Those of you who are regular visitors will know that I am a real fan of Hall’s writing – see my review of Spark and Carousel here. Would this latest offering also please?
When Asta’s nephew is taken by slavers, she pledges to her brother that she will find him, or die trying. Her search takes her from the fading islands of the Scattering, a nation in thrall to a powerful enemy, to the port city of Abonnae. There she finds a people dominated by a sinister cult, thirsty for blood to feed their hungry god. Haunted by the spirit of her brother, forced into an uncertain alliance with a pair of assassins, Asta faces a deadly choice – save the people of two nations, or save her brother’s only son.
I love Asta’s character. She is plunged into the middle of a horrific situation and copes brilliantly, without turning into a Mary Sue, which is a far harder balancing act than Hall makes it look. As she is pulled into the middle of the politics of two colliding societies she knows very little about, she has to exist on her wits to cope. Fortunately, Asta is intelligent and resourceful – and she also has her brother’s spirit to aid her. However, this proves to be a mixed blessing… One of the things I really enjoy about Hall’s writing is the sharp-edged reality to her writing. While this isn’t the type of grimdark where every other word is an expletive and the overall tone is sharply sarcastic and bleak, it doesn’t give any quarter. So Finn, Asta’s brother, has sibling issues that now have far greater resonance given that he’s inside her head and they regularly squabble. While sometimes there is affectionate humour in their exchanges which helps Asta cope, there are also occasions when their quarrels get in the way of her ability to deal with her situation.
As the adventure gallops forward and Asta is catapulted into the middle of a complicated political situation, I appreciated how Hall completely side-steps the inevitable info-dump. Asta discovers the nuances going on around her the hard way – if she gets it wrong, she’ll be beaten or worse, as we learn what is going on alongside her. It’s a nifty trick to pull off successfully. Her search for her nephew takes her into some dangerous situations and we meet a cast of supporting characters who ping off the page with their vividness and varying attitudes. No one is portrayed as completely good, or all bad, as Asta also makes some major mistakes along the way, too. This nuanced approach particularly applies to the major antagonist, who I found myself pitying even while hoping Asta is able to escape his clutches.
During the fight scenes, I was holding my breath – for Hall isn’t afraid to kill off some of her more major characters and a couple of times the death of a character caught me unawares. So at no point could I predict what would happen next. The story held me right to the end, where it was tied up without being too neat. You don’t get the sense the survivors will live happily ever after in Hall’s world, as Life is too precarious and chancy for any such tidy ending. This story is standalone, although it does loosely connect with Hall’s The Art of Forgetting duology. For me, this is the best book yet. I loved this adventure and it comes very highly recommended to anyone who enjoys epic Fantasy at its sizzling best.
My copy of The Summer Goddess was provided by the publisher via Netgalley in return for an honest review.