Category Archives: Lynn’s Book Blog

Friday Faceoff – Sometimes we need a little magic… #Brainfluffbookblog #FridayFaceoffcoverswithmagicinthetitle

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with the word MAGIC in the title. I’ve selected Industrial Magic – Book 4 of the Otherworld series by Kelley Armstrong.

Bantam, Oct 2004

This edition was produced by Bantam in October 2004, and is the default cover design for this book. While I like the colour tones and I think the image is quite intriguing, I think the very boring title and author font really lets the design down. It is such a cool title and they could have had a lot of fun playing around with it appearing out of the smoke. That said, I don’t dislike it, I just think a bit more thought could have gone into it.

Orbit, Sept 2004

Published in September 2004 by Orbit, I far prefer this cover. But that might be because it’s the one that I own. I love the slightly grungy reddish background with that heavy-looking metal door, which looks quite ominous – partly because the lighting around it gives the impression there is something powerful and not particularly friendly on the other side of it. This time around, I think that rather official, business-like font works – because it is… industrial. This one is so very nearly my favourite.

Vintage Canada, Jan 2010

This edition, published by Vintage Canada in January 2010, is frankly bizarre. I get that the chequered tights with the chess pieces are supposed to denote that young Paige is a clever strategist (I think!). It’s a while since I read the book, but I don’t recall her playing chess using her legs for a board… I feel these muted colours and the use of red in the title gives this book a horror vibe, which it didn’t have. This is the design I like least – I think it’s gimmicky and misleading.

Hatchette Digital, Sept 2008

This edition, produced by Hatchette Digital in September 2008, is my favourite. I love the intense blue that really draws the eye, particularly in thumbnail. The skyscrapers give a good indication of the modern, streamlined world, while those ominous clouds swirling across the top of them give a sense that all is not well. And what a clever touch to have that pop of magic playing across the building and running into the title font! What a shame that Bantam couldn’t have thought of something similar with that original cover… This one is my favourite.

French edition, August 2009

This French edition, published by Bragelonne in August 2009, is an attractive, well-crafted cover. I like that we cannot see the girl’s face, although she is clearly young, which gives a sense of mystery. And I also like the cityscape in the background with the full moon looming in the sky. And that funky, uneven font for the title nicely sets this cover off. While it is a tad generic, I feel some care has gone into it and I particularly love the red dress and the way it diffuses into a cloud of… magical energy? Which is your favourite?

Friday Faceoff – Every great story seems to begin with a snake… #Brainfluffbookblog #FridayFaceoffserpentinecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with serpentine images. I’ve selected The Reptile Room – Book 2 of A Series of Unfortunate Events by Lemony Snickett.

Scholastic, September 1999

This edition was produced by Scholastic in September 1999, and is the default cover design for this book. While I like the artwork, as you’ll know if you visit this meme regularly, I have an unreasonable dislike of textboxes. So this cover, where the artwork is squashed into a small box in the middle, bordered by a bleh-beige colour hasn’t endeared itself to me. Given how quirky this series is, that ultra-boring title font doesn’t do it justice, either. In fact, it seems to me that this cover is a study in how to transform a funny, original book into something that looks dutifully boring.

Egmont Books, May 2003

Published in May 2003 by Egmont Books, this is altogether more successful. The intention to make this cover look like one of those old-fashioned photo albums is far clearer in this iteration of the cover. The black border, contrasting with the bright green of the spine, with the red cord is both attractive and eye-catching. The styling of the font also gives a strong hint that this book is humorous, as well as an action adventure tale. I also think the choice of image, focusing on the interaction of the snake and the Baudelaire baby is far more effective. This one is definitely a contender…

HarperCollins, May 2007

This edition, published by HarperCollins in May 2007, had done away with the original cover design and opted for more artwork, which I really like. I’m not a fan of either textbox, although I’ll concede that the top one does the job of successfully featuring the author name, which is the selling point of this series, rather than the title. I certainly like this cover more than the top one.

