Daily Archives: May 31, 2019

*NEW RELEASE SPECIAL – Review of NETGALLEY arc The Art of Noticing: Rediscover What Really Matters To You by Rob Walker #Brainfluffbookreview #TheArtofNoticingbookreview

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I have been struggling with stress and mild depression throughout this year. It’s badly affected my ability to sustain the relationships around me that matter, my physical health, my teaching and my writing. One of the more miserable aspects of this malaise is that I’m finding it very difficult to put in place anything that might help me out of this hole. I’ve fallen into patterns of behaviour that while initially helping me to flick into escape-mode, now over the longer term, are aggravating the situation – and through a sense of hopelessness, I am finding it difficult to wean myself away from them. So when I saw this book, I thought it might provide me with some ways to help myself at a practical, concrete level.

Distracted? Overwhelmed? Feel like your attention is constantly being pulled in different directions? Learn how to steal it back. Accessible and inspiring, this book features 131 surprising and innovative exercises to help you tune out white noise, get unstuck from your screen and manage daily distractions. Make small yet impactful changes and bring focus to the things and people that are most important to you.

And there’s the blurb – so the question is, are those 131 exercises really surprising and innovative? Can I envisage myself taking part in any of them, or a close alternative that would be a better fit for my own lifestyle and personality?

The answer to the first question is – yes. All the exercises are slightly off the wall and unusual, requiring a shift from everyday thinking – to the extent that some of them are used to help art students hone an alternative, original view of the world. Some of my favourites include the one inspired by writer Paul Lukas, who likes to discover the backstory of everyday objects in an activity he calls ‘inconspicuous consumption’, by asking ‘how did it get that way?’. I also like the exercise Brian Rea uses of making lists of immaterial things – such as the things he is worried about, memorable moments during a dinner party, the bars he visited when living in Stockholm. None of the above remotely appeal, but I’m attracted to the idea of making a list of the flowers blooming in my garden, along with the date when they first appeared, for instance. Another exercise I particularly like is making a glossary of unfamiliar vocabulary that exist within a specific expertise, by asking people for terms within their work life that don’t regularly come up in everyday usage.

There were a number of exercises that left me cold – one was to record a couple of minutes of activity on your smartphone and write a poem, or description of it, after viewing it repeatedly to ensure you absorb all the minutest details. I’m not saying there is anything wrong with it, it just didn’t appeal.

What I appreciate is that Walker has taken pains to spread these exercises across the widest spectrum of interests and sensory input. There are exercises that appeal to our visual senses – like the above, for instance. There are exercises involving sound-mapping the surrounding environment, with some ingenious variations; exercises involving drawing or painting; and using modern technology to make short films of the day objects you touch every day. In short, whoever you are and whatever your particular strengths and inclination, I think you’ll find something in this book that you could use or adapt. And that was something else I really like – there is no sense in which Walker is at all dogmatic about any of the suggested exercises. He frequently suggests variations and at the end of the book actively encourages his readers to find different ways to put this approach in place.

These exercises are all designed to help us reset ourselves within our environment, so that we focus on the immediacy of existing in the way we’ve done for millennia – the way we’re designed to do. I will be campaigning for the hard copy edition of this book for my upcoming birthday, as the ebook isn’t a particularly friendly medium for browsing and flipping back and forth. Highly recommended for anyone who wants to reconnect with their surroundings in any way.
10/10

Friday Faceoff – …like a garden needs a flower, like a castle needs a tower… #FridayFaceoff #Brainfluffbookblog

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This meme was started by Books by Proxy, whose fabulous idea was to compare UK and US book covers and decide which is we prefer. This meme is currently being nurtured by Lynn’s Book Blog and this week we get to feature our FAVOURITE FANTASY covers, so I’ve selected a series of covers which I consider to be awesome by DAW for the Green Rider series by Kristen Britain.

 

This edition of Green Rider was produced by DAW on 4th November, 2008. Isn’t it breathtaking? It gives me goosebumps and a zing of pleasure every time I look at it… And yes… I’m sure the title and author fonts get lost in thumbnail – in fact I know they do. But I really don’t care – because… look at that fabulous horse. Just look…

 

Published in on 3rd April 2004 by DAW, First Rider’s Call is the second book in this series which has again another fabulous cover, featuring another stunning piece of artwork featuring another beautiful winged horse.

 

This edition of the third book in the series, The High King’s Tomb, published by DAW on 6th November 2007 is another beautiful effort. Enough said, really…

 

Produced by DAW on 1st February 2011, this is their cover design for Blackveil – the fourth book in the series. And no – I’m not going to choose between these. I love them all…

 

This edition of the fifth book in the series, Mirror Sight, this time published by Gollancz on 14th March 2015, continues with more Pegasus wondrousness. I’m a bit sad that DAW, who began these awesome covers at this point reverted to something more ordinary, leaving Gollancz to continue to be the standard-bearer for these stunning examples.

 

And last, but by no means least, is the final book in the series, Firebrand, produced by Gollancz on 9th March 2017. Yet again, just a joy to look at… What do you think of my all-time favourite fantasy covers?