Himself has discovered that Armstrong had been busy completing this entertaining series, so decided to track down the books we hadn’t yet read. Starting with Bitten, this urban fantasy series charted the stories of various female protagonists in Armstrong’s supernatural world. And Frostbitten returns to Elena, who featured in Bitten, with this next slice of her adventure.
After years of struggle, Elena Michaels has finally accepted her life as a werewolf, and learned how to control her wild side. At least, that’s what she believes when she sets off to investigate a series of gruesome murders outside Anchorage. The truth, however, is more complicated. Trapped in a frozen, unforgiving terrain, Elena is forced to confront a deadly secret, and her own untamed nature…
Hm. I’m not overly impressed with this blurb – it makes this book sound like Elena spends a chunk of the narrative agonising over the nature of her own supernatural status… how she is going to cope… what will happen next… While all those issues are present, they are niftily interleaved amongst the full-on action that kicks off right at the start of the book and don’t stop until the final page.
One of the things that impresses me about Armstrong is how much these books vary in tone, depending on who the protagonist is. In No Humans Involved – see my review here – the tension builds slowly and steadily throughout as Jamie battles to work out exactly what is going on. In Personal Demon – see my review here – Hope and Lucas are trying to work out who is responsible for the trail of mayhem, so my attention was held by their unravelling the puzzle. Whereas in Frostbitten, we get to know fairly quickly exactly who is responsible for the murders – the tension comes in whether Elena and Clay can prevail against the mutts. And what Elena is going to decide to do regarding the future of their Pack…
I really enjoyed this update on a character I loved in previous books, and I think Armstrong has achieved a difficult trick – to show a character’s maturation and greater sense of responsibility without her losing her edge. Which is a great deal harder than she makes it look. It was also enjoyable to take Elena right out of her comfort zone and deposit her in a different part of the country – Armstrong has been smart in this long-running series to swing the action around in a variety of different settings, which has also helped to retain the freshness and excitement of each story. I also very much like how she has portrayed the relationship between Elena and Clay, now they are settled with a family.
She tackles a difficult subject – and one I’ve become increasingly intolerant as a plot device – Elena’s feelings when cornered by a rapist. While I’m not going to divulge how she fares – that strays into spoiler territory – I was gratified to see that even though as a werewolf, she is fitter and stronger than the average woman, she was absolutely terrified, and made no bones about it. Quite right, too.
Any woman who has been in that situation knows it is an utterly horrible experience and I get very fed up when writers serve it up as just one more assault. And when the heroine bounces back, right as a trivet so that by the end of the novel, she quite happy to resume her sexual relationship with her boyfriend – the book goes flying across the room, along with a barrage of language I won’t be repeating here. Armstrong has her strong, capable heroine very afraid to the extent that she finds it difficult to function – in other words, she feels like the rest of us when confronted with such a threat.
So, does the story come to a successful conclusion? Oh yes – I was delighted with this slice of werewolf edginess and am eagerly looking forward to reading the next in the series.