Yeah – I know, I know… Everyone in the galaxy has read this book and most of them – except the aliens lurking on Io – absolutely loved it. So I hesitated – partly because I wasn’t sure I would enjoy it and partly because I wasn’t sure I’d have anything meaningful to say about it when I came to review it, given all those folks in the galaxy got there before me…
Ketterdam: a bustling hub of international trade where anything can be had for the right price–and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can’t pull it off alone…
I’ll be honest – criminal underworld fantasy heist adventures aren’t my go-to genre. I’ve enjoyed the likes of Scott Lynch’s The Gentleman Bastards Sequence – the first three and a bit, anyhow – and Daniel Polansky’s Low Town series is one of my all-time favourites – see my review of The Straight Razor Cure here. But I’ve begun too many books in this genre, only to abandon them when the filth, abject poverty and violence got too much. However, something about this one – including that amazing cover – was calling to me and I’m so very glad I gave in and eventually listened. It takes technical skill to keep this number of protagonists as viewpoint characters without one of them being skimmed, yet Bardugo pulls off this feat, so that we get to know each main member of the gang – why they’ve ended up as part of Ketterdam’s criminal underclass and what their particular role is supposed to be.
Inevitably, the plan put in place by the cold, calculating Kaz doesn’t run all that smoothly and under normal circumstances I wouldn’t have cared all that much, but I fell for Inej, or the Wraith, which is her gang nickname. I wanted her to be able to move on and resume a better life for herself. And then, once we are pulled right into the heart of the story, Bardugo reveals hidden layers of the main character in the middle of plot – ‘Dirtyhands’ Kaz, himself. It’s very well done. The character development throughout the story is masterfully handled – you only have to read a handful of reviews to realise these characters matter to readers.
And I haven’t even started on the plot, yet. Because for a book in this sub-genre to really work, we need to have a clear idea of what’s at stake, what the plan actually is, how it goes wrong and what happens next… There are any number of places where an author can slip up during the delivery of a novel in a criminal underworld fantasy adventure – and I’m not particularly forgiving of a lot of them. I don’t like it when the plot wanders, or one character takes over, or a romance blossoms right in the middle of what should be an action adventure story, or the major climax isn’t so major after all. So I regularly abandon books which have committed these crimes, unfinished and of course, unreviewed.
Six of Crows deftly skips around all these potential pitfalls as if they don’t exist. Every single requirement is triumphantly nailed such that this one became increasingly difficult to put down. And once I finally finished it, I suffered from book hangover so that I struggled to find something else I wanted to read – this hardly ever happens to me! So, at the risk of sounding like everyone else in the universe, except for those embittered, six-legged critters on Io, this is an excellent read and very highly recommended to… well – anyone with a pulse, really.