Egmont Books (UK), 2010

This edition, produced by Egmont Books (UK) in 2010, is my favourite. I like the artwork that takes the original image and redesigns it to focus still further on the dramatic interaction between the deadly serpent and Sunny. I also think the treatment of the author font fits well with the overall design and the series and title information looks as if they have been considered as part of the overall look, rather than simply been plonked across the image, as so often seems to happen. Overall, this is the cover that would persuade me to pick this one off the shelves.

German edition, May 2002

This German edition, published by Distribooks in May 2002, is one of the very few covers that hasn’t referenced the original artwork in some form. This one has departed from the Edwardian feel of the original image, so the colours and style are fresher and more vivid. The result is attractive and eye-catching. My only niggle is that I think the dramatic, gothic treatment of the title is at odds with the artwork, but overall I think this is a successful cover. Which is your favourite?

Friday Faceoff – Bears are not companions of men, but children of God… #Brainfluffbookblog #FridayFaceofffurrycreaturescovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with pictures of furry creatures. I’ve selected Shardik – Book 2 of the Beklan Empire by Richard Adams.

Overlook Duckworth, Nov 2004

This edition was produced by Overlook Duckworth in November 2004, and is one of the default cover designs for this book, which originally came out in May 1974. I really like it – the fact that the bear’s head is made up of the buildings of the main city is spot on, as the story is about what the bear represents to this civilisation. I also appreciate the punchy title and author fonts, which are easily read even in thumbnail. I think this is a successful, eye-catching cover.

Penguin Books, Jan 1976

Published in January 1976 by Penguin books, this is the cover on the book that I owned. It’s one of my most memorable reads – along with the very disturbing The Girl in a Swing – there is something about Adams’ writing that got right under my skin, so it brings back happy memories. I love the image of this bear, huge and savage – just look at the length of those claws. But reluctantly, I don’t like it as much as the previous cover.

Oneworld Books, Nov 2014

This edition, published by Oneworld Books in November 2014, is a reworking of the first cover – and while I like that one, this is my favourite. I think it’s because there is so much here that relates to the story. The profile of the bear in red is apt – Shardik’s appearance triggers a series of violent events. The wooden boards that act as backdrop represents his imprisonment, while I particularly love the fir trees as his teeth in his upper jaw, meeting the cityscape in his lower jaw. Which is a really clever pictorial depiction of the tension between the wilderness and what he represents to the Belden civilisation. I just wish more covers were designed with such respect for the story.

Danish edition, 1977

This Danish edition, produced by Gyldendals Bogklubber in 1977, also features Shardik up on his hind legs trying to outrun the fire that has destroyed the forest where he used to live. Look at the clouds of ash as he moves and the wisping, ashy remains of grass right in the foreground… Again, this is a scene right from the book and works really well as a cover. I like the fact that we are looking up at the bear, emphasising his huge size.

Italian edition, 1976

This Italian edition, published by Biblioteca Universale Rizzoli in 1976 is probably the most attractive of all the covers. The artwork is detailed and beautifully executed, though I don’t get the sense of Shardik’s power and size from this image, unlike the other covers. And it also features an unnecessarily large textbox, which I hate. That said, I still like it even if it isn’t my favourite. Which one do you prefer?

Friday Faceoff – Every great love starts with a story… #Brainfluffbookblog #FridayFaceoffromancecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring ROMANCE covers. I’ve selected A Town Like Alice by Nevil Shute, which I read as a girl and absolutely loved. I know it’s not a classic love story – but if the hero actually gets himself crucified for the love of his life, that’s got to be romantic, right?

Vintage Classic, Sept 2009

This cover, produced by Vintage Classics in September 2009 is one of the better ones, I think. I like the bright yellow which contrasts well with the black silhouette figures. The juxtaposition of Jean and Joe works really well and I think the Japanese guard in the background also gives a sense of threat. What I don’t like is the lack of contrast between the title font colour and the cover. The title disappears – in fact initially I thought the book was called Vintage Classics…

Ballentine, August 1985

Published in August 1985 by Ballentine, this is an interesting cover. It looks as though the original was painted in watercolours, which gives an oddly insubstantial look to the hero and heroine. I did wonder if this was because the cover had faded over time, but there are several renditions of it on Goodreads, and they all have the same slightly transparent look to the figures. That said, I think it has a rather lovely charm all of its own.

