I’d seen this one around, before reading the glowing review by The Tattooed Book Geek which encouraged me to get hold of it. Would I enjoy it too?
It began on New Year’s Eve. The sickness came on suddenly, and spread quickly. The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed—and more than half of the world’s population was decimated. Where there had been order, there was now chaos. And as the power of science and technology receded, magic rose up in its place. Some of it is good, like the witchcraft worked by Lana Bingham, practicing in the loft apartment she shares with her lover, Max. Some of it is unimaginably evil, and it can lurk anywhere, around a corner, in fetid tunnels beneath the river—or in the ones you know and love the most.
My first piece of advice would be to avoid reading the rest of the blurb which is far too chatty and gives away more plot than necessary. That said, this one doesn’t hang about, though the first section is grim as the world we know and enjoy falls apart. Amongst the swathe of characters that we meet only to watch them die, are a handful that keep going despite the odds. While Roberts doesn’t indulge in any gratuitous violence, there are inevitably some scenes where horrible things happen and as has been noted in other reviews, she doesn’t flinch from those events, either.
I particularly enjoyed the twist where a proportion of the survivors find they have a magical ability awakening. Max and Lana both have this ability and though Max has possessed a magical talent before the Doom strikes, his power becomes stronger. The storyline involving these two is the engine that powers the narrative arc forward as they are essentially the principle protagonists, although there are a few other characters in a supporting role. There is a price to pay – normal survivors are starting to turn on the Uncanny, as they are termed, and not without reason. Though there are many like Max and Lana who use their powers only to defend themselves and help others, there are others whose magical abilities are far darker. And without any law and order, they are running amok.
As might be expected by a storyteller with Roberts’ experience, the pacing and narrative are ably handled – I had more or less expected certain events to unspool in a particular way. But just when I was settling into the rhythm of what I thought would happen – Roberts throws a massive wrench into the story and it suddenly takes a left turn into a very different direction that left me scrambling to catch up – I love it when that happens. The ending is strong with Roberts tying up all the plotlines so the story arc has a satisfying conclusion, yet leaving a couple of dangling plot points waving in the wind so we want to return to discover what happens next. Which I certainly want to do as this was a thoroughly enjoyable experience.
The HufflepuffNerdette features an excerpt from Dying for Space and an article from me on my favourite space opera heroines