I take a bit of persuading to get immersed into a High Fantasy epic series, these days – but when it comes to a tale of sand and sorcery, I’m allll over it. The typically lush prose, desert landscapes and vicious magic centred around huge crocodiles, flying creatures and djinn are irresistible. I’ve loved the first two books in this series – The City of Brass and The Kingdom of Copper. So would this final book in the trilogy safely bring this wide-ranging, ambitious tale of lethal magic and betrayed peoples to a satisfactory conclusion?
BLURB: Daevabad has fallen. After a brutal conquest stripped the city of its magic, Nahid leader Banu Manizheh and her resurrected commander, Dara, must try to repair their fraying alliance and stabilize a fractious, warring people. But the bloodletting and loss of his beloved Nahri have unleashed the worst demons of Dara’s dark past. To vanquish them, he must face some ugly truths about his history and put himself at the mercy of those he once considered enemies.
REVIEW: Chakraborty does a cracking job in progressing this tale, producing yet another breathtaking round of adventures and plot twists, before winding it up in a way that left a lump in my throat. A word of warning – if you happen upon either The Kingdom of Copper or The Empire of Gold without having first had the pleasure of tucking into The City of Brass, then restrain yourself and go looking for that first book. This is, in effect, a single narrative arc that has been broken into three parts and when I attempted to crash midway into the series, I had to backtrack to The City of Brass, then reread The Kingdom of Copper to really appreciate what was going on. I regularly make a hobby of crashing into series – and mostly get away with it. Not so, this time.
I’m really glad I made the effort to reread the second book, before plunging into this doorstop of a book, which is something over 700 pages long. Though it really didn’t feel like it. This series, with its cast of vivid, often violent and vengeful characters swept me up and held me throughout. It was Nahri’s story that I cared most about, but the amazing being, Dara, the fabled warrior brought back to life with such a bloody past, also held my heart. The characterisation was superb. Nahri could have so easily turned into a bit of a Mary Sue, but her sharp edges and inability to trust anyone kept her from being too cosy, or too much of a victim. And as for Dara – where to begin? A single terrible episode, when he trusted too easily, defined the rest of his very long life and for which he paid a terrible price. And goes on paying it throughout most of this book, too…
George R.R. Martin’s A Song of Ice and Fire series was a game-changer in ensuring all factions were guilty of some bloody deed – and Chakraborty has continued that dynamic throughout this trilogy. The city of Daevabad was founded by an act of invasion, and throughout it has been riven by injustice and simmering hatred for one group against the other. I was both curious and concerned as to how Chakraborty would manage to find a realistic solution. The worldbuilding throughout has been exceptional. I’ve loved the descriptions of the various landscapes, particularly of the magical city – and found the transformations it undergoes once the magic has left, very moving.
CONCLUSION: I’m not going into any kind of detail as to how she manages it, but I was completely satisfied with the denouement and felt it worked both within the world and as a suitable conclusion.All in all, Chakraborty has magnificently pulled off a true epic fantasy that hits all the tropes within the sand and sorcery sub-genre, providing a wonderful addition to the canon and a magnificent read that took me away from everyday life for hours at a stretch. I couldn’t ask for more. The ebook arc copy of The Empire of Gold was provided by the publisher through NetGalley in return for an honest opinion of the book.