1986: Rebecca Essig leaves a slumber party early but comes home to a massacre—committed by her own parents. Only one of her siblings has survived. But as the tragic event unfolds, she begins to realize that other than a small army of six-year-olds, she is among very few survivors of a nationwide slaughter. The Reaping has begun.
Present day: Pregnant and on the run with a small band of compatriots, Delilah Marlow is determined to bring her baby into the world safely and secretly. But she isn’t used to sitting back while others suffer, and she’s desperate to reunite Zyanya, the cheetah shifter, with her brother and children. To find a way for Lenore the siren to see her husband. To find Rommily’s missing Oracle sisters. To unify this adopted family of fellow cryptids she came to love and rely on in captivity. But Delilah is about to discover that her role in the human versus cryptid war is destined to be much larger—and more dangerous—than she ever could have imagined.
On realising that this was the third book in the series, I broke with my usual habit of crashing midway into a series and got hold of the first two book and read them first. I was quickly swept up in the dark, intense world of Delilah, who is imprisoned and stripped of all her rights as a human after an incident at a local fair reveals her to be a cryptid in Menagerie – see my review here. This book is structured differently, in that it is largely a dual narrative so that as well as following Delilah’s story in first person viewpoint, we also learn a lot more about The Reaping as we go back in time to the event that causes all the fae to be treated so appallingly and track the consequences and fallout through Rebecca’s viewpoint.
I really enjoyed this aspect – having read allusions to The Reaping throughout the previous two books, it was satisfying to learn more about what happened, particularly as these events increasingly begin to link with Delilah’s storyline. It wasn’t until I read this book that I realised just how unusual it is to have a pregnant protagonist, or one who is coping with a newborn baby in fantasy. It was a plus that the subject was really well done.
The new spin on the story prevented this series becoming predictable and repetitive – and I certainly didn’t see that ending coming. It’s been a while since I’ve been quite so poleaxed by the final denouement of a story, but it really works. I would emphasise, however, that this series and book is not suitable for younger teens and is not a YA read, despite the fact that Vincent has written successfully for that age-group. While I obtained an arc of Fury from the publisher via Netgalley, the opinions I have expressed are unbiased and my own.