Another excellent and knowlegeable review by Joachim Boaz – along with a collection of covers that were used on ‘The Dream Master’.
(Kelly Freas’ cover for the 1966 edition)
4/5 (Good)
Roger Zelazny’s The Dream Master (1966)—expanded from the Nebula Award winning novella “He Who Shapes” (1965)—revolves around the Freudian notion of the centrality of dreams and importance of decoding dreams for psychoanalytical treatment. Susan Parman, in Dream and Culture (1990), points out that Freud was initially focused on “treating ‘abnormal’ patients” but soon “expanded his theory of psychoanalysis to explain puzzling events in ‘normal’ behavior” including dreams. Freud’s influential work The Interpretation of Dreams (1899) argued that the “dream expresses the secret wishes of the soul” where the dreamscape is the “arena” in which good and bad forces are engaged in a struggle. Thus, the dream is a message that must be deciphered by an “allegorical
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