Daily Archives: June 28, 2019

Running Out of Space is FREE for today and tomorrow!

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The Kindle edition of Running Out of Space – book 1 of The Sunblinded Trilogy is FREE for Friday 28th and Saturday 29th June.

BLURB: Lizzy Wright has yearned to serve on the space merchant ship Shooting Star for as long as she can remember – until one rash act changes everything…

Lizzy and her friends weren’t looking for trouble – all they’d wanted was to prove that fertile English girls could handle themselves when on shore leave without being accompanied by a sour-faced chaperone and armed guard. Looking back, maybe taking a jaunt off-limits on Space Station Hawking wasn’t the best idea – but no one could have foreseen the outcome. Or that the consequences of that single expedition would change the lives of all four girls, as well as that of the stranger who stepped in to save them.

Now Lizzy has more excitement and danger than she can handle, while confronting lethal shipboard politics, kidnapping, betrayal. And murder.

Running Out of Space is an excellent novel, with enough pace and plot to keep you reading, and enough subtext to keep you wondering.’ Mrs Vivienne Tuffnell – 5 stars

For fans who enjoy Lois McMaster Bujold and Elizabeth Moon

 CLICK on the COVER in the sidebar to take advantage of this offer – OR on this LINK here!

Friday Faceoff – There is no friend as loyal as a book… #Brainfluffbookblog #FridayFaceoff

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and the subject this week featuring on any of our covers is something STRIPED – and I officially declare myself beaten. The only cover I found I didn’t like all that much, anyway. So I decided to play a WILD CARD that Lynn has suggested we use – and I’ve featured a book that I loved – The Stone Sky – Book 3 of The Broken Earth series by the mighty N.K. Jemisin.

 

This edition was produced by Orbit in August 2017. I love this cover and it’s my favourite. The intense colours are beautiful and the artwork otherworldly and haunting. Small wonder this cover is the default with only a few exceptions. I even like the rather ordinary font, which this time around works well. Of course, it could just be that I was so blown away by the intense reading experience I encountered when diving into this book that I’m somewhat biased.

 

Published in September 2018 by J’ai Lu, I really like this French edition. The intense blue of the sky, the great orb hanging in the sky below and those stones breaking the soil at odd angles give this cover eye appeal and correlate with the book’s story. What absolutely doesn’t work are those ugly white textboxes bisecting the artwork. The effect looks like two strips of paper with the typewritten information have been stuck across the covers – what a shame!

 

This Hungarian edition, published by Agave Könyvek in August 2018 has gone back to the colours of the default cover, but taken a less abstract approach. The result is a really cool, very attractive cover. If this had been the cover of my reading copy, I think I would have been more torn, because I think it is very effective. As it is, it comes a close second.

 

Produced by Subterranean Press in September 2018, this is also a very attractive, powerful offering. I like the way it features the two main protagonists – the mother and her lost daughter and having that beautiful triangular text box slicing them apart works really well. The other thing I love about this cover – Jemisin has clearly written these characters as black and I’m delighted the publishers have featured them as such.

 

This Chinese edition, published by 天地出版社 in March 2018 is another strong offering. I love the image of the skyscape where it looks as though you could actually step on those clouds in shades of an attractive tangerine. The downside for me is that black textbox slammed across the bottom of the cover, cutting off the rest of the artwork. There also seems to be a great deal of chatter across the cover – but as my understanding of Chinese isn’t worth a nocked nail, it may well be the explanation might be necessary to an audience unused to the genre, so I’ll give them a pass on that.
Which is your favourite?