This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers depicting TUNNELS. I’ve selected Tunnel in the Sky – Book 9 of Heinlein’s Juveniles by Robert A. Heinlein.
Well gosh! This spiffy adventure is a real blast from the past and this range of covers are either celebrating its age, or attempting to update its appeal to a new generation… You decide which option works best. This first offering, published by Pocket Books in April 2005 is firmly in the latter camp. There is definitely a tunnel there – in a very techy, cool way… It’s the cover that attracted me to this book for this subject in the first place and I do love the colours and the visual effect – if it was a book designed for adults.
Published in October 1987 by Ace Books, this cover is definitely of its time. I have a really soft spot for it – I love the determined look on the young man’s face. He is definitely out to subdue this landscape, rather than work with it! No environmental concerns in evidence here… I also like the sci fi font, which works well with the design, though I’d prefer the title font to be just a tad larger.
This edition, published by Ace Books in January 1972 is a real contender. I am always a sucker for spacescapes and I love the planet in the background as our plucky young protagonist stands on the edge of his adventure. I also like the way the author font matches the colouring in the planet, which gives strong visual coherence to the overall design. And though there is persuasive chatter in evidence – for once someone has given thought to how to present it so that it works with, rather than detracts from, the overall visual effect.
This Russian edition, published by Эксмо in November 2015, highlights the difference between the modern approach and the vintage covers. It’s far more about the technical equipment making this journey possible, full of cool-looking details. And I love that beam lighting up the backdrop, providing a really beautiful effect… It is a wonderful effort. And then some fool went and plonked that nasty acidic yellow blob in the middle of it, presumably assuring prospective readers that it is worth picking up. Really?? Why do publishers assume readers aren’t capable of judging a book’s merits by checking out the opening pages, or reading the blurb? Not that this winds me up. At all…
This audiobook edition, published by Brilliance Audio in March 2015, is the only one to feature the young protagonist as black – which is how Heinlein wrote him. Kudos to Brilliance for not whitewashing him. I also like the colourful backdrop, with plenty of pleasing detail, while the portal is effectively depicted, too. And while I wince at the ugly black strip across the top, at least it is difficult to ignore the important message – that this is a CD audiobook. This design, with its nod to the vintage feel of the story and picking up many of the important elements with respect, and presenting them in an exciting, visually appealing design, is my favourite. Which is yours?