Welcome to Gideon Davorin’s Traveling Sideshow, where necromancy, magical visions, and pyrokinesis are more than just part of the act… Mara has always longed for a normal life in a normal town where no one has the ability to levitate or predict the future. Instead, she roams from place to place, cleaning the tiger cage while her friends perform supernatural feats every night. When the struggling sideshow is miraculously offered the money they need if they set up camp in Caudry, Louisiana, Mara meets local-boy Gabe…and a normal life has never been more appealing. Until people start getting hurt…
This YA paranormal mystery has plenty of pace – and the explosive prologue certainly sparked my interest, although I’m still in two minds whether it is necessary. While that action scene is a defining moment in the book, I don’t feel Freeks requires such a blunt instrument as a hook – the initial scene pulled me into the story, anyway.
I really cared about Mara, a beautiful, edgy character whose previous experiences with townies has left her wary, while yearning for a more settled life as she watches her mother’s mental health deteriorate under the pressure of her Gift. Hocking’s depiction of the closed community of the carnival and the strong bonds between the performers is excellent. While it is undoubtedly a source of strength and solidarity, it is also a small gossipy village where everyone invariably discovers everyone else’s business – not necessarily a place to feel wholly comfortable as her own dark talents are starting to emerge just as her mother’s abilities start chewing her mind.
The growing tension as the worrying events escalate is well handled, as is the relationship between Gabe and Mara. I liked the fact that it is Gabe who makes the running, while Mara – preoccupied with the mounting problems at the carnival – is less emotionally invested. In order for this story really work, I needed to also care about the cast of supporting characters and again, I felt Hocking did a really good job in providing a cast of interesting misfits who joined the carnival because normal life doesn’t have space or acceptance for their particular abilities.
As for the mystery – I had already guessed what Gabe was before he revealed himself to Mara, but I don’t think Hocking intended it to be a huge shock. However, the denouement came as a surprise as did the conclusion, which also left a grin on my face.
It’s just as well I was reading this one during the holidays, as once I started it was difficult to put it down – to the extent that I broke off working and gave myself permission to read during the daytime, something that doesn’t happen all that often. If you enjoy a slice of paranormal escapism, then go looking for this one – it’s a cracking read. Receiving a copy of Freeks from the publisher via NetGalley has in no way affected my honest opinion of this book.
AMANDA HOCKING Q&A
1. Your characters are sent into the Hunger Games. Who wins?
If it’s just the characters from FREEKS, and only one could win, I would put my money on Luka or maybe Roxie. Luka because he can heal from injuries, which gives him a crazy advantage, but Roxie is smart and she’s a survivor. Plus, she has the power of pyrokinesis, which I think I would come in handy in a battle to the death.
2. What do you listen to while you write? Or do you prefer silence?
I almost always listen to music when I write, unless I’m writing a really difficult scene. Sometimes the silence helps me focus, but most of the time, I prefer music. For FREEKS, I got to make a really fun 80s playlist, so I especially enjoyed working to that.
3. What is the most embarrassing thing you’ve looked up in the name of research – or what do you think the government has maybe flagged you for?
There are sooo many things. For FREEKS, I had to do fun stuff like, “What does a dead body smell like?” and “How much blood can a human lose?” And then after those macabre questions, I did a bunch of googling on fireflies and tarot cards. My search history when I’m working can be pretty exciting like that.
4. What was your favorite part of writing FREEKS?
I love Southern Gothics and I love pulpy 80s horror movies, so I was excited to be able incorporate those things in FREEKS. But my favorite part was actually Mara and Gabe. I think they complement each other well, and it was fun writing their banter and flirtations.
5. Which actor/actress would you like to see playing your main characters from FREEKS?
For Mara, I envisioned Cassie Steele from the start. I used to be a hardcore Degrassi fan, and I loved Cassie Steele on that. For Gabe, I like Ryan Guzman. I saw him in a Jennifer Lopez movie, and I was like, “Yep. That could be Gabe.”
6. Do you have a special time to write or how is your day structured?
I usually write between 11 am and 7 pm. I’ve tried to write earlier in the day and have more of a 8-5 type schedule, but I am not a morning person. My brain just doesn’t want to work much before noon.
7. Do you aim for a set amount of words/pages per day?
I usually have a goal in mind before I start writing, but it varies. Some days, it’s slow going and I hope to get at least 500 words out. Other days, I fly through with thousands of words. So it depends on where I’m at in the book, when it’s due, and how I’m feeling about the whole thing.
8. When you develop your characters, do you already have an idea of who they are before you write or do you let them develop as you go?
