In a galaxy where the super-powers are the megacorporations, and ambitious executives play fast and loose with ethics in order to secure resources, where can good people turn for help? The megacorps control the jump gates and trade routes. They use psi-techs, implant-enhanced operatives with psionic abilities, who are bound by unbreakable contracts.
But something alien is stirring in the depths of foldspace. Something bigger than the squabbles between megacorporations and independents. Foldspace visions are supposed to be a figment of the imagination. At least, that’s what they teach in flight school. Ben Benjamin knows it’s not true. Meeting a void dragon was bad enough, but now there’s the Nimbus to contend with. Are the two connected? Why do some ships transit the Folds safely and others disappear without a trace?
Space opera needs some kind of faster-than-light propulsion system to make it work – something that makes all those huge distances workable. Many fans will give authors a pass if they choose not to focus on that aspect – after all, how many air passengers actually know the engineering theory behind the jet engines that carry them around the world? But there are a group of writers in the genre who meet the problem of ftl travel head-on and create a world where the manner of travel is actually part of the story. I very much enjoyed this aspect of Bedford’s world. The existence of foldspace, where pilots navigate by their implant-enhanced visualisation of access points via jump gates, such as the one close to Space Station Crossways, makes vast distances and interstellar trading feasible.
The two main protagonists in this story – Cara and Ben, are once again confronting what happens in foldspace. Ben’s whole life has been shaped by this issue, as he was a young boy when his parents disappeared without a trace on a passenger liner – while his older brother vowed never to go into space and stayed dirtside as a farmer, Ben resolved to face down his fears and go into space. Perhaps there might even be a chance that he might discover what happened to his parents… However the steady stream of mysterious disappearances are sharply increasing to a point that the megacorps can no longer keep it quiet. While Ben is constantly plagued by terrible nightmares after his encounter with the Nimbus.
I very much enjoyed this final slice in Cara and Ben’s adventures. There is the usual action and adventure I’ve come to expect from Bedford, featuring her likeable, sympathetic protagonists, while I also appreciated the ongoing changes in the cast of characters. I particularly liked that people who have been through harrowing experiences go on struggling – no Teflon-coated heroes here. The denouement and climax satisfactorily wraps up not only this book, but also the whole series.
Highly recommended for fans of character-led space opera.