Review of KINDLE Ebook #Willnot by James Sallis #buddyread #bookreview #bookblog #bookblogger

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My book blogging friend Emma Littlefield and I decided to teamread a book recommended by the other – and as James Sallis is a favourite author of Emma’s, we started off by reading Willnot.

Did you pick this book up thinking it was going to be a murder mystery?
No. I wasn’t sure quite what to expect. Having read quite a few Sallis books now, one thing I like about his stories is that they never quite end up where I think they might. A number of his trilogies have detectives or private investigators as central characters and they do investigate murders but it’s never the be all and end all of everything. Sometimes, they don’t even get solved. It’s more about the journey’s the characters take and that’s what I like.

Is this book a classic example of James Sallis’s writing?
Yes, I would say so. I always end up describing it to people as quite sparse as there isn’t a word wasted. Some people I’ve recommend him to say that nothing happens in the books but I disagree, I think a lot happens to the characters it’s just it tends to be small things that build up to big changes.

When you finished the book were you elated and blown away, or just the tiniest bit disappointed?
I was very happy. The last Sallis book I read (The Killer is Dying) is actually the first one I haven’t enjoyed and I was a bit worried I had burnt out on the author. I was also a bit worried that he’d lost his writing way. This had all the elements I love in his work and, while it wasn’t the best of the books I’ve read, it was by no means the worst. Content is maybe the best way to describe it.

How does this rate alongside other books by this author?
I would say it’s probably right in the middle (maybe high middle). My favourite books are Drive and Driven and his Turner Trilogy because I just feel in love with his characters in these books.

As you can see from her answers, Emma is a thoughtful, intelligent reader whose opinions I value – you can pop over to her blog here to read her questions to me along with her review of Willnot. And here is my review…

In the woods outside the town of Willnot, the remains of several people have suddenly been discovered, unnerving the community and unsettling Hale, the town’s all-purpose general practitioner, surgeon, and town conscience. At the same time, Bobby Lowndes–his military records disappeared, being followed by the FBI–mysteriously reappears in his hometown, at Hale’s door. Over the ensuing months, the daily dramas Hale faces as he tends to his town and to his partner, Richard, collide with the inexplicable vagaries of life in Willnot.

I love the writing style. Sallis builds up a vivid picture of daily life in this small, US community with a wealth of everyday occurrences, delivering them with pace and a vividness that pulled me into the book. Hale, his protagonist, is a thoroughly nice chap who is one of those lynchpins that all communities need. His duties as the town’s doctor, surgeon and coroner put him right in the centre of all the major events in Willnot in a manner that appears completely unforced and realistic.

Sallis’s smooth, accomplished prose has a lovely rhythm that evokes Hale’s character and the setting without ever putting a foot wrong – there is so much about this book that is an absolute delight… However, if you’re sensing a but – you’d be right. My quibble isn’t with the writing, or the characterisation, or even the plot progression and storyline – all that works beautifully. What wrongfooted me was after reading the blurb, I was expecting a murder mystery – a whodunit where this busy, responsible man takes it upon himself to solve the puzzle of those bodies discovered right at the beginning of the story and clearly rock the small town, where daily life is generally quieter and more peaceful.

But that wasn’t where the focus or impact of this story lay – and while appreciating all the strengths that I’ve already enumerated about this book, I kept turning the pages, waiting for the denouement and drama surrounding this mystery. Or any mystery… While there is some drama and an unexpected shooting, the overall plot didn’t seem to be about that at all, which is absolutely fine – apart for my expectations.

Would I read another James Sallis novel? Oh yes – he’s evidently a fine writer and I really enjoyed being introduced to him – thank you, Emma!
8/10

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17 responses »

    • Thank you, Emma! Er… I’ll get back to you on that one! I’m kicking myself that I didn’t hold back on a couple of recent favourite authors so that we could read them together. Thank you for an excellent choice:)

    • If it hadn’t been blurbed as a mystery thriller I would probably have given it a higher score – the writing is a joy and I loved the story, but I went into this one expecting something quite different.

  1. Hmmm. This poses a question: does a genre label cement our expectations as readers too much? Yet if a writer calls it a mystery, don’t we have a right to *expect* that mystery? Hmmm. Maybe this is why people just want to call what they do “literary fiction” because ANYthing can be literary…hmmm….

    • Yes – that was my issue. I was expecting a murder mystery – and there simply wasn’t one. And, yes, it did affect my enjoyment of what otherwise was a cracking read, which is a crying shame, really. And the publishers need a good smacking for such a shoddy blurb.

      As regards literary fiction, my view is that it is a genre like any other. The conventions are the prose should sing off the page, the plotting and characterisation may well push the boundaries and the story/style/structure may well require extra effort from the reader. Done well, a literary book should be a classic – but far too often they are merely pretentious and over-written nonsense with the pace and charm of a dozing snail. Not that I have a bee in my bonnet about the snobbery surrounding them in any way. At all…:)

      • LOL! Donald Maass had a great point about the lack of emotion in literary fiction. I forget his precise wording, but he didn’t mince words about how dry and unfeeling literary fiction can be. Just because we’re reading a life “closely observed” doesn’t mean we’re getting a lot of feeling from the characters, let alone out of the readers.

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