With all my main characters, I have a really good idea of who they are, and it’s just a matter of showing that to the readers. With the side characters, they tend to be rather one-dimensional, and they grow into the story as they’re needed.
9. How did writing FREEKS differ from your writing your previous novels?
FREEKS was the first thing I had written in awhile that was started out just for me. For most of the past ten years, I have been writing my books with the intention of publishing them, with the audience and readers and trends in mind. I think I had gotten a little burnt out on trying to make everyone happy (mostly because it is impossible to please all readers all the time), and I just wanted to write something that for the sake of writing it.
And that turned out to be a gothic love story about a teenage girl travelling with a band of misfits in the 1980s. It was a very cathartic writing experience for me, and it reminded me of exactly why I loved writing in the first place – I love getting lost in the world, with the characters.
10. If Freeks had a theme song what would it be?
Either “Hush” by Limousines or “Head Over Heels” by Tears For Fears.
11. Can you please tell us a little bit about FREEKS and where you got the inspiration to write it?
I was going through a rough patch, creatively speaking, and so I just sat back and tried to think of my favorite and what I loved most that I would want to write about.
When I was a kid, I used to get old books at garage sales all the time, and I distinctly remember getting Cycle of the Werewolf by Stephen King and a few old V. C. Andrews novels, which are pulpy Southern Gothic-esque novels. I also watched The Lost Boys and Pretty in Pink over and over again (I think I literally ruined the old VHS of The Lost Boys from watching it too much).
So I basically threw all those things together in a soup, and I picked apart the things I liked and wanted to explore more. That became a travelling sideshow in the 80s stopping Louisiana, where a supernatural monster is afoot, and a girl from the wrong side of the tracks who is smith with a local boy with secrets of his own.
12. FREEKS is full of many amazingly talented characters and I imagine it was really fun to create some of them, but which one was your favorite and why?
Mara and Gabe are my obvious favorites, since they’re the main characters because I was drawn to them and their story the most. Both of them of them have complex feelings about family and personal identity, and their instant chemistry was fun to write.
But I think Gideon – the namesake and head of sideshow – was actually the biggest surprise, which made him fun in a different way. In the original outlines of the story, he was much a different character – very one-note and cruel – but he completely changed and evolved as I was writing.
13. The book is based off of a type of traveling circus that is full of many mysterious acts. If you were to attend a Freekshow, which act would you want to see most?
My favorites are usually the acrobatics, but I think if I attended Gideon Davorin’s Traveling Sideshow, I would be most excited to see Gideon’s magic act. With his skills and knowledge, I think it would be a really amazing show.
14. What do you hope readers will take away from FREEKS after reading it?
With some of my other novels, I deal with heavy themes like life and death, identity, honor, mortality, classism, and family. And while I do definitely touch on those themes in FREEKS, I mostly wrote it as an escape for myself, and that’s what I hope it is for other readers. Life can be hard and frustrating, and I just wanted to write a fun book that readers could get lost in for awhile.
15. What is something people would be surprised to know about you?
Probably how chronically shy I am. Writing is a weird profession, because a good 90% of it is perfect for introverts – you sit alone by yourself and make up imaginary friends to go on adventures. But the last 10% – which involves introducing the whole word to your imaginary friends – is the most exciting and rewarding part, but it’s also the most difficult when you’re as shy as I am.
EXCERPT: CHAPTER 1 – Premonitions
My feet rested against the dashboard of the Winnebago as we lumbered down the road, the second vehicle in a small caravan of beat-up trailers and motorhomes.
The sun hadn’t completely risen yet, but it was light enough that I could see outside. Not that there was much to see. The bridge stretched on for miles across Lake Tristeaux, and I could see nothing but the water around us, looking gray in the early morning light.
The AC had gone out sometime in Texas, and we wouldn’t have the money to fix it until after this stint in Caudry, if we were lucky. I’d cracked the window, and despite the chill, the air felt thick with humidity. That’s why I never liked traveling to the southeastern part of the country—too humid and too many bugs.
But we took the work that we got, and after a long dry spell waiting in Oklahoma for something to come up, I was grateful for this. We all were. If we hadn’t gotten the recommendation to Caudry, I’m not sure what we would’ve done, but we were spending our last dimes and nickels just to make it down here.
I stared ahead at Gideon’s motorhome in front of us. The whole thing had been painted black with brightly colored designs swirling around it, meant to invoke images of mystery and magic. The name “Gideon Davorin’s Traveling Sideshow” was painted across the back and both the sides. Once sparkles had outlined it, but they’d long since worn off.
My eyelids began to feel heavy, but I tried to ward off sleep. The radio in the car was playing old Pink Floyd songs that my mom hummed along to, and that wasn’t helping anything.