Kindle edition, Jan 2013

This Kindle edition, published in January 2013 is my favourite. I’m guessing that it takes the image from an earlier publication – this book was originally published in 1950 and has been in print ever since – but I really like it. And yes – don’t faint, but I even like the textbox in this one, too. It doesn’t intrude on the powerful images of a very ragged Jean staring straight out at us, as if begging for help. With the terrible procession of women and children who were forced on a death march across Malaya in the background. The lettering really pops against the background and its styling gives a strong sense of the period in which the story is set.

Pan, 1968

Published by Pan in 1968, this cover is so very nearly my favourite. The strong yellow background immediately draws the eye, giving a sense of the heat. I love the grouping of the characters, with Jean hunched and clearly in distress and the Japanese guard scowling in the background. The lettering is bold and clearly shows the title, even in thumbnail. So why isn’t this one my favourite? Because there is something a bit stagey and contrived about the way the woman is sitting forward, ensuring we get a good view of her cleavage.

Dutch edition, 1952

This Dutch edition, published in 1952 by Zuid-Hollandsche Uitgeversmaatschappij, is a cover design inspired by the film of the book. And the Jean Paget looking anxiously over her shoulder is taken straight from the poster featuring Virginia McKenna. The problem with this one is that the textbox in this cover does rather squash the image. And the colours, given that this is set in a tropical country, are curiously cool, so don’t give a sense of the heat. So which one is your favourite?

Friday Faceoff – Old friends, like old swords, are still trusted best… #Brainfluffbookblog #FridayFaceoffclassic/vintagecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring CLASSIC SCI FI covers.

I’ve attempted to find an older science fiction book to feature that I particularly enjoyed – and discovered that I generally don’t read vintage stories, these days. So I finally settled upon To Say Nothing of the Dog – Book 2 of the Oxford Time Travel series by Connie Willis, one of the most magnificently funny and joyful books I’ve read in the past few years – see my review. Which isn’t a surprise when a lot of the inspiration of it comes from the wonderfully ageless Three Men in a Boat by Jerome K. Jerome.

This edition was produced by Spectra in January 1998. It’s busy and the scenes do relate directly to the content – but that’s all I can say in praise of it. You’d never guess that this is a humorous book with a strong Victorian inspiration, looking at this cover. And given that a cover should also give a sense of the overall tone, then it is doesn’t hit the mark.

Published in May 2013 by Gollanczs, this cover again successfully tackles much of the subject matter within the book. But that dark blue and distorted view of Coventry Cathedral evokes a sense of dread or foreboding – where is the glorious lazing along the river? The sheer joy of the farcical plot and the wonderfully eccentric characters? Nope, not getting a HINT of it here…

This edition, published by J’ai Lu in May 2000, has taken us onto the water. But while the sepia tones and the stiffly posed characters on the riverbank do give me a strong sense of the Victorian era – I’m expecting either a man-eating eel to suddenly erupt from the water, or some ghostly menace to creep from the head of one of those spooky-looking characters. Where is the joy and madcap chaos and sheer cleverness of this wonderful book? I know, I know… I’m sounding like a cracked record!

This edition, produced by Allen & Unwin in February 2012 has at least effectively evoked the correct tone – I don’t get the sense that an axe murderer is about to jump out from behind the bridge. And we also have the dog of the title. BUT anyone who has spent any time on this site will know that I LOATHE textboxes and here is a ghastly example slap bang in the middle of the cover.

