we use – and I’ve featured a book that I loved – The Stone Sky – Book 3 of The Broken Earth series by the mighty N.K. Jemisin.

 

This edition was produced by Orbit in August 2017. I love this cover and it’s my favourite. The intense colours are beautiful and the artwork otherworldly and haunting. Small wonder this cover is the default with only a few exceptions. I even like the rather ordinary font, which this time around works well. Of course, it could just be that I was so blown away by the intense reading experience I encountered when diving into this book that I’m somewhat biased.

 

Published in September 2018 by J’ai Lu, I really like this French edition. The intense blue of the sky, the great orb hanging in the sky below and those stones breaking the soil at odd angles give this cover eye appeal and correlate with the book’s story. What absolutely doesn’t work are those ugly white textboxes bisecting the artwork. The effect looks like two strips of paper with the typewritten information have been stuck across the covers – what a shame!

 

This Hungarian edition, published by Agave Könyvek in August 2018 has gone back to the colours of the default cover, but taken a less abstract approach. The result is a really cool, very attractive cover. If this had been the cover of my reading copy, I think I would have been more torn, because I think it is very effective. As it is, it comes a close second.

 

Produced by Subterranean Press in September 2018, this is also a very attractive, powerful offering. I like the way it features the two main protagonists – the mother and her lost daughter and having that beautiful triangular text box slicing them apart works really well. The other thing I love about this cover – Jemisin has clearly written these characters as black and I’m delighted the publishers have featured them as such.

 

This Chinese edition, published by 天地出版社 in March 2018 is another strong offering. I love the image of the skyscape where it looks as though you could actually step on those clouds in shades of an attractive tangerine. The downside for me is that black textbox slammed across the bottom of the cover, cutting off the rest of the artwork. There also seems to be a great deal of chatter across the cover – but as my understanding of Chinese isn’t worth a nocked nail, it may well be the explanation might be necessary to an audience unused to the genre, so I’ll give them a pass on that.
Which is your favourite?