“You can go lay down in the back,” Mom suggested.
She did look awake, her dark gray eyes wide and a little frantic, and both her hands gripped the wheel. Rings made of painted gold and cheap stones adorned her fingers, glinting as the sun began to rise over the lake, and black vine tattoos wrapped around her hands and down her arms.
For a while, people had mistaken us for sisters since we looked so much alike. The rich caramel skin we both shared helped keep her looking young, but the strain of recent years had begun to wear on her, causing crow’s feet to sprout around her eyes and worried creases to deepen in her brow.
I’d been slouching low in the seat but I sat up straighter. “No, I’m okay.”
“We’re almost there. I’ll be fine,” she insisted.
“You say we’re almost there, but it feels like we’re driving across the Gulf of Mexico,” I said, and she laughed. “We’ve probably reached the Atlantic by now.”
She’d been driving the night shift, which was why I was hesitant to leave her. We normally would’ve switched spots about an hour or two ago, with me driving while she lay down. But since we were so close to our destination, she didn’t see the point in it.
On the worn padded bench beside the dining table, Blossom Mandelbaum snored loudly, as if to remind us we both should be sleeping. I glanced back at her. Her head lay at a weird angle, propped up on a cushion, and her brown curls fell around her face.
Ordinarily, Blossom would be in the Airstream she shared with Carrie Lu, but since Carrie and the Strongman had started dating (and he had begun staying over in their trailer), Blossom had taken to crashing in our trailer sometimes to give them privacy.
It wasn’t much of a bother when she slept here, and in fact, my mom kind of liked it. As one of the oldest members of the carnival—both in age and the length of time she’d been working here—my mom had become a surrogate mother to many of the runaways and lost souls that found us.
Blossom was two years younger than me, on the run from a group home that didn’t understand her or what she could do, and my mom had been more than happy to take her under her wing. The only downside was her snoring.
Well, that and the telekinesis.
“Mara,” Mom said, her eyes on the rearview mirror. “She’s doing it again.”
“What?” I asked, but I’d already turned around to look back over the seat.
At first, I didn’t know what had caught my mom’s eye, but then I saw it—the old toaster we’d left out on the counter was now floating in the air, hovering precariously above Blossom’s head.
The ability to move things with her mind served Blossom well when she worked as the Magician’s Assistant in Gideon’s act, but it could be real problematic sometimes. She had this awful habit of unintentionally pulling things toward her when she was dreaming. At least a dozen times, she’d woken up to books and tapes dropping on her. Once my mom’s favorite coffee mug had smacked her right in the head.
“Got it,” I told my mom, and I unbuckled my seat belt and went over to get it.
The toaster floated in front of me, as if suspended by a string, and when I grabbed it, Blossom made a snorting sound and shifted in her sleep. I turned around with the toaster under my arm, and I looked in front of us just in time to see Gideon’s trailer skid to the side of the road and nearly smash into the guardrail.
“Mom! Look out!” I shouted.
Mom slammed on the brakes, causing most of our possessions in the trailer to go hurtling toward the floor, and I slammed into the seat in front of me before falling to the ground. The toaster had slipped free from my grasp and clattered into the dashboard.
Fortunately, there was no oncoming traffic, but I could hear the sound of squealing tires and honking behind us as the rest of the caravan came to an abrupt stop.
“What happened?” Blossom asked, waking up in a daze from where she’d landed on the floor beneath the dining table.
“Mara!” Mom had already leapt from her seat and crouched in front of where I still lay on the worn carpet. “Are you okay?”
“Yeah, I’m fine,” I assured her.
“What about you?” Mom reached out, brushing back Blossom’s frizzy curls from her face. “Are you all right?”
Blossom nodded. “I think so.”
“Good.” That was all the reassurance my mom needed, and then she was on her feet and jumping out of the Winnebago. “Gideon!”
“What happened?” Blossom asked again, blinking the sleep out of her dark brown eyes.
“I don’t know. Gideon slammed on his brakes for some reason.” I stood up, moving much slower than my mother.
We had very narrowly avoided crashing into Gideon. He’d overcorrected and jerked to the other side of the road, so his motorhome was parked at an angle across both lanes of the highway.
“Is everyone okay?” Blossom had sat up, rubbing her head, and a dark splotch of a bruise was already forming on her forehead. That explained why she seemed even foggier than normal—she’d hit her head pretty good.
“I hope so. I’ll go check it out,” I said. “Stay here.”
By the time I’d gotten out, Seth Holden had already gotten out of the motorhome behind us. Since he was the Strongman, he was usually the first to rush into an accident. He wanted to help if he could, and he usually could.