This Japanese edition, published by Hayakawa Shobō in April 2004, FINALLY hits the mark. Here we have the main characters punting down the river. I love the fact that the design has been slightly tweaked so there is an eastern flavour to it. But shame on alll those UK publishers who dismally failed to evoke the zany Englishness that Willis, a remarkably talented American author, so wonderfully wrote. Needless to say – this is my favourite! Have you read the book? Which cover do you prefer?

Friday Faceoff – The main thing about aliens is that they are alien… #Brainfluffbookblog #FridayFaceoffaliencovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers depicting ALIENS. I’ve selected Bloodhype – Book 2 of the Pip and Flinx series by Alan Dean Foster.

Del Rey Books, September 1985

This offering, produced by Del Rey Books in September 1985, is one of the default covers for this book. I really like this dramatic spacescape, with the two protagonists about to enter/examine the beautifully weird craft or creature featured in the middle of the cover. The very symmetrical arrangement of the author and title fonts and blurb provides a strong frame for the action, adding rather than interrupting the impact of the design. This is my favourite.

This is a revamp of an earlier cover, but that is all the information I have on this edition. I’m not entirely sure what’s going on, other than there’s a large planet nearby. So is that an asteroid or a spaceship – or a cross between both? And down near the bottom of the cover, there seems to be part of a torus, with the back view of a version of the Vitruvian man. Or is it? It’s rather fantastical and weird – and a bit creepy. By contrast, the author and title font is extremely boring and plain.

Del Rey, 1973

This edition is the original design, as far as I can ascertain, published by Del Rey in 1973. And here is the alien… along with Pip and Flinx and a young woman wearing an outfit that leaves absolutely nothing to the imagination. That said, and despite the lack of spaceships, I think this cover has a certain charm – and I really like the title font which packs a visual punch. The other big plus for this cover is that it features the protagonists and the scene relates to the book content.

New English Library, 1979

This edition, published in 1979 by New English Library/Times Mirror, has gone for the mysterious island vibe. This cover has an oddly gothic feel to it. That island sn’t your cosy, inviting let’s-get-away-from-it-all version, complete with gorgeous beach and inviting coconut palms, is it? And that sky is downright threatening – complete with missile fire. While it is invitingly mysterious, I’m not sure that this cover successfully reflects the content.

Italian edition, 1976

This Italian edition, published by Nord in 1976 is the original artwork of the earlier cover. I love those pops of turquoise that are missing in the copy, which pull the design together and give it a lighter, more playful tone. Suddenly it seems less of a muddle and more of a lighthearted homage to certain tropes. I just wish it wasn’t surrounded and rather overwhelmed by that dreary grey boxing in the glorious design. This would have been my favourite if not for that. Which one do you prefer?

Friday Faceoff – Who doesn’t want to fly around in a spaceship? #Brainfluffbookblog #FridayFaceoffspacebattlecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with SPACE BATTLES. I’ve selected Earthlight by Arthur C. Clarke.

Ballentine, September 1975

This offering was produced by Ballantine in September 1975. And no… I know there aren’t any spaceships as such – or are there??? Look carefully at those twinkles in the sky – they are far too regular and in formation to be anything other than an armada of ships about to attack this peaceful colony! This one is a very close contender. I love the artwork, the lighting and the funky font – and the vintage feel of it. If it wasn’t for the next cover, this one would be my favourite.

Del Rey Book, October 1977

Published in October 1977 by Del Rey Books, this is my favourite. I love the really clever, creative use of the author and title fonts, where the spaceship seems to flying under it. The use of the strong reds, oranges and the sizzling yellow of the explosion down near the bottom of the cover and right in the middle, gives both a pleasing symmetry and grabs my attention. This is such a cool, imaginative design that consciously harks back to an earlier time. Why don’t we see more fonts like this nowadays? It sings out in thumbnail and looks really effective.

Thai edition, March 2018

This Thai edition, published by สำนักพิมพ์เวลา in March 2018, is a more muted affair. But it is an effective cover, nonetheless. The darker sky allows us to see the battle raging overhead, which looks beautiful from the planet surface. I also like the colony building in the foreground – this is a more modern version of the first cover. However, I’m not convinced about the title font, which simply disappears into the cover when in thumbnail.

