Daily Archives: August 28, 2020

A Deja Vu Review of The Hundred Thousand Kingdoms – Book 1 of The Inheritance Trilogy by N.K. Jemisin #DejaVuBrainfluffbookreview #TheHundredThousandKingdomsbookreview

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I have been regularly blogging on this site since 2009, and have stacked up a reasonable number of reviews. So I thought I’d start a series where I’d regularly reblog a review of a particularly outstanding book that has made an impact. As I featured N.K. Jemisin’s wonderful covers earlier this week, I decided to revisit my first impression of The Hundred Thousand Kingdoms, which I started reading while sitting at Victoria Station, waiting for a train home. Such a vivid memory!

This fantasy debut novel is different – no, really… I’ve read one or three fantasy books in my time – urban, paranormal, high, low, dark – and this isn’t like any of them. The closest in feel, I suppose, is Liz Williams’ Inspector Chen series, and even then, there are at least a dozen ways in which this book differs.

BLURB: Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky – a palace above the clouds where the lives of gods and mortals intertwine.

There, to her shock, Yeine is named one of the potential heirs to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with a pair of cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother’s death and her family’s bloody history.

REVIEW: Written in first person viewpoint, we are immediately sucked into a world where nothing is as it seems and the impossible and improbable occur at least a dozen times a day. Yeine finds herself fending off the unwelcome attention of all sorts of people. And gods. The bar-tight tension twanging throughout this tale relies in a large part in our belief in the capricious, lethal mutability of the immortal beings who crowd into this story and upstage everyone else – particularly Nightlord Nahadoth who fascinates and terrifies Yeine in equal measure. The stakes are high – if for one moment we decide that Naha (his nickname) and his equally lethal sidekick, Sieh, aren’t convincingly scary, then the whole plot crashes with all the grace of a duck landing on ice.

Not only do we have to believe that these gods are terrible, but come to accept and understand why Yeine falls under their spell and start to pity them and want them to behave well – in other words empathise and care about them. That’s always a tough call – to make really ‘other’ characters become sympathetic to the reader. It’s one of the major problems I have with so many hard science fiction books set hundreds of years into the future when Humanity becomes Posthuman – I often don’t bond with the main protagonists because they are just too different. I’ll bet that I wouldn’t have that problem if Jemisin wanted to write that genre, though. She is good at connecting her reader with the weirdly creepy.

She manages to sustain the tempo, while juggling a cast of outstandingly difficult characters in a bizarre setting and suck us right in to this page-turner until the climax and denouement – which I didn’t see coming. At no time did I feel that I was in the hands of some newbie feeling her way into this novel-writing business. Jemisin writes as if she’s been doing this all her life. As if she’s written a good dozen books and got another batch still cooking in her head. I surely hope so – because with a debut like this, I’ll want to jump into her worlds, again. That difference is addictive…
10/10

Friday Faceoff – Straight roads do not make skilful drivers… #Brainfluffbookblog #FridayFaceoffroadcovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with a ROAD on them. I struggled a bit this week, but in the I’ve selected The Crow Trap – Book 1 of the Vera Stanhope series by Anne Cleeves.

Pan MacMillan – October 2001

This edition was produced by Pan MacMillan in October 2001. It’s very plain – just black lettering on a red background, with a single feather. I wish they’d left it at that and had resisted the temptation to add the chatter, because with such a minimalist approach, any extra fluff really jars, as in this case. The lettering is slightly fuzzed, which I really like, because it forces me to refocus on it, pulling at my attention for a second look. If it hadn’t been for the extra line of chat, this would have been a real contender.

Minotaur Books – February 2017

Published in February 2017 by Minotaur Books, this cover is another strong contender. I just wish they’d left off the ugly button featuring Brenda Blethyn, who plays Vera in the very strong TV series. But I love the outline of the crow against the plain purple cover, showing a deserted barn in the desolate countryside, which is part of Vera’s patch. Overall, I think this is another strong, effective design that works well, with plenty of visual appeal.

Pan – April 2016

This edition, published by Pan in April 2016, is the first to feature a landscape. And what a dark, brooding landscape! It’s this cover that caused me to choose the book for this week’s theme and I have to say that I love it. The wild moorland, the rutted road and that gorgeously ominous sky. This would be my favourite, but for my concern that the feel and tenor of the cover is more suited to a horror thriller, rather than a rather downbeat police procedural murder mystery. And that ghastly blob, of course.

Pan Publishing – August 2010

This edition, produced by Pan Publishing in August 2010, is even bleaker. That midnight blue suffusing the cover, with the image of the crow dangling from the barbed-wire fencing definitely gives this one a strong horror vibe. The reason why I suppose they feel comfortable using such bleak imagery, is the very clear lettering announcing that this is a Vera Stanhope novel. It’s also significant that by now, the author’s name is larger than the title, which shows the success that she had achieved by then. Although the TV series wasn’t aired until 2011, so this cover was designed before then.

Russian edition – April 2020

This Russian edition, published by Эксмо in April 2020, is another cover featuring the bleak but beautiful Northumberland coastline. The aspect of the cover that particularly caught my attention is the way the title is resting in amongst the grass, seemingly rooted there. It creates an interesting and unusual visual dynamic. This one is my favourite – it gives a sense of menace, without a strong horror vibe. I’d pick this one up, whereas I think I’d probably leave most of the others on the shelf. Which one is your favourite – and have you read the books, or watched the TV series?