Category Archives: Lynn’s Book Blog

Friday Faceoff – When all else fails: explosions… #Brainfluffbookblog #FridayFaceoffcoverswithexplosions #SciFiMonth2019

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is EXPLOSIONS. I’ve selected Cibola Burn – Book 4 of The Expanse series by James S.A. Corey – see my review of Leviathan’s Wake. I’ve also linked this week’s meme with @SciFiMonth2019, given this epic space opera series is such a success.

 

This edition was produced by Orbit June 2014. I love the big, blockbuster feel of this cover, which really suits the feel of this large-scale epic space opera series. This is the default cover from which many of the others are derived – and with good reason, given the drama it engenders. I also like a punchy orange title font and the large blocky design, giving a slightly retro feel to the book design. This is my favourite – it looks good both full-sized and in thumbnail.

 

Published in November 2018 by MAG, this Polish edition has opted for a completely different feel. Gone is the large space station, the flaming debris from a disintegrating ship – we don’t even have a distant nebula or starscape to relieve the ink-black background. There is just a drifting astronaut with a bunch of cables… In thumbnail, you cannot make out what is going on – and given this was only released last year, that is a fundamental error. The feeble font is all but eaten up by that black background and certainly doesn’t prevail once the cover is shrunk. I think this is bleak and boring.

 

This Serbian edition, published by Laguna in June 2016, is more like it! I love the way the central artwork is highlighted with that dramatic red backdrop, so those tentacles waving in the air take centre stage. The lightning streaking through that awesome title font is also a lovely touch, as it the nifty little shuttle perched on the rocky outcrop off to the left. Overall, I really like the eye-catching drama of this offering – a huge improvement on that previous dreary effort. It is so nearly my favourite…

 

This Italian edition has gone back to the original cover for inspiration, enlarging that exploding piece of space debris and making the title a bit funkier. I think this gives the cover extra visual drama, as that blazing explosion really stands out, but it is at the expense of the monumental scale of the original cover, which I think works better. Though it’s SUCH a close-run thing… ask me tomorrow and I’ll probably vote for this one, instead.

 

This Russian edition, published in June 2018 by Эксмо: fanzon is also another cover which offers an epic overview of a dramatic space battle. The colours are more muted, but I love the artwork and I think the scene is beautiful. The detail of the dreadnaught in the centre of the cover is fabulous. However, while I absolutely love it as a piece of artwork, I don’t think it ticks enough boxes as a cover. In thumbnail, once again, it’s too dark. And the title and author fonts fail to sufficiently stand out. Which is your favourite?

 

Friday Faceoff – Gray is the queen of colors, because she makes everyone else look good… #Brainfluffbookblog #FridayFaceoffgreycovers #@SciFiMonth2019

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and this week we are featuring GREY COVERS. I’ve selected Red Moon by Kim Stanley Robinson.

 

This edition was produced by Orbit in October 2018 – and was the cover that came to mind when I thought about this challenge. Being a simple soul, I do recall wondering why the cover was so determinedly not red, given the title. I think it is a strong simple design, unfortunately compromised by all the chatter clogging up the overall effect. For once, I really like the stark, plain title font and I think the textbox at the bottom of the page has been done well, too. A shame about that chatter…

 

Published in September 2019, this cover has taken the basic design from the previous year and has tweaked it, somewhat. The figure is offset, which I think is more effective and I also like the red font, giving a nod to the title. It also nicely stands out from the otherwise monochromatic colour palette. I prefer what they’ve done with the author font, too, given that will be the selling point of this book. Overall, the effect is cleaner and more visually appealing than the previous offering and this one is my favourite.

 

This Russian edition, published by Эксмо: fanzon in March 2019, still features an astronaut, but they have gone for a classic spacescape with Earth in the background. I like the pulse of red courtesy of the Chinese flag in the background, but I do think the title gets a bit lost for this to be really effective.

 

This Italian edition, produced by Fanucci in January 2019, is, instead, featuring that red moon. Trouble is, it is all but obscured by the dust on… the moon? That doesn’t make any sense. And neither does the fact we can’t see any stars in the background. I hate this cover for being idiotic at best and plain misleading at worst. If this was a fantasy adventure, it wouldn’t be so bad – but it’s hard sci fi. What does work for this cover is that funky title font, which I really like.

 

This German edition, published in August 2019 by Heyne Verlag, has taken another angle. This one works really well – I love the pop of red from the flag reflected in the visor. It’s a really cool design, both eye-catching and effective. The main reason this one isn’t my choice as the cover of the week, is that the title and author fonts are simply not striking enough. But it was a close-run thing. Which is your favourite?

Friday Faceoff – This life at best is but an inn, and we the passengers… #Brainfluffbookblog #FridayFaceoffinncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is INNS. I’ve selected the wonderful classic, Jamaica Inn by Daphne du Maurier as I loved this rightly famous classic and have actually visited the site where this adventure is set, where there is now a museum devoted to the dark story of Cornish smuggling…

 

This edition was produced by Virago Press in Mary 2003 and is a strong contender. I love the drama of that red lettering against the scrollwork and in a long, long list of thumbnail covers – this one really pops. I’m aware there isn’t an inn on this edition, but I think the styling gives a sense that it is a historical adventure. I also like the lack of clutter on the cover.

 

This edition, published in 1983 by Pan Books, made the cut because that the image of the inn lurking in the background is uncannily like the museum housing the Jamaica Inn collection. A pity about the doe-eyed female wafting about in the foreground, though.

 

Published in paperback by Arrow in 1992, this edition is also a very near miss. The Cornish landscape is so well depicted here, with the ferns and heather crouching in the foreground and Mary staring at the unprepossessing building sprawling in front of her, that I had thought it would be my favourite. Another major plus for me – the strong fonts, lack of text boxes or chatter across that lovely image to spoil the overall effect.

 

This hardback edition, published by Sun Dial Press in 1937, knocks all the others out of the court. I apologise for the size of it – I generally don’t feature covers that I cannot get to full size. But this cover is good enough to break my rule. What a great effect that gateway provides, with the swinging sign giving the name of the book and author. The puddled, potholed track gives a sense of the dilapidated state of the place, while the girl whose skirts are swirling in the wind blasting across the moor, adds to the sense that all in not well. The aura of brooding menace leaps off the cover and makes this my favourite.

 

This Spanish edition, published in March 2018 by Alba, also gives a sense of the gothic suspense lurking in the building. I like the monochrome effect of the building against the black sky, though I do question the choice of the author text also being in black as in thumbnail mode, it simply disappears. Which is your favourite?

Friday Faceoff – Once Upon a Horrible Time… #Brainfluffbookblog #FridayFaceofffrighteningfairytalecovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is 60s HORROR. I generally don’t read horror – I certainly didn’t read it in the 1960s when I was a child. Except… someone gifted me with a beautifully illustrated copy of Grimms Fairy Tales. WHAT WERE THEY THINKING??? They terrified me. Some of the characters regularly featured in my more lurid nightmares. So this is my offering for this week’s theme. Have you read this collection?

 

This hardback edition, produced by Nelson Doubleday Inc in 1963 wasn’t the edition that I recall, but it was quite similar. And yes – I still think it’s very creepy and not really appropriate reading material for a precocious, rather over-imaginative little girl prone to nightmares. That cover hints at the horrors lurking within the stories for all it’s colourful, apparently child-friendly boldness and clear font. I hate it…

 

Published in March 2019, this Kindle edition isn’t pretending to be appropriate for children, thank goodness. That Rapunzel is clearly looking distressed and that wood is creepy, while the font isn’t in the jolly primary colours designed to lure unsuspecting kiddies. This is much better!

 

This edition, released in May 2014 by Red Skull Publishing is also clearly designed for adults who prefer their fiction on the darker side. That image on the cover isn’t remotely child-friendly and while the stories are staples of the nursery, these versions are all far more savage, as the cover makes clear.

 

The Kindle, released in May 2016, has gone for a very pared-back effect. I really like it. The classic red on black/dark brown gives a sense of menace and that ribbon of red becoming increasingly clawed as it snakes down the cover is simple, yet very effective. And for once, I am not going to moan about the plain font, which works well with the overall design. This is my favourite – not going to remotely appeal to any misguided adult looking for an engrossing read for their child, or said child with pocket money burning a hold in her hot little hand.

 

This paperback edition, released in February 2019, has used this cover for a variety of editions, including one said to be suitable for children. Looking at that wicked old crone and those lost children, I have my doubts… Frankly, it’s the Blair Witch Project of its time, as far as I’m concerned. Which is your favourite? Is there a book that you were given as a child that terrified you?

Friday Faceoff – When darkness falls, beauty is lit from within… #Brainfluffbookblog #FridayFaceoffFREEBIEcover

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is now being nurtured by Lynn’s Book Blog and this week we have been given the chance to feature whatever we like. I’ve gone for a wonderful science fiction read about an autistic young man set in the future called The Speed of Dark by Elizabeth Moon…

 

This edition was produced by Del Rey in June 2005 and is a real contender. I love the image of the haunted-looking young man – the blurring effect of the light and the quirky positioning of the title. My main grizzle is the chatter in the bottom left of the cover which I think compromises the design, though at least it has been positioned with some thought.

 

Published in May 2004 by Ballantine Books, this Tenth Anniversary edition is another effective cover. The interlocking pieces making up the whole image, which is still off-centre creates an eye-catching, arresting effect. However, the title font is underpowered and boring, while that ugly textbox is completely out of place, especially given the strong colour draws the eye away from the otherwise muted design palette.

 

This offering, published by Ballentine Books in March 2004, is the least successful effort. The child’s windmill is evidently supposed to look as if it’s spinning at speed, but ends up looking like a poorly executed blur. This effect is emphasised in thumbnail, where the binary sequencing manages to make the whole cover look out of focus. I don’t like the limp title and author fonts, or the chatter cluttering up the design, either. A book this awesome deserves a far better cover.

 

This next cover was released in December 2010 by Hachette. I love the drama of the splinters of light flying off across the cover, while the dark purple corona against the black background looks beautiful. This cover certainly stands out from the others with the sheer visual drama. For once, both the title and author fonts are substantial enough to stand out from the design to be easily read, which surely ought to be their purpose, anyhow. This is my favourite.

 

This Polish hardback edition, released in May 2005 by ISA, is also a contender. I love the purple image of the young man with the silvered eyes, while the play of light in the background is beautiful and eye-catching. This one was so very nearly my favourite – which is yours?

 

Friday Faceoff – Gorgeous hair is the best revenge… #Brainfluffbookblog #FridayFaceoffhaircovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is now run by Lynn’s Book Blog and the subject this week featuring on any of our covers is HAIR. I’ve changed things around this week – I’ve selected the series of covers produced for The Iron Druid series by Kevin Hearn, which I’ve always thought were so very well done. I love the fact it’s the same model throughout and that his hair is fabulous…

 

Hounded, the first in the series, was produced by Del Rey in May 2011 – and set the tone and style for the rest of the series. I love the fact he’s in a t-shirt, featuring THE sword and not even looking at us. And the way the light plays through that adorable blond hair is just so effective… This is Atticus as I’ve imagined him throughout the books.

 

Published in June 2011 by Del Rey, that hair is now being blown across his face as he faces off against a foe we can’t see. Interesting to note that this series started off being released so quickly…

 

This, the third in the series was released in July 2011 by Del Rey. I’ll be honest, this is probably my least favourite of all the covers. I don’t like the fact that the lower half of the cover is so very dark, effectively chopping poor old Atticus off at the waist. Still think the hair is awesome, though😊.

 

The fourth book was released in April 2012 by Del Rey – and now we see Atticus use his magic. I love the drama of this one and the lurid lighting – I think it’s one of the most eye-catching and attractive of them all.

 

This fifth book, released in November 2012, is a real contender as my favourite for the series – and to be honest, was the cover that popped into my mind when I saw that HAIR was this week’s theme. Two wonderful heads of hair for the price of one…

 

This one, published in June 2013, has Atticus once more brandishing his sword as he battles lethal gods and goddesses that he’s annoyed, with those storm-tossed blond locks looking so fabulously disarranged.

 

And – this cover is my favourite. Released in June 2014, I love the determined expression on his face… the way the light plays around his sword… the runes in the air… and of course, that hair.

 

This, the eighth book in the series clearly took a bit longer to write as it wasn’t released until January 2016 – and hats off to them that they still managed to feature the same model they’ve used throughout. I just wish the title font wasn’t quite so large, so we could see more of those stakes.

 

The final book in the series manages to produce a cover that defines the series – poor old Atticus still swinging that sword of his, looking seriously worried. Revisiting these covers has brought back a raft of really happy reading memories.

 

While I loved them, the only niggle I have is while there is a fair amount of angst, there are a lot of laugh-aloud moments in all the books, courtesy of Atticus’s greyhound, who has a telepathic link to the druid and a penchant for attractive female poodles and sausages. And there isn’t a hint of that humour in any of the covers. Ah well, they feature a gorgeous blond bloke – I suppose you can’t have everything… Which is your favourite cover?

Friday Faceoff – Every blessing ignored becomes a curse – #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is CURSES. I’ve selected White Witch, Black Curse – Book 7 of The Hollows series by Kim Harrison, a series I recall with great fondness.

 

This edition was produced by Eos in February 2009 and is a typical urban fantasy cover of its time. I don’t particularly love it, yet I don’t hate it, either. The interesting aspect for me is how much the author name is featured, both in the size and bright colouring of the font, demonstrating that Harrison’s name is what sells the books.

 

Published in May 2009 by Voyager, this is the edition that I owned and recall with great fondness. I love the dynamic between the monochrome image and the large purple font – what a wonderful choice of colour! My one grizzle is the chat directly above it, which I think detracts from the artwork.

 

This offering, released in April 2010 by HarperVoyager is certainly more successful than the first effort, I think. I like the urban setting and the knowing expression on the girl’s face as she stares out at us. And while there is still chatter on the front, at least it has been placed in the deepest shade, so as not to get in the way of the artwork. I also really like the fade effect on the title font. This is my favourite.

 

This German cover, published in May 2010 by Heyne, is the plainest of them all and I want to like it more than I do. My problem with it is that it has too much of a horror vibe – and while there is plenty of action going on, there is no way this one can be categorised as horror, or even unduly dark. Too much quirky humour and romance is going on.

 

Produced in April 2012, this Spanish edition from La Factoría de Ideas is the least successful of my selection this week. The cover designer has tried to cram everything into this one – and the resultant mess is just that… a mess. It looks as though they have been having a fun session with clipart – not the type of look that is appropriate for a successful urban fantasy series, I don’t think.

Friday Faceoff – Season of mists and mellow fruitfulness… #Brainfluffbookblog #FridayFaceoffautumncovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is AUTUMN. I’ve selected The Thousand Autumns of Jacob de Zoet by David Mitchell, which I absolutely loved.

 

This edition was produced by Random House in June 2010 and is an extraordinary design. The Japanese landscape is depicted in bold bright colours and for once, I cannot quarrel with the treatment of the font, which has been given a 3-D effect – I suspect so that it resembles those boxed Japanese landscapes you often see depicted in ivory. I love this – it’s quirky and different, yet beautiful, just like the book. This one is my favourite.

 

Published in March 2011 by Sceptre, this edition is another lovely effort, though completely different from the previous cover. The Japanese woman, half turned towards the reader, offering an apple, is both eye-catching and appealing. I love the way the apple contrasts with the muted blue of the kimono and background. The fact they are the same shade shouldn’t really work – but I think they do. And the font lettering is also beautiful. I may be influenced, because this is the cover of the book I owned, signed by David Mitchell. While I don’t love it quite as much as the previous offering, I still find it very appealing.

 

This Serbian edition, published by Laguna in 2013, goes back to the Japanese landscape for inspiration. Another lovely rendition – I do like the shadow effect of the leaves around the sky. And this one is clearly depicting the Japanese trade delegation on the island of Dejima watching the foreigners approach in their boats, so I appreciate the fact it relates directly to the story. Another attractive, well crafted cover.

 

It wasn’t until I saw this Croatian edition, published by Vuković&Runjić in 2014, that I realised how relatively rarely pouring rain features in a landscape. And here it’s coming down in stair rods – that chilly, miserable soaking stuff that drills right through to your bones so that you feel you’ll never be dry or warm again… Again, I also love the treatment of the font – this was so very nearly my favourite.

 

This Thorndike Press edition, published in January 2011, is another gorgeous affair. This is again, a typically Oriental setting with the beautiful fire-red acer trees blazing out amongst the sculpted order of the Japanese garden, with the classic bridge over a stream. The colours are lovely and so is the setting. This one was yet another close contender. This week, there isn’t a dud amongst my selection, so I’m fascinated to see which you will choose as your favourite… unless you dislike all of them, of course!

Friday Faceoff … and it was all yellow #Brainfluffbookblog #FridayFaceoffTheRulesofMagic

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week is featuring a YELLOW COVER, so I’ve selected a book from one on my teetering TBR, The Rules of Magic – prequel to the Practical Magic series by Alice Hoffman.

 

This edition was produced by Simon Schuster in October 2017 and as soon as I read the subject for this week, it was a no-brainer. This is a beautiful cover that has me yearning to jump into this book. The sparkles… the face behind it… and for once I won’t be grumbling about the plain black font – it works brilliantly against the brightness of that cover. This is my favourite.

 

Published in November 2017 by Simon Schuster – what a difference a hardback makes! I confess to being rather puzzled as to why this edition is so completely different to the previous offering. Nevertheless, I do think it charming. My grizzle is with the font – why pink? And if you have to have pink – why Barbie pink?

 

This edition, published by Scribner in August 2018, is also beautiful. The amber colour of the cover is just lovely and I particularly like that you cannot see the girl’s face, while the detail of her hair, neck and shoulder is lovely. As for the font… rather ordinary and underwhelming, which is why this isn’t my favourite – but it is a close-run thing!

 

Produced by Uitgeverij Orlando in February 2019, this Dutch edition is also an eye-catching cover. I just love the freckle-faced girl glaring out at me in amongst the sunflowers. I particularly like the fact that she isn’t plastered in make-up. But I find the flat font very disappointing.

 

This Russian edition, published by Эксмо in October 2017 is the second cover with an abstract floral design – and in my opinion this is by far the more successful. I love the symmetry and striking colours – the dark purple background, with the teal leaves and orange/golden flowers is eye-catching and beautiful. While the title and author fonts are plain and on the dinky side of small, at least they look as if they are nested within the design, rather than slapped across the top of it. So… which is your favourite?

Friday Faceoff – The book is a film that takes place in the mind of the reader… #Brainfluffbookblog #FridayFaceoffmovietieincovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is MOVIE TIE-IN. I’ve selected Catching Fire – Book 2 of The Hunger Games series by Suzanne Collins. Mostly because I think both the book and film are more successful than most notoriously difficult second-in-the-series efforts.

 

This edition was produced by Scholastic Press in September 2009 and is a strong design that catches the eye on the shelves (I know – I bought this edition, having seen it on said shelves). Red and gold are always a strong colour combination and the design and the unusual bird give a sci fi feel to this cover. If I have a moan, it’s that blocky, rather uninspired font.

 

Published in November 2011 by Nemira, this Romanian edition is very effective, with the face half-hidden by those red leaves. The detail of the raindrops beading the leaves gives a nice three-dimensional aspect. But then they went and botched it by plonking the title font bang in the middle of the cover in the same shade of red. It both clutters the overall design and is difficult to read – hard to imagine how they could have made more of a mess of it, really.

 

This edition, published by Scholastic in October 2014, goes for a different suite of colours no less eye-catching than the red and gold. I love the treatment of the font which is both attractive and imaginative. However, that negative effect on the mockingjay makes it look like a fossilised pterodactyl, which isn’t an accurate portrayal of the book. I suppose I can give them a pass on this one – by 2014 you’d have to be living under a rock not to have heard of The Hunger Games, but it goes against the grain to have a cover that doesn’t accurately reflect the book’s genre.

 

This movie tie-in edition, produced by Scholastic in October 2013 is an underwhelming effort. It certainly doesn’t work all that well in thumbnail – all you see are those roiling clouds. Katniss merely blends into the background wearing her hunting attire. I think this is the least effective of all the covers.

This Scholastic Singapore edition, published in October 2014, is my favourite. Just look at the bird on fire against the black background. Gloriously simple and yet so beautiful and visually compelling. It is also one of the movie tie-in covers and if you’ve seen the film, you’ll know it works really well as a nod to that terrible scene when it all does, indeed, catch fire… Which is your favourite?