This Persian edition, published in 1994 by پاسارگاد, is another strong offering, particularly if you are a fan of space battles (I am!). We have the Moon to the right and Earth near the centre of the cover and an exploding ship lighting up the whole scene in a really dramatic way. While I love the design, I would have preferred to see more made of the title font, with a more contrasting colour and maybe a bit bigger.

Orion Publishing Group, August 2012

This edition, produced by the Orion Publishing Group in August 2012, is cleverly disturbing. A planet or the Moon is in the foreground, while a molten blob that looks like a planet in mid-implosion provides most of the backdrop. Putting the lettering against the blazing yellow of the lava would have been an even smarter move if they hadn’t used such a very wussy font that immediately disappears. And I loathe that text strip near the bottom of the cover, announcing it is Gateway Essentials… really? They couldn’t have just coloured the font white and let the contrast provide the necessary visibility? Because that nasty yellow stripe immediately draws the eye away from the drama, compromising the impact of the design. Such a shame! Meanwhile, do let me know which is your favourite.

Friday Faceoff – We are all like the bright Moon; we still have our darker side… #Brainfluffbookblog #FridayFaceoffmooncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week, we are featuring covers with the word MOON in the title. I’ve selected The Moon is a Harsh Mistress by Robert Heinlein.

Hodder & Stoughton, March 2005

This cover was produced by Hodder & Stoughton in March 2005 and caught my eye because of the funky author font which really pops. I’m a bit surprised at the very plain treatment of the title font by comparison, given what a famous book this is, as well as being a bit disappointment. Other than that, I think the spaceships/prison cells are a bit generic. I would have liked to have seen at least a nod to the 1960s within the cover design out of respect for this book’s longevity.

Gollancz, December 2008

Published in December 2008 by Gollancz, this SF Masterworks edition is rather disappointing. The title and cover fonts are utterly plain and underwhelming, to the extent that in thumbnail, they completely disappear. While the cover design is very generic – that could be any old planetary satellite, with any old spaceship approaching. Given how used we are to iconic moonscapes after 1966, I feel the designers could have done a lot better.

Berkley Medallion, September 1968

This edition, published in September 1968 by Berkley Medallion, is a bit more like it! That setting is recognisably the moon, with one of the railguns that Heinlein featured in this revolutionary story. While the fonts are rather boring, at least they are easily readable when this cover is in thumbnail. And the design and feel of the cover is of the period when this ground-breaking book was first published.

Berkley, May 1981

Published by Berkley in May 1981, this is my favourite. I love the period feel, the lunar landscape and the drama of the spacecraft crashing in the foreground. I also love the treatment of the author font – it looks fabulous. And the icing on the cake is that we also have Earth hanging in the sky. I only wish the book’s title had been given just a bit more care and attention. That said, I think this cover really jumps out in comparison to the previous offerings and would certainly tempt me to reach for it.

New English Library, 1998

This edition, published in 1998 by New English Library is so nearly a contender. I love the remains of the spacesuit, with an arm still clutching a gun in the foreground which creates a real sense of drama. And it is also refreshing to see the title actually appearing in colour. However what stops this one from being my favourite is the appearance of that huge planet in the sky – really?? Who towed the Moon so much closer to Earth – or have we now imported another planet into the Solar System in the near future? This sloppy mistake is a dealbreaker for me. But which one do you like best?

Friday Faceoff –Perfect love is to feeling what perfect white is to color… #Brainfluffbookblog #FridayFaceoffwhitecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week – the first of 2021 – we are featuring WHITE covers. I’ve selected The One by John Marrs – see my review.

Edbury Digital, January 2017

This is one of the default covers, produced by Edbury Digital in January 2017. It is my favourite cover, as I think the heart is eye-catching and clever and I also like the strapline. The detailing of the genetic sequencing around the edge in the blue also works well – a nicely subtle touch that finishes the cover with a pleasing border. It was always going to be a challenge to design a suitably appropriate cover that didn’t give the impression that this is a love story – and I think this one achieves that brief really effectively.

Hanover Square Press, March 2018

Published in March 2018 by Hanover Square Press, this design takes a variation on the previous cover, with the obvious main difference being the initial O becoming a splatter of blood containing a fingerprint. I do wonder if the blood spatter gives this design more of a horror vibe, which isn’t correct as this is more of a thriller. The border is still in place, though the use of the black rather than the pale blue gives the cover more of a grungy feel, I think.

Romanian edition, 2019

This Romanian edition, published in 2019 by Editura Trei, is the least successful of my selection, I think. The knife dripping with blood gives the impression that this a murder mystery, rather than a techno thriller. While the fontsfor both the author and title fonts are plain boring.  

Hanover Square Press, April 2019

Published by Hanover Square Press in April 2019, this is the only coloured cover in my selection. I think this one is strikingly attractive – and I like the red darts sticking out of it. The contrast between the blue and red works well. I also like the uncluttered look, though once again, I think the title font is overly plain and a tad boring, which is a shame given how successful the overall design is. This is a strong contender – I so nearly went for this one…

Maxim, June 2018

This Hungarian edition, published in June 2018 by Maxim, is also a contender. I really like how it has taken the default cover design and added His and Her. It gives the cover real interest – my only major concern is that it gives the impression that this is a romance. And while all the protagonists are searching for The One, the novel is more about the process that’s used. Which one do you prefer?

Friday Faceoff – Style is a way to say who you are without having to speak… #Brainfluffbookblog #FridayFaceoffstylisedcovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring STYLISED covers. I’ve selected The Invisible Library – Book 1 of The Invisible Library series by Genevieve Cogman – see my review.

Pan, December 2014

This offering was produced by Pan in December 2014. This is the cover of the edition that I read, which probably has influenced my decision – because it is one of my two favourites this week. I love the lovely teal background and the nifty little details highlighted in gold, which gives a good sense of the period feel of this portal fantasy adventure. And while I don’t love the strapline, at least it has been treated as part of the overall design, rather than plopped onto the middle of the cover as an afterthought, as so often happens.

Ace, June 2016

Published in June 2016, by Ace, this cover has clearly taken its inspiration from the original, with similar styling. The main differences are the background colour – that beautiful rich blue makes the gold detailing sing out. However, I find those details create just a bit less impact and therefore don’t draw my eye as successfully as the top cover. But I suspect this week, it is going to be down to personal taste, because there is nothing essentially wrong with this design, which is still beautiful and classy.

Czech edition, October 2017

This Czech edition, published by Omega in October 2017, is my other favourite this week. I love that rich crimson background and the heavy gilded border and very elaborate detailing on the title font gives this cover a sumptuous, luxurious tone that harks back to a time when books were rare and valuable items. And what I particularly like about that dynamic, is that these are the types of books that frequently feature within The Invisible Library. It’s a dynamic which I think all these covers are reaching for – but this is the one that most successfully achieves it.

Romanian edition, March 2019


This Romanian edition, published in March 2019 by Editura Nemira, is another lovely offering. This time, the styling includes more colour and less gold and I particularly like that beautifully elaborate, steampunk-ish key featured in the middle of the design. However, I’m not so keen on those leaves popping up on the border design of the cover – that kind of flora simply doesn’t appear in this book. But I can’t deny that those little drops of red do draw the eye.

Turkish edition, March 2016

This Turkish edition, published by Timaş Yayınları in March 2016, is another lovely, stylised design. I like the mathematical feel of some of the detailing in the corners, as well as featuring the gothic detailing in the architecture of the Houses of Parliament. This one is so nearly a contender for my favourite of the week – but unfortunately, the lighter shading fades into near invisibility when in thumbnail, which was a dealbreaker, given the purpose of book covers is to draw the attention of a prospective reader. Which is your favourite?