“Lyanka, I’m fine,” Gideon was saying to my mother, his British accent sounding firm and annoyed.
“You are not fine, albi,” Mom said, using a term of affection despite the irritation in her voice.
I rounded the back of his motorhome to find Gideon leaning against it with my mom hovering at his side. Seth reached them first, his t-shirt pulled taut against his muscular torso.
“What’s going on? What happened?” Seth asked.
“Nothing. I just dozed off for a second.” Gideon waved it off. “Go tell everyone I’m fine. I just need a second, and we’ll be on our way again.”
“Do you want me to drive for you?” Seth asked. “Carrie can handle the Airstream.”
Gideon shook his head and stood up straighter. “I’ve got it. We’re almost there.”
“All right.” Seth looked uncertainly at my mom, and she nodded at him. “I’ll leave you in Lyanka’s care and get everyone settled down.”
As soon as Seth disappeared back around the motorhome, loudly announcing that everything was fine to everyone else, Gideon slumped against the trailer. His black hair had fallen over his forehead. The sleeves of his shirt were rolled up, revealing the thick black tattoos that covered both his arms.
“Gideon, what’s really going on?” Mom demanded with a worried tremor.
He swallowed and rubbed his forehead. “I don’t know.”
Even though the sun was up now, the air seemed to have gotten chillier. I pulled my sweater tighter around me and walked closer to them. Gideon leaned forward, his head bowed down, and Mom rubbed his back.
“You didn’t fall asleep, did you?” I asked.
Gideon lifted his eyes, looking as though he didn’t know I was there. And guessing by how pained he was allowing himself to look, he probably hadn’t. Gideon was only in his early thirties, but right now, he appeared much older than that.
That wasn’t what scared me, though. It was how dark his blue eyes were. Normally, they were light, almost like the sky. But whenever he’d had a vision or some kind of premonition, his eyes turned so dark they were nearly black.
“It was a headache,” Gideon said finally.
“There’s something off here,” Mom said. “I felt it as soon as we got on the bridge. I knew we should turn back, but I hoped that maybe I was imagining things. Now that I look at you, I know.”
That explained that frantic look in her eyes I’d seen earlier in the Winnebago, and how alert she’d been even though she’d been awake and driving for nearly twenty hours straight. Mom didn’t see things in the way Gideon did, but she had her own senses.
“It’s fine, Lyanka,” Gideon insisted. He straightened up again, and his eyes had begun to lighten. “It was only a migraine, but it passed. I am capable of having pain without supernatural reasons, too.”
Mom crossed her arms over her chest, and her lips were pressed into a thin line. “We should go back.”
“We’re almost there.” Gideon gestured to the end of the road, and I looked ahead for the first time and realized that we could see land. The town was nestled right up to the lake, and we couldn’t be more than ten minutes outside the city limits.
“We could still turn around,” Mom suggested.
“We can’t.” He put his hands on her arms to ease her worries. “We don’t have any money, love. The only way we can go is forward.”
“Gideon.” She sighed and stared up at the sky, the violet fabric of her dress billowing out around her as the wind blew over us, then she looked back at him. “Are you sure you’re okay to drive?”
“Yes, I’m sure. Whatever pain I had, it’s passed.” He smiled to reassure her. “We should go before the others get restless.”
She lowered her eyes, but when he leaned in to kiss her, she let him. She turned to go back to our motorhome, and as she walked past me, she muttered, “I knew we should never travel on Friday the thirteenth. No good ever comes of it.”
I’d waited until she’d gone around the corner to turn back to Gideon, who attempted to give me the same reassuring smile he’d given my mom.
“We could go back,” I said. “There’s always a way. We’ve made it on less before.”
“Not this time, darling.” He shook his head. “And there’s no reason to. Leonid assured me there’d be a big payday here, and I’ve got no reason to doubt him. We can make a go of it here.”
“As long as you’re sure we’ll be okay.”
“I haven’t steered you all wrong yet.” Gideon winked at me then, but he was telling the truth. In the ten years that my mom and I had been following him around the country, he’d always done the best he could by us.
I went back and got into the Winnebago with my mom and Blossom. Within a couple minutes, Gideon had straightened his motorhome out, and the caravan was heading back down the road. At the end of the bridge was a large sign that read WELCOME TO CAUDRY, POPULATION 13,665.
As soon as we crossed the line into town, the air seemed even colder than before. That’s when I realized the chill wasn’t coming from outside—it was coming from within me.
Copyright © 2016 by Amanda Hocking and reprinted by permission of St. Martin’s Griffin.