Category Archives: Lynn’s Book Blog

Friday Faceoff – If my head would win him a castle in France, it should not fail to go… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is the TUDOR PERIOD, so I’ve selected one of my favourite reads of this excellent series, Dark Fire – Book 2 of the Matthew Shardlake series by C.J. Sansom.

This edition was produced by Penguin in December 2005 and features a blazing London cityscape. I love the artwork and drama – but loathe that red blob plonked in the middle of scene announcing that this is a Matthew Shardlake thriller. What’s wrong with adding that detail under the main title?

 

Published in May 2007 by Pan Books, I love the drama of this ancient text being engulfed by flames – the title font is awesome. But I don’t like the lack of additional information, like the fact that this is the second book of the series, which is a serious fail.

 

This edition, published by Viking Books in January 2005, at least includes some of the vital information on it. I very much like the title text box as a ripped scroll, though I do feel they have been a tad too clever adding the St George’s Cross, which instead looks like a cross put in the corner by a grumpy teacher. The actual artwork is skilful, with the half-hidden swordsman in the foreground and the Tudor building behind him, but it doesn’t have much impact in thumbnail.

 

Produced by Pan Books in 2005, this dramatic depiction is my favourite for the sheer drama of the cover. The fire roaring through the windows with the winding stone staircase in the foreground immediately pulls us into the scene. I also love the stylish lettering of the title font – but again, why is it such an almighty secret that Dark Fire is the second Matthew Shardlake book in the series? It’s unforgiveable to leave a detail like that off the front cover, I feel. Notwithstanding this egregious omission, this is my favourite cover.

 

This German edition, published by Fischer in 2011 is another stylish offering in the form of a Tudor book, complete with the elaborate hinges and attractive font – though again, there isn’t a mention that this is part of a best-selling series. Which is your favourite?

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Friday Faceoff – Oh, I have slipped the surly bonds of earth… Brainfluffbookblog

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If I haven’t already said it to you – I wish you a very happy, healthy 2019! This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a FRESH START, so I’ve selected one of my outstanding reads of 2018 – Windhaven by George R.R. Martin and Lisa Tuttle – see my review here.

 

This edition was produced by Gollancz in February 2015. It is one of the more stripped-back covers, but I do love the vibrant background colour with the embossed, bevelled font and the outline of the wing – the badge of the flyers. The result is eye-catching, classy and my favourite.

 

Published in April 2003 by Bantam, I do like the seascape and the flyer high up in the sky. But I was aggravated that the magnified image isn’t the same, given that the angle of wings is wrong. It makes me wonder if the cover designer thinks the readership are so stupid as to miss a detail like that…

 

This edition, published by Bantam in October 2012, is essentially the same basic cover as the first one, but it is startling to see just what a difference another background colour makes to the overall mood and feel of the design. While I like it, I don’t love as much as the first example.

 

Produced by Saída de Emergência in May 2013, this Portuguese edition is a strong contender. I love the artwork and the dramatic scenery, which is exactly as I envisage Windhaven. The scene highlights just how vulnerable and dangerous the flyers are as they face the elements and this cover is a close contender for the favourite spot.

 

This Italian edition, published by Mondadori in 2015 is another dramatic offering. This time we come face to face with young Mari, who stares straight out at the readers, defiantly wearing her wings with a stormy sky as a backdrop. The reason why this one isn’t a favourite is down to a personal peeve of mine. She is far too lightly dressed for a journey on such a stormy planet, when she will be travelling over water. I also think that sticker would be better off in the corner, rather than intruding on the rather fine artwork.

Which is your favourite?

Friday Faceoff – Ho, ho, ho! Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is CHRISTMAS, so I’ve selected Hogfather – Book 20 of the Discworld series by the irreplaceable Terry Pratchett. The first time I read this book, I was crying with laughter over the scene in the toy department…

This version was released in October 2002 by Corgi and I get the impression that the cover designer was told that this book featured Death stepping into the role of the Hogfather. He chose to focus on the Death part… All this gloom and blackness gives this cover a sense of horror – and it’s nothing of the sort. While the story is violent in places and features the most psychotic killer Pratchett ever depicts, there is also plenty of mayhem and lots of humour, too. Not that you’d know it from this cover, which I HATE.

 

Published in October 2002, also by Corgi, this cover is a huge improvement – mostly because it’s based on the original. In my opinion, it’s even better, because those big, intrusive text boxes are no longer a feature and we get the full benefit of the fabulous artwork. This one is my favourite.

 

This edition, published by Corgi in June 2013, is another winner – though I’m intrigued to see this one was released in the middle of summer, for some reason… Rightly featuring the pigs, it once more packs a punch with that lovely dark sky in the background and nicely stippled author font. Again, this one is based on the original cover for the book and so the riotous aspect of the story is reflected in the artwork. This one is also my favourite. And no… don’t ask me to choose between the two, because I can’t.

 

Produced by Harper in September 1999, this one is just boring. While a picture of the Hogfather features on the cover and the title font is pleasingly quirky, that doesn’t really make up for the oh-so plain yellow cover. And no – I personally don’t think the line of scythes is a suitable replacement for the iconic bright, colourful covers that always remind me of Pratchett’s Discworld series.

 

This French edition, published by Pocket is the only original cover that comes close to the humorous mayhem that represents the series. I love the way Death emerges from the chimney, with the children looking on in fascination. Susan is beautifully portrayed and I love the orange glow that suffuses this cover – so appropriate for the time of year. If I didn’t have such fond memories of the previous covers, which I’m sure is affecting my choices, this one would have been a real contender. Which one is your favourite?

Friday Faceoff – A crown it is a hollow thing… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a CROWN, so I’ve selected Three Dark Crowns – Book 1 of the Three Dark Crowns series by Kendare Blake.

 

This edition was produced by HarperTeen in September 2016. I really like the idea of this one – three crowns all different, interspersed with the title. But I’m less impressed with the execution. Who decided that the backdrop had to be so flipping dark? Or that the gloom should all but engulf the images, so that in thumbnail, all you can see is the black cover and even the title is swallowed up. What a shame – because I feel that if only the backdrop had been just a bit brighter, this default cover would have really popped.

 

Published in September 2016 by Macmillan Children’s Books, this one is slightly better, although in thumbnail it is still difficult to make out anything other than the gold and red. However, I do prefer this as the contrast between the red roses and gold gives it visual impact and I also very much like the styling of the red font against the black background.

 

Der Schwarze ThronDie Schwestern von Kendare Blake

This German edition, published by Penhaligon in May 2017 has decided to make a feature out of the crown, rather than the dark, which is far more eye-catching in thumbnail. I love the smoky effect surrounding the crown, along with the wheeling birds, giving a real sense of menace. And I also like the embossed effect gold finish on the title font that gives it a nifty 3-D effect. My niggle is with that nasty red blob in the middle of the artwork – why couldn’t it have gone in a corner, or at bottom where it wouldn’t have interfered so jarringly with the design?

 

Produced by Pan Macmillan in September 2016, this one is my favourite. While I still think the black is rather too pervasive, that bright green snake curled around the crown really leaps out and is nicely complemented by the matching title font. Punchy and simple, I think that this is the most successful of all the covers, perhaps with the exception of the bottom one, which is also my favourite… Yep – this time around, I simply can’t choose between these two.

 

This Chinese edition, published by 臉譜 in July 2016, features the three queens fighting for the crown. I love the strong anime influence in the artwork, revealing their individual strengths. It’s busier than the stripped-back approach of the other examples, but I think it’s certainly more successful than some of the gloomiest examples and I can’t make up my mind between this one and the previous cover featuring the snake. Which is your favourite?

Friday Faceoff – A hero is somebody who voluntarily walks into the unknown… Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is a HERO, so I’ve selected The Lost Hero – Book 1 of The Heroes of Olympus series by Rick Riodan.

 

This edition was produced by Disney-Hyperion Books in October 2012. I really like this cover featuring a wonderful steam-driven dragon, which rightly has pride of place in the middle of the cover. The green light suffusing the backdrop ensures the metallic colouring is nicely thrown into relief. The title and author fonts are clear and inoffensive, if a tad boring, but this cover is a strong contender – even if said hero doesn’t feature all that much.

 

Published in October 2011 by Puffin, this is a really dramatic offering. The steampunk dragon is still featuring – but the lower half of the cover is given over to the young hero plunging towards the ground. It is a startling, eye-catching image. Unusually, the series details are given more emphasis than the title or even the best-selling author. While this is unquestionably a dramatic cover, it doesn’t look so effective in thumbnail.

 

This Italian edition, published by Mondadori in September 2017 has featured the lost hero of the title. The silhouette of the slumped figure depicts utter despair. With the birds pouring out of him as he dissolves, it is an arresting image that snags attention. I would love it even more, but for the fact that it fades into black both top and bottom. This means the artwork only extends over half of the cover, which is a shame, given how brilliant it is.

 

Produced by Boekeri in September 2012, this Dutch edition is more successful. I love the dramatic colouring and the protagonists staring at the devastated cityscape while that amazing mechanical dragon is also nicely featured. Those flame colours in the backdrop really jump out. I also love that border edging the whole cover which gives it an extra dimension. This is my favourite, though it’s a close-run thing between this one and the cover below.

 

This Russian edition, published by Эксмо in October 2010 has us back in the air with that wonderful mechanical dragon again. This is another cover that tells a dramatic story, with the city in flames and that amazing building featuring behind the lovely red and white font. I really like the fact that we can see the characters so clearly on board the dragon. Which one is your favourite?

Friday Faceoff – Always do what you’re afraid to do… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is something SCARY, so I’ve selected The Woman in Black by Susan Hill.

 

This edition was produced by David R. Godine in December 2001. While I’m never a fan of boxes containing the artwork, I think this one gives a sense of the period in which this creepy book is set. I’ve seen this on the stage at it is mesmerising – the haunted look of the man in the picture very accurately reflected the way the marvellous actor played the main character. And please don’t judge this by the dreadful film starring the hapless Daniel Radcliffe…

 

Published in 1998 by Vintage, I really like this stylish offering. The diffuse sun shining through the fog… the woman wandering alone… and the looping font all give a real sense of the book. I also rather like the decorative scrolling around the edge. Does it give a sense of menace? I think so, but maybe I’m biased, given that I know what an issue that fog is to the story…

 

This edition, published by Vintage Classic in October 2007 has called my bluff. I am always moaning about cluttered covers and how much I’d like to see a more minimalist approach. This one, however, has gone too far the other way. The outline of those tangled branches is wonderfully menacing, but would it have killed them to actually give Susan Hill her full name? Or maybe – perish the thought – actually lend a bit of style to the painfully plain title font.

 

Produced by Profile Books in September 2011, this is also a very attractive offering. I like the purple and black colour scheme and the Victorian woman walking alone. And then they go and over-egg it by having an owl flying overhead… I can’t recall if there is a hooting owl – while the sound of that rocking chair is one that I’ll never forget – the problem I have with its addition, along with the colour scheme, is that it now looks like a shapeshifting paranormal fantasy cover…

 

This edition, published by Vintage in October 2011 has so much going for it. I love the fog-shrouded forest and the lovely looping title font. And then they go and completely spoil it by putting a lot of chatter on the cover about the dreadful film! Otherwise this one would have been my outright favourite. As it is, it ties with the second cover. Which is your favourite?

Friday Faceoff – When spiders unite, they can tie down a lion… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is SPIDERS, so I’ve selected Spider Bones – Book 13 of The Temperance Brennan series by Kathy Reichs.

 

This edition was produced by Scribner in August 2010. It is my favourite with that detailed scene with the river and fields providing the backdrop for that dew-beaded web. The hole in the middle where the spider ought to be somehow makes it creepier. If I have a grumble, it’s that the title font is rather plain and flat. I would have liked to have seen it embossed or at least bevelled. But I think it is effective and clear.

 

Published in August 2010 by Pocket, I love the brilliant yellow of the cover that glows, especially in thumbnail. The trees festooned with webs scrambling across the top of the cover gives a sense of menace. The font featuring Reichs’ name nicely pops and the lonely woman walking with the tree roots under her feet looks strikingly vulnerable. The problem I have with this one is that there is far too much chatter over the cover – otherwise it would be my favourite.

 

This edition, published by Arrow in July 2011, is also a good effort. I love the bones featured in the foreground with a trailing web around it, submerged under the water. But I’m particularly keen on the wonderful title font that really stands out in thumbnail.

 

Produced by William Heinemann in October 2010, this edition has an alternative title – Mortal Remains. I do like this effort – the title and author text contrasts well against the surface of the lake or river and looks particularly good in thumbnail. I do wonder exactly what those dear little fish are feeding on…

 

This edition, published by Arrow in March 2013 is a close contender for my favourite cover. I love the web of cracked glass caused by a bullet hole and the uneven title font scratched in it. Clever and effective, the forest is partially obscured by the thick dirt on the crazed windscreen. My problem with this version is that I think it looks as this is horror novel, instead of a murder mystery. Which is your favourite cover?

Friday Faceoff – Remember, remember, gunpowder, treason and plot… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is BONFIRE NIGHT, so I’ve selected Secret Seven Fireworks – Book 11 of The Secret Seven series by Enid Blyton.

 

This audio CD edition was produced by Hodder Children’s Books in November 1996. I really like this one. The cover is bright and busy, featuring the children looking happy and positive as they gather material for their bonfire night. And while I usually dislike text boxes running through the middle of a cover, this one has a comforting period feel of the original series, which I loved as a child. This one is my favourite.

 

Published in 2006 by Hodder, I love the bright fire against the black cover – this one looks fantastic in thumbnail. However, I am far less impressed at the full-sized effort, given the children are depicted as cartoons… No! This never happened with Blyton’s books other than the Noddy series and her fantasy stories. So while everything else is in place to make this my favourite – this is a dealbreaker for me.

 

This edition, published by Hodder in 2002, is afflicted with two hefty text boxes in Barbie pink – quite what that colour has to do with a Secret Seven adventure, I’m not quite sure. And looking at the cover, you’d think it was all about a small dog rather than a gang of children who enjoy tracking down villains.

 

Produced by Editorial Notícias in 1978, this Portuguese edition is a far more successful effort. I like the fact the children are dressed in clothes from the 1950s and busy collecting material for the bonfire, clearly enjoying themselves. This gives a great period feel to the cover and it is a close contender for my favourite.

 

This Spanish edition, published by Editorial Juventud in 1964, is another attractive cover – I like the cheeky grin on the girl’s face as she turns towards us and the jaunty angle of the famous Enid Blyton signature in red, picking up the girl’s jumper. And the reason why this one isn’t my favourite is the lack of a background. That grey with a few blobs of green is far too bland to successfully evoke this world-famous series. That’s my opinion – but I’d love to know which is your favourite cover.

Friday Faceoff – Something wicked this way comes… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is HALLOWEEN, so I’ve selected Something Wicked This Way Comes by Ray Bradbury.

 

This edition was produced by Simon Schuster in October 2017. It certainly catches the eye and makes the fabulous title the attention-grabber. The bold graphics and bright red background is designed to look like the carnival posters of yesteryear and is also relying on the fame and respect this amazing book has garnered. While I love it, there isn’t much here that shouts HALLOWEEN…

 

Published in June 1999 by William Morrow, I love the conceit behind this cover – that of a headless carousel horse with unspeakable things emerging from the severed neck – and the skull floating above the mayhem. However, they then go and ruin it by slapping one of those award blobs right in the middle of the artwork which ruins it. It’s a real shame, as they also went to the trouble of producing a cracking font, too. The only snag is that this design doesn’t work as a thumbnail.

 

This edition, published by Gollancz in August 2008, is both simple and eye-catching. The lurid green works well against the black, with the back of the ringmaster matching the lettering. It works well as in thumbnail and again, effectively trades on the fame of this book by paring down the design. I really like this one – it’s my favourite.

 

Produced by Bookspan in January 2001, this is also an intriguing cover. The wafting title rising from the paved ground like an evil spell works really well, while dark closes in, threatening and full of unknown terrors… This is a cracking cover that looks awesome full-sized, but the title shrinks to something indecipherable in thumbnail. It is so nearly my favourite…

 

This edition, published by Gollancz in March 2006 for the Fantasy Masterworks series is fabulous. I love that threatening sky… the bolt of lightning… that long road stretching onwards towards the something wicked. And then they make the title as small and insignificant as they possibly can – even the textbox announcing this is a Fantasy Masterworks book is punchier than the actual title! What is the point of a book cover where the title is all but invisible? But never mind about me and my rantings – which one is your favourite cover?

Friday Faceoff – The grave’s a fine and private place… #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is A HORROR NOVEL, so I’ve selected The Graveyard Book by Neil Gaiman.

 

This edition was produced by HarperCollins in September 2008. I really like this one – the blue-black background is both effective and attractive and the gravestone is striking. But what stands out is the treatment of both the title and author fonts, which I love. And then they go and RUIN it by plastering that large gold blob right in the centre! Couldn’t it have gone in a corner? Just asking…

 

Published in December 2008 by Bloomsbury, this cover is the exact opposite of the above cover. Rather than going for the minimalist approach, this cover is full of wonderful detail, featuring the two main protagonists scowling out at prospective readers. I could have done without the endorsement by Diana Wynne Jones impinging onto that glorious artwork, but overall I like this one, including the funky title font. This is the cover of the copy we own. The big problem with it is that it doesn’t look good in thumbnail.

 

This Spanish edition, published by Roca Editorial in October 2010. I really like it – the design is  clever, featuring the blade of a knife with the cityscape running along its length and young Bod running along the edge of it. I think it’s attractive and eye-catching – and again the author and title fonts look fabulous. However, the snag for me is that there is no graveyard in this cover, which features so heavily in the book – and the title.

 

Produced by Polaris in September 2008, this Czech cover does feature a graveyard. I like the design and appreciate that the ghosts also feature. However, unfortunately the execution of the otherworldly characters lets down this cover – they look like they’ve been painted onto material and then photoshopped into the cover. It’s such a shame, because I think the idea and the rest of the image is really strong.

 

This French edition, published by J’ai lu in April 2012, is also set in a graveyard and I love it. I think it’s the strongest of all the designs. It sings off the page with the eerie lighting and the silhouetted figure of the small boy against the wrought iron gates of the graveyard looks fabulous. This is mine – but which is your favourite?