Daily Archives: April 3, 2020

Friday Faceoff – Tricks and treachery are the practice of fools… #Brainfluffbookblog #FridayFaceofftrickcovers

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is being nurtured by Lynn’s Book Blog and this week we are featuring covers with VISUAL TRICKERY. I’ve selected The Whisper Man by Alex North.


This edition was produced by Celadon Books in August 2019. It’s it clever? The handprint that somehow turns into a butterfly works really well. And they haven’t even added a bit of colour to give us a visual clue, which would have been acceptable. I love the fact that ALL the information featured on the cover is the title, the author and the fact that this is a novel. For once the publishers have relied on the strength of the book design to sell this one – and judging by the numbers of reviews it garnered on Goodreads, this default cover did the business.

 

Published in June 2019 by Penguin, I think this is both beautiful and gruesome – and those aren’t two adjectives that go together all that often… The beautiful butterfly wing in the pale gold against the dark background is stunning – until you look a bit more closely and notice the details are skulls and parts of the human skeleton. The pin through the wing just adds to the sense of wrongness. But it is subtle and clever. This one is my favourite.

 

This Polish edition, published by MUZA S.A., in October 2019 is another cover that plays visual tricks. The white moth against the black cover couldn’t be more simple – until you look again and see it as a triangular, ghostly face. I also like the title font – the greying, slightly grubby look works really well with the monochrome effect of the rest of the cover and I applaud the designer in keeping it pared back. So many covers these days are so very busy. My only niggle – and yes, you’ll probably already know what I’m going to say, but I’ll say it anyway – are the lines of chatter under the melting moth/face. What a shame they had to be there, as they detract from the spare menace of the design.

 

This Bulgarian edition, produced by Сиела in 2019, has taken the butterfly – or is it moth? – theme in a different direction. There is a lot going on in this beautiful, ominous cover. The full moon outside provides all the light as a lightning forks across the sky and those moths flutter around the window. Nothing much to see – except the curtain has been drawn back and there is a single palmprint on the glass. If the owner of the hand pressed against the window was standing in front of it, s/he/it had to be outside… It’s cleverly done and gives a disturbing sense of wrongness without recourse to any kind of horror trope.

 

This Macedonian edition, published by Сакам Книги is less subtle, but I absolutely love the jagged cut across the title font which works so well. I’m not quite as thrilled with the spatter of blood, but that butterfly… Is it resting on the chin of a face, just below a screaming mouth? Or is that just my imagination working overtime? The indistinctness adds to the horror vibe. If I have a quibble, I think the abandoned house beneath the title font is an unnecessary addition – they should have trusted the strength of that single, shocking image, rather than hedging their bets with another horror trope. Which is